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Aysha Wills - Bach: Flute sonatas (2022) [Hi-Res]

Aysha Wills - Bach: Flute sonatas (2022) [Hi-Res]
  • Title: Bach: Flute sonatas
  • Year Of Release: 2022
  • Label: TRPTK
  • Genre: Classical
  • Quality: flac lossless (tracks) / flac 24bits - 176.4kHz +Booklet
  • Total Time: 00:56:20
  • Total Size: 331 mb / 1.73 gb
  • WebSite:
Tracklist

01. Sonata in B Minor, BWV 1030 I. Andante
02. Sonata in B Minor, BWV 1030 II. Largo e dolce
03. Sonata in B Minor, BWV 1030 III. Presto
04. Sonata in E Major, BWV 1035 I. Adagion ma non tanto
05. Sonata in E Major, BWV 1035 II. Allegro
06. Sonata in E Major, BWV 1035 III. Siciliano
07. Sonata in E Major, BWV 1035 IV. Allegro assai
08. Sonata in A Major, BWV 1032 I. Vivace
09. Sonata in A Major, BWV 1032 II. Largo e dolce
10. Sonata in A Major, BWV 1032 III. Allegro
11. Sonata in E Minor, BWV 1034 I. Adagion ma non tanto
12. Sonata in E Minor, BWV 1034 II. Allegro
13. Sonata in E Minor, BWV 1034 III. Andante
14. Sonata in E Minor, BWV 1034 IV. Allegro

Aysha Wills (1994) is a Canadian flautist currently based in Amsterdam. She is specialised in performance on historical instruments. From a young age, she has built an impressive career with national and international performances and recordings. Aysha is also one of the founding members of the early music ensemble Postscript. Postscript is an award-winning ensemble whose debut CD, Introdvctio (released by TRPTK), has received copious praise from early music and hi-fi fans across the globe.

On her first solo recording Bach: Flute sonatas she is joined by fellow Postscript members Artem Belogurov (harpsichord and clavichord) and Octavie Dostaler-Lalonde (cello). Recorded in the beautiful setting of the Waalse Kerk in the heart of Amsterdam, this authentic recording is an ode to J.S. Bach's work for flute, both in performance and recording.

“Any time I have been asked what I want to play for my first solo recording, I have felt torn. From an early age and throughout my career, I’ve loved unearthing and programming lesser-known repertoire. What could be more satisfying than ‘rediscovering’ something beautiful, but largely forgotten, and being able to give it a new life? To bring it to a new audience?...




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