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Artem Belogurov and Menno van Delft - Miscellanea (2021) [Hi-Res]

Artem Belogurov and Menno van Delft - Miscellanea (2021) [Hi-Res]
  • Title: Miscellanea
  • Year Of Release: 2021
  • Label: TRPTK
  • Genre: Classical
  • Quality: flac lossless (tracks) / flac 24bits - 176.4kHz +Booklet
  • Total Time: 03:06:25
  • Total Size: 941 mb / 5.78 gb
  • WebSite:
Tracklist

CD1
1.01. Sonate pour deux clavecins ou piano-forte in D Major, KV448 (375a) I. Allegro con spirito
1.02. Sonate pour deux clavecins ou piano-forte in D Major, KV448 (375a) II. Andante
1.03. Sonate pour deux clavecins ou piano-forte in D Major, KV448 (375a) III. Molto allegro
1.04. Sonata No. 2 from VIII Sonatas or Lessons for the Harpsichord I. Andante
1.05. Sonata No. 2 from VIII Sonatas or Lessons for the Harpsichord II. Adagio
1.06. Sonata No. 2 from VIII Sonatas or Lessons for the Harpsichord III. Allegrissimo
1.07. Fantasia from Musikalischer Pot-Pourri in A Minor
1.08. Sonata No. 4 from Sechs kleine und leichte Sonaten fürs Klavier oder Fortepiano in F Major I. Andantino
1.09. Sonata No. 4 from Sechs kleine und leichte Sonaten fürs Klavier oder Fortepiano in F Major II. Presto
1.10. Sonata IV a quatro mani from Sechs leichte Sonaten fürs Clavier oder Piano-Forte in C Minor I. Adagio, mesto e sostenuto
1.11. Sonata IV a quatro mani from Sechs leichte Sonaten fürs Clavier oder Piano-Forte in C Minor II. Allegro di molto
1.12. Sonata from Sei Sonate con Variate Repetizioni per il Clavicembalo in D Minor, Op. 2 No. 2 I. Moderato
1.13. Sonata from Sei Sonate con Variate Repetizioni per il Clavicembalo in D Minor, Op. 2 No. 2 II. Andantino con grazia
1.14. Sonata from Sei Sonate con Variate Repetizioni per il Clavicembalo in D Minor, Op. 2 No. 2 III. Poco presto
1.15. Fugue No. 2 from Zwei Fugen mit vier Händen für die Orgel oder das Klavier in D Minor
2.01. Voluntary XX from Ten Voluntaries for the Organ or Harpsichord in G Major

CD2
2.02. Fantasie für den Flügel from Kleine Klavier- und Singstücke in C Major
2.03. Das Glockengeläut zu Rom in dem Vatikan in C Minor
2.04. Sonate à 4 mains pour le Clavecin ou Piano-Forte in C Major, Op. 2 I. Allegro moderato
2.05. Sonate à 4 mains pour le Clavecin ou Piano-Forte in C Major, Op. 2 II. Adagio
2.06. Sonate à 4 mains pour le Clavecin ou Piano-Forte in C Major, Op. 2 III. Rondo Vivace
2.07. Sonata No. 4 from Sei sonate per il clavicembalo in B Minor I. Moderato e cantabile
2.08. Sonata No. 4 from Sei sonate per il clavicembalo in B Minor II. Adagio
2.09. Sonata No. 4 from Sei sonate per il clavicembalo in B Minor III. Allegretto e con molti espressione
2.10. Une Sonate à quatre Mains pour Clavecin ou Piano-Forte in F Major, Op. 4 II. Adagio
2.11. Sonata from Drey Sonaten für das Klavier in B Flat Major I. Allegro
2.12. Sonata from Drey Sonaten für das Klavier in B Flat Major II. Adagio
2.13. Sonata from Drey Sonaten für das Klavier in B Flat Major III. Allegretto
2.14. Sonata per Gravicembalo Solo in C Major, Op. 15 I. Allegro di molto
2.15. Sonata per Gravicembalo Solo in C Major, Op. 15 II. Adagio
2.16. Sonata per Gravicembalo Solo in C Major, Op. 15 III. Presto vivace

CD3
3.01. Sonate pour le Clavecin ou Piano-Forte á Six Mains in F Major, Op. 10 I. (untitled)
3.02. Sonate pour le Clavecin ou Piano-Forte á Six Mains in F Major, Op. 10 II. Rondo
3.03. Huit Variations sur l’Air Russe “Ty podi moja korovuschka domoi” in A Minor, Op. 15
3.04. Duo pour le Clavecin ou Piano-Forte in B Flat Major, Op. 29 I. Adagio
3.05. Duo pour le Clavecin ou Piano-Forte in B Flat Major, Op. 29 II. Allegro
3.06. Duo pour le Clavecin ou Piano-Forte in B Flat Major, Op. 29 III. Rondeau Allegro
3.07. Sonata VI a tre mani from Sechs leichte Sonaten fürs Clavier oder Piano-Forte in C Major, Op. 12 No. 6 I. Allegro
3.08. Air varié à quatre mains pour le Clavecin our Piano-Forte in G Minor, Op. 1
3.09. Concerto in E Major I. Allegro
3.10. Concerto in E Major II. Largo
3.11. Concerto in E Major III. Vivace
3.12. Sonatine für vier Hände auf einem Claviere in G Minor & G Major I. Larghetto
3.13. Sonatine für vier Hände auf einem Claviere in G Minor & G Major II. Rondo Allegretto

Just imagine, being asked whether you would be interested in a pile of copies of scores left over from the extensive collection of the legendary Christopher Hogwood (1941-2014), one of the British pioneers of the Early Music movement. This happened to harpsichordist Menno van Delft who, together with Artem Belogurov, one of his former Master students, worked through no less than twelve large boxes of historical material: a true voyage of discovery!

Working closely together, Belogurov and Van Delft brought order to the extensive collection. They also made a preliminary selection of works they wanted to perform, in which all possible combinations were imaginable, from solo to six-handed! But also a four-handed fugue for organ or a combination of harpsichord and fortepiano were among the possibilities.

The adventurous TRPTK label immediately expressed its interest in a recording project. Amerongen Castle was chosen as the location, a place that breathes music with its collection of historical instruments. Van Delft: "The music hall has fantastic acoustics and the residents were extremely hospitable. We were allowed to record there every evening for a fortnight, after the tours during the day. We really lived there." Belogurov: "I was completely in love with the rare Kirkman harpsichord they have there, a beautiful instrument."

Inspired recordings were made in this inviting atmosphere, with WA Mozart's 'Sonata pour deux clavecins ou piano-forte in D Major, KV 448' given a performance on fortepiano and harpsichord for the first time. A discovery for Van Delft is the oeuvre of Siegfried Schmiedt (c1756-1799), who is represented with his 'Fantasia in A Minor' and 'Sonata No. 4. He also finds the 'Vivace' from the 'Concerto in E Major' by Hirich Conrad Kreising (c1700-1771) masterly. Belogurov mentions the 'Sonata No. 2, Op.2' by Georg Simon Löhlein (1725-1781) and the 'Sonata per Gravicembalo Solo in C Major, Op. 15' by Gottfried Weber (1779-1839). A curiosity is the 'Sonata No.1' by Christian Friedrich Gottlieb Schwenke (1767-1822), who extensively quotes from the aforementioned sonata by WA Mozart. Rarely has a more penetrating look been offered into the keyboard music of the 18th century, with various well-known, lesser-known and forgotten musical masters.



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  • gemofroe
  •  wrote in 14:37
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thanks a lot