Andrew Lawrence-King, Alamire, Quintessential, David Skinner - Motets from a Royal Choirbook (British Library, MS Roy. 11.e.xi) (2009)
BAND/ARTIST: Andrew Lawrence-King, Alamire, Quintessential, David Skinner
- Title: Obsidian
- Year Of Release: 2009
- Label: Obsidian
- Genre: Classical
- Quality: flac lossless (tracks)
- Total Time: 01:15:47
- Total Size: 351 mb
- WebSite: Album Preview
Tracklist
01. Christe Jesu pastor bone
02. King's Pavan
03. England Be Glad
04. Consort No. 12
05. Madame d'amours
06. Tandernaken
07. Salve radix
08. Psallite felices
09. Sub tuum præsidium
10. Quam pulcra est
11. Hec est præclarum vas
12. Beati omnes qui timent Dominum
13. Consort No. 13
14. O My Hart
15. Hélas madam
16. Though Sum Saith That Yough Rulyth Me
17. Nil majus superi vident
18. Consort No. 8
19. Adieu madame
20. En vray amoure
21. Lauda vivi alpha
Founded by David Skinner in 2005, Alamire is made up of some of the finest consort singers in the UK and exist in order to explore and promote the compositional processes behind the great masterworks, and lesser-known works, of the late medieval and early modern periods. The ensemble records exclusively for Obsidian Records and has toured the USA, UK and Europe extensively. Other projects include sound installations for art galleries and soundtracks for television and film.
David Skinner is known primarily for his combined role as a researcher and performer of early music, and is Fellow and Director of Music at Sidney Sussex College, Cambridge, and an Affiliated Lecturer in the Faculty of Music. He teaches historical and practical topics from the medieval and renaissance periods. From 1997 to 2001 he was a Postdoctoral Fellow of the British Academy at Christ Church, Oxford (where he was a Choral Scholar from 1989 to 1994), and was the Lecturer in Music at Magdalen College, Oxford, from 2001 to 2006. At Cambridge he conducts the Choir of Sidney Sussex College, with whom he has toured and made professional recordings. He has published widely on music and musicians of early Tudor England, and his most recent projects include the collected works of Nicholas Ludford (Early English Church Music, 2003 & 2005) and The Arundel Choirbook (Duke of Norfolk: Roxburghe Club, 2003). He is currently editing the Latin church music of John Sheppard for publication in 2008, and co-authoring a book on music and the English Reformation.
Andrew Lawrence-King is recognized as one of Europe's leading early music artists, and is currently leader of The Harp Consort. He has recorded with nearly all the leading specialist ensembles, and has made over 100 recordings of music ranging from Troubadour lyrics (with Paul Hillier for ECM) to 15th and 16th century repertoire (Gothic Voices) to new music for early harp (John Paul Jones Amores Pasados with The Harp Consort for DHM). Also on record are two accounts with The Sixteen and the Taverner Players - of the Handel Harp Concerto.
Formed in 1993 by an organist and five wind players, members of QuintEssential have performed with some of the leading British period instrument groups, while QuintEssential has collaborated with vocal ensembles such as the Oxford Camerata, Concertare, the Choir of the Brompton Oratory and the Choir of the Chapel Royal at the Tower of London. Participation in various early music festivals such as those in York, Beverley, Warwick & Leamington and Norfolk & Norwich and tours throughout Europe have ensured a growing and dedicated following for the group and enhanced their growing reputation as an inventive and expressive young period instrument ensemble.
01. Christe Jesu pastor bone
02. King's Pavan
03. England Be Glad
04. Consort No. 12
05. Madame d'amours
06. Tandernaken
07. Salve radix
08. Psallite felices
09. Sub tuum præsidium
10. Quam pulcra est
11. Hec est præclarum vas
12. Beati omnes qui timent Dominum
13. Consort No. 13
14. O My Hart
15. Hélas madam
16. Though Sum Saith That Yough Rulyth Me
17. Nil majus superi vident
18. Consort No. 8
19. Adieu madame
20. En vray amoure
21. Lauda vivi alpha
Founded by David Skinner in 2005, Alamire is made up of some of the finest consort singers in the UK and exist in order to explore and promote the compositional processes behind the great masterworks, and lesser-known works, of the late medieval and early modern periods. The ensemble records exclusively for Obsidian Records and has toured the USA, UK and Europe extensively. Other projects include sound installations for art galleries and soundtracks for television and film.
David Skinner is known primarily for his combined role as a researcher and performer of early music, and is Fellow and Director of Music at Sidney Sussex College, Cambridge, and an Affiliated Lecturer in the Faculty of Music. He teaches historical and practical topics from the medieval and renaissance periods. From 1997 to 2001 he was a Postdoctoral Fellow of the British Academy at Christ Church, Oxford (where he was a Choral Scholar from 1989 to 1994), and was the Lecturer in Music at Magdalen College, Oxford, from 2001 to 2006. At Cambridge he conducts the Choir of Sidney Sussex College, with whom he has toured and made professional recordings. He has published widely on music and musicians of early Tudor England, and his most recent projects include the collected works of Nicholas Ludford (Early English Church Music, 2003 & 2005) and The Arundel Choirbook (Duke of Norfolk: Roxburghe Club, 2003). He is currently editing the Latin church music of John Sheppard for publication in 2008, and co-authoring a book on music and the English Reformation.
Andrew Lawrence-King is recognized as one of Europe's leading early music artists, and is currently leader of The Harp Consort. He has recorded with nearly all the leading specialist ensembles, and has made over 100 recordings of music ranging from Troubadour lyrics (with Paul Hillier for ECM) to 15th and 16th century repertoire (Gothic Voices) to new music for early harp (John Paul Jones Amores Pasados with The Harp Consort for DHM). Also on record are two accounts with The Sixteen and the Taverner Players - of the Handel Harp Concerto.
Formed in 1993 by an organist and five wind players, members of QuintEssential have performed with some of the leading British period instrument groups, while QuintEssential has collaborated with vocal ensembles such as the Oxford Camerata, Concertare, the Choir of the Brompton Oratory and the Choir of the Chapel Royal at the Tower of London. Participation in various early music festivals such as those in York, Beverley, Warwick & Leamington and Norfolk & Norwich and tours throughout Europe have ensured a growing and dedicated following for the group and enhanced their growing reputation as an inventive and expressive young period instrument ensemble.
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