Various Artists - Nostalgique Bollywood (Chansons Mémorables De Films D'amour Et De Dévotion 1939-1959)
BAND/ARTIST: Various Artists
- Title: Nostalgique Bollywood
- Year Of Release: 2022
- Label: Buda musique
- Genre: World
- Quality: FLAC lossless
- Total Time: 58 min
- Total Size: 260 MB
- WebSite: Album Preview
Memorable songs from films of love and devotion (1939–1959)
A contraction of the Hindi Bombay (now Mumbai), the vibrant heart of the Indian film industry, and Californian Hollywood, the name “Bollywood” appeared in the writings of journalists in the 1970s, although no one could claim authorship. However, Indian cinema made its presence felt long before the huge success of Bollywood. As early as 1913, the silent film Raja Harishchandra (King Harishchandra), often referred to as the first Indian feature film in history, laid the foundations for an industry that would flourish with the arrival of talkies. The great leap forward came, to be precise, with the 1931 release of Alam Ara (Light of the World), which paved the way for the singing genre. This was when the Bollywood phenomenon really started. When Wazir Mohammed Khan sang the title track of this Hindustani (Hindi-Urdu) production, De Khuda Ke Naam Pyare (In the Name of God), in the guise of a fakir, he did not know that he was pioneering one of the most revered (and reviled) musical forms in the subcontinent.
This collection had to delve into the musical sources of these film songs, which over time have become a predominant feature of wider Indian culture. Several titles in "Nostalgic Bollywood" refer to devotional songs and to the ancestral heritage of the Indian theatrical tradition, from ramila, a re-enactment of the life of Ram, the mythical king and avatar of the god Vishnu, to nautanki, a North Indian folk opera derived from romantic, historical or mythological tales, and tamasha, a Marathi dramatic genre from Maharashtra (central-western India) accompanied by song and dance.
Tracklist:
1.01 - Lata Mangeshkar - Lara Lappa Lara Lappa Laayi Rakhda (3:11)
1.02 - Suraiya - Tere Nainon Ne Chori Kiya (2:45)
1.03 - Lalita Parulekar - Aaya Basant Sakhi (3:06)
1.04 - Govind Kurvalikar - Gao Tarane Man Ke (3:29)
1.05 - Meena Kapoor - Patilachya Pori Jara Japun Japun (3:27)
1.06 - Dharmadasa Walpola - Aana Meri Jaan Sunday Ke Sunday (2:58)
1.07 - Mohammed Rafi - Dil Mein Chupake Pyar Ka Toofan (2:57)
1.08 - Lata Mangeshkar - Ali Divaali Mangaladaayi (3:17)
1.09 - Juthika Roy - Sadhan Karna Chahiye Re Manava (3:23)
1.10 - Omkarnath Thakur - Karat Ho Moso Nehaki (6:50)
1.11 - Nirmal Mukherjee - Sharadin Korechi Ma Go (3:18)
1.12 - Nirmal Mukherjee - Tora Ja Khusi Bolo Bhai (3:15)
1.13 - Saraswati Rane - Ghanshyam Nayani Ala (3:20)
1.14 - Shamshad Begum - Ek Bar Tu Ban Ja Mera (3:27)
1.15 - Vishnupant Pagnis - Tu Ram Bajan Kar Prani (3:22)
1.16 - Nilima Banerjee - Prano Sakhi Re (3:12)
1.17 - Dhananjoy Bhattacharya - Trinayani Durga (3:14)
A contraction of the Hindi Bombay (now Mumbai), the vibrant heart of the Indian film industry, and Californian Hollywood, the name “Bollywood” appeared in the writings of journalists in the 1970s, although no one could claim authorship. However, Indian cinema made its presence felt long before the huge success of Bollywood. As early as 1913, the silent film Raja Harishchandra (King Harishchandra), often referred to as the first Indian feature film in history, laid the foundations for an industry that would flourish with the arrival of talkies. The great leap forward came, to be precise, with the 1931 release of Alam Ara (Light of the World), which paved the way for the singing genre. This was when the Bollywood phenomenon really started. When Wazir Mohammed Khan sang the title track of this Hindustani (Hindi-Urdu) production, De Khuda Ke Naam Pyare (In the Name of God), in the guise of a fakir, he did not know that he was pioneering one of the most revered (and reviled) musical forms in the subcontinent.
This collection had to delve into the musical sources of these film songs, which over time have become a predominant feature of wider Indian culture. Several titles in "Nostalgic Bollywood" refer to devotional songs and to the ancestral heritage of the Indian theatrical tradition, from ramila, a re-enactment of the life of Ram, the mythical king and avatar of the god Vishnu, to nautanki, a North Indian folk opera derived from romantic, historical or mythological tales, and tamasha, a Marathi dramatic genre from Maharashtra (central-western India) accompanied by song and dance.
Tracklist:
1.01 - Lata Mangeshkar - Lara Lappa Lara Lappa Laayi Rakhda (3:11)
1.02 - Suraiya - Tere Nainon Ne Chori Kiya (2:45)
1.03 - Lalita Parulekar - Aaya Basant Sakhi (3:06)
1.04 - Govind Kurvalikar - Gao Tarane Man Ke (3:29)
1.05 - Meena Kapoor - Patilachya Pori Jara Japun Japun (3:27)
1.06 - Dharmadasa Walpola - Aana Meri Jaan Sunday Ke Sunday (2:58)
1.07 - Mohammed Rafi - Dil Mein Chupake Pyar Ka Toofan (2:57)
1.08 - Lata Mangeshkar - Ali Divaali Mangaladaayi (3:17)
1.09 - Juthika Roy - Sadhan Karna Chahiye Re Manava (3:23)
1.10 - Omkarnath Thakur - Karat Ho Moso Nehaki (6:50)
1.11 - Nirmal Mukherjee - Sharadin Korechi Ma Go (3:18)
1.12 - Nirmal Mukherjee - Tora Ja Khusi Bolo Bhai (3:15)
1.13 - Saraswati Rane - Ghanshyam Nayani Ala (3:20)
1.14 - Shamshad Begum - Ek Bar Tu Ban Ja Mera (3:27)
1.15 - Vishnupant Pagnis - Tu Ram Bajan Kar Prani (3:22)
1.16 - Nilima Banerjee - Prano Sakhi Re (3:12)
1.17 - Dhananjoy Bhattacharya - Trinayani Durga (3:14)
Year 2022 | World | FLAC / APE
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