Jean-Marc Fessard, Frederic Pelassy, Eliane Reyes - Jean-Marc Fessard, Frederic Pelassy, Eliane Reyes (2010)
BAND/ARTIST: Jean-Marc Fessard, Frederic Pelassy, Eliane Reyes
- Title: Jean-Marc Fessard, Frederic Pelassy, Eliane Reyes
- Year Of Release: 2010
- Label: Naxos
- Genre: Classical
- Quality: flac lossless (tracks) +Booklet
- Total Time: 01:07:24
- Total Size: 305 mb
- WebSite: Album Preview
Tracklist
01. Suite, Op. 157b: I. Ouverture
02. Suite, Op. 157b: II. Divertissement
03. Suite, Op. 157b: III. Jeu
04. Suite, Op. 157b: IV. Introduction Et Final
05. Scaramouche, Op. 165d (version for Clarinet and Piano): I. Vif
06. Scaramouche, Op. 165d (version for Clarinet and Piano): II. Modere
07. Scaramouche, Op. 165d (version for Clarinet and Piano): III. Brazileira
08. Violin Sonata No. 2, Op. 40: I. Pastoral
09. Violin Sonata No. 2, Op. 40: II. Vif
10. Violin Sonata No. 2, Op. 40: III. Lent
11. Violin Sonata No. 2, Op. 40: IV. Tres Vif
12. Sonatina, Op. 100: I. Tres Rude
13. Sonatina, Op. 100: II. Lent
14. Sonatina, Op. 100: III. Tres Rude
15. Le Printemps, Op. 18
16. Cinema-Fantaisie D'apres Le Boeuf Sur Le Toit, Op. 58b
Darius Milhaud frequently composed music for stage and screen. The Suite derives from his incidental music for Jean Anouilh’s play Le Voyageur. The outer movements of Scaramouche are taken from his stage music for Charles Vildrac’s adaptation of Molière’s Le Médecin volant, with the central movement drawn from the overture for Jules Supervielle’s Bolivar. Le Printemps and the Cinéma-Fantaisie similarly rework previously composed music. In each case, Milhaud created new works whose sophistication, lively rhythms and elegance matter more than their origins. The two remaining works, the Violin Sonata No. 2 and the Sonatina for clarinet and piano, were freshly composed and show Milhaud’s remarkable ingenuity.
01. Suite, Op. 157b: I. Ouverture
02. Suite, Op. 157b: II. Divertissement
03. Suite, Op. 157b: III. Jeu
04. Suite, Op. 157b: IV. Introduction Et Final
05. Scaramouche, Op. 165d (version for Clarinet and Piano): I. Vif
06. Scaramouche, Op. 165d (version for Clarinet and Piano): II. Modere
07. Scaramouche, Op. 165d (version for Clarinet and Piano): III. Brazileira
08. Violin Sonata No. 2, Op. 40: I. Pastoral
09. Violin Sonata No. 2, Op. 40: II. Vif
10. Violin Sonata No. 2, Op. 40: III. Lent
11. Violin Sonata No. 2, Op. 40: IV. Tres Vif
12. Sonatina, Op. 100: I. Tres Rude
13. Sonatina, Op. 100: II. Lent
14. Sonatina, Op. 100: III. Tres Rude
15. Le Printemps, Op. 18
16. Cinema-Fantaisie D'apres Le Boeuf Sur Le Toit, Op. 58b
Darius Milhaud frequently composed music for stage and screen. The Suite derives from his incidental music for Jean Anouilh’s play Le Voyageur. The outer movements of Scaramouche are taken from his stage music for Charles Vildrac’s adaptation of Molière’s Le Médecin volant, with the central movement drawn from the overture for Jules Supervielle’s Bolivar. Le Printemps and the Cinéma-Fantaisie similarly rework previously composed music. In each case, Milhaud created new works whose sophistication, lively rhythms and elegance matter more than their origins. The two remaining works, the Violin Sonata No. 2 and the Sonatina for clarinet and piano, were freshly composed and show Milhaud’s remarkable ingenuity.
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