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Lamberto Gardelli & London Philharmonic Orchestra - Verdi: Macbeth (2022)

Lamberto Gardelli & London Philharmonic Orchestra - Verdi: Macbeth (2022)
  • Title: Verdi: Macbeth
  • Year Of Release: 1993 / 2022
  • Label: Urania Records
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 2:24:36
  • Total Size: 627 MB
  • WebSite:
Tracklist:

Disc 1

1. Macbeth: Preludio (03:20)
2. Macbeth, Act I Scene 1: Che faceste? Dite su! (03:28)
3. Macbeth, Act I Scene 2: Giorno non vidi mai sì fiero e bello! (09:33)
4. Macbeth, Act I Scene 5: Nel dì della vittoria io le incontrai (09:17)
5. Macbeth, Act I Scene 8: Oh donna mia! (03:26)
6. Macbeth, Act I Scene 9: Sappia la sposa mia che, appena pronta (11:14)
7. Macbeth, Act I Scene 16: Di destarlo per tempo il Re m'impose (07:49)
8. Macbeth, Act II Scene 1: Perché mi sfuggi? (06:43)
9. Macbeth, Act II Scene 3: Chi v'impose unirvi a noi? (03:00)
10. Macbeth, Act II Scene 4: Studia il passo, o mio figlio (04:23)
11. Macbeth, Act II Scene 5: Salve, o Re! (04:10)
12. Macbeth, Act II Scene 7: Che ti scosta, o re mio sposo (06:10)
13. Macbeth, Act II Scene 7: Sangue a me quell'ombra chiede (04:58)

Disc 2

1. Macbeth, Act III Scene 1: Su via! Sollecite giriam la pentola (03:53)
2. Macbeth, Act III Scene 1: Balletto (09:59)
3. Macbeth, Act III Scene 2: Finché appelli, silenti m'attendete (16:15)
4. Macbeth, Act III Scene 4: Ove son io? (03:26)
5. Macbeth, Act IV Scene 1: Patria oppressa (06:16)
6. Macbeth, Act IV Scene 1: O figli, o figli miei (03:32)
7. Macbeth, Act IV Scene 2: Dove siam? Che bosco è quello? (02:48)
8. Macbeth, Act IV Scene 3: Vegliammo invan due notti (04:26)
9. Macbeth, Act IV Scene 4: Una macchia è qui tuttora (06:39)
10. Macbeth, Act IV Scene 5: Perfidi! All'anglo contro me v'unite! (05:57)
11. Macbeth, Act IV Scene 10: Vittoria! (03:43)

In the discography of Verdi's Macbeth, (which began only in 1960 with the RCA edition conduced by Leinsdorf) the Decca production of 1970 stands out for its completeness, which foresees the restoration of all the scenes and the entire section of the Balletto, as Verdi conceived it for the Parisian version of 1867.

Deleted by Decca over 20 years ago, this beautiful version conducted by one of the greatest Verdi conductors of the twentieth century, Lamberto Gardelli, has its greatest strength in interpretation, in the role of the protagonist, Dietrich Fischer-Dieskau, who deepened the character in an extraordinary way, often surpassing the greatest Italian interpreters of Macbeth (Taddei, Cappuccilli, Nucci). Not least the remarkable interpretation of Elena Suliotis, a dramatic soprano who in those years, and for a short time, played the most impervious roles of Italian melodrama. It is useless talk about Pavarotti and Ghiaurov, in those days at their peak. An irreplaceable edition.


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