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Luciano Pavarotti - Puccini: The Great Operas (2004)

Luciano Pavarotti - Puccini: The Great Operas (2004)
  • Title: Puccini: The Great Operas
  • Year Of Release: 2004
  • Label: Decca Music Group Ltd.
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 8:09:06
  • Total Size: 2.06 GB
  • WebSite:
Tracklist:

01. "Questo Mar Rosso"
02. "Pensier profondo"
03. "Abasso, abbasso l'autor!"
04. "Si può" - "Chi è là?"
05. "Io resto"
06. "Chi è là?"
07. "Si sente meglio?"
08. "Che gelida manina"
09. "Sì. Mi chiamano Mimì"
10. "O soave fanciulla"
11. "Arranci, datteri!"
12. "Chi guardi?" - "Ecco i giocattoli di Parpignol"
13. "Viva Parpignol..." - "Una cuffietta a pizzi"
14. "Oh!...Essa!...Musetta!"
15. "Quando m'en vo'" (Musetta's Waltz)
16. "Chi l'ha richiesto"
17. "Ohè, là, le guardie!" - "Aprite!"
18. "Sa dirmi, scusi"
19. "Mimì! - Speravo di trovarvi qui"
20. "Marcello. Finalmente!"
21. "Mimì è una civetta"
22. "Mimì è tanto malata!"
23. "Donde lieta uscì"
24. "Dunque: è proprio finita!...Addio, dolce svegliare"
25. "In un coupé?"
26. "O Mimì, tu più non torni" (Duetto) - "Che ora sia"
27. "Gavotta"
28. "C'è Mimì..."
29. "Vecchia zimarra, senti"
30. "Sono andati"
31. "Oh Dio! Mimì!"
32. ... E soffitto e pareti
33. Sorride Vostro Onore?
34. Dovunque al mondo
35. America for ever
36. Ier l'altro il Consolato
37. Ecco. Son giunte al sommo del pendio
38. Gran ventura
39. L'Imperial Commissario
40. Vieni, amor mio!
41. Ieri son salita tutta sola in segreto alla Missione
42. Tutti zitti!
43. O Kami! O Kami!
44. Cio-cio-san! Cio-cio-san!
45. Bimba, bimba, non piangere
46. Viene la sera
47. Vogliatemi bene
48. E Izaghi ed Izanami, Sarundasico e Kami
49. "Un bel dì vedremo"
50. C'è. Entrate
51. Si sa che aprir la parta
52. Udiste?
53. Ora a noi. Sedete qui.
54. Ebbene, che fareste, Madama Butterfly?
55. E questo? E questo?
56. Che tua madre dovrà prenderti in braccio
57. Vespa! Rospo maledetto!
58. Una nave da guerra
59. Scuoti quella fronda di ciliegio
60. Or vienmi ad adornar
61. Coro a bocca chiusa (Humming Chorus)
62. Intermezzo
63. (fischi d'uccelli dal giardino)
64. Già il sole!
65. Chi sia?
66. Io so che alle pene
67. Non ve l'avevo detto?
68. Addio fiorito asil
69. Suzuki! Suzuki! Dove sei?
70. Tu, Suzuki, che sei tanto biona
71. Come una mosca prigionera
72. Con amor muore chi non può serbar vita con onore
73. "Ah! Finalmente!"
74. "E sempre lava!" - "Angelus Domini nuntiavit Mariae" - "Che fai?"
75. "Dammi i colori!" - "Recondita armonia"
76. "Voi! Cavaradossi!"
77. "Mario! Mario! Mario!" "Son qui!" - "Mia gelosa!"
78. "E buona la mia Tosca" - "Siam soli?"
79. "Sommo giubilo, Eccelenza!"
80. "Un tal baccano in chiesa! Bel rispetto!"
81. "Or tutto è chiaro...Mario? Mario?"
82. "Tre sbirri...Una carozza...Presto"...Te Deum
83. "Tosca è un buon falco!"
84. "Ha più forte sapore" - "Spoletta è giunto"
85. "O galantuomo, come andò la caccia?"
86. "Ov'è Angelotti?...Ed or fra noi parliam"
87. "Sciarrone: che dice il cavalier?"
88. "Orsù, Tosca, parlate." - "Mario, consenti ch'io parli?"
89. "Floria..." - "Amore..."
90. "Vittoria! Vittoria!"
91. "Quanto? Quanto? Il prezzo!"
92. "Vissi d'arte, vissi d'amore"
93. "Chi è là?"
94. "Io tenni la promessa..." - "E qual via scegliete?" - "Tosca, finalmente mia!"
95. Prelude - "Io de' sospiri"
96. "Mario Cavaradossi?" - "A voi"
97. "E lucevan le stelle"
98. "Franchigia a Floria Tosca"
99. "O dolci mani!...L'ora! Son pronto!"
100. "Come è lunga l'attesta!"
101. "Presto, su! Mario!"
102. Popoli di Pekino!
103. "Gira la cote!"
104. O giovinetto! Grazia, grazia!
105. Figlio, che fai?
106. Fermo! Che fai? T'arresta
107. "Signore, ascolta"
108. Non piangere Liù
109. "Olà, Pang! Olà, Pong!"
110. Ho una casa nell'Honan
111. O mondo, O mondo
112. Introduzione (Scene 2)
113. "Gravi, enormi ed impotenti"
114. "Un giuramento atroce mi costringe"
115. Popolo di Pekino
116. "In questa reggia"
117. Straniero, ascolta
118. Gloria, gloria, o vincitore
119. Tre enigmi m'hai proposto
120. Introduzione - Così comanda Turandot
121. Nessun dorma!
122. Principessa divina!
123. Tu che di gel sei cinta
124. Liù! Liù! Sorgi! Sorgi!
125. "Principessa di morte!"
126. "Che è mai di me?"
127. "Del primo pianto...Più grande vittoria non voler"
128. "So il tuo nome!"
129. "Diecimile anni al nostro Imperatore...Padre augusto"

One of the most successful and admired opera singers of all time, Luciano Pavarotti was king among tenors from the late 1960s through the 1990s. His voice was noted for its exciting upper register, and tailor-made for the operas of Verdi, Bellini, Donizetti, and Puccini, and as it darkened slightly over the years, for the verismo composers as well. His vocal longevity, which kept him singing youthfully well into his sixties, and still beautifully after that, was a credit to his commanding technique and artistry, and remarkable considering his nearly 40 years of performing.

Pavarotti's father was a baker, and his mother worked in a cigar factory. As a boy, he sang alto in the cathedral choir, and when his voice changed he joined the Modena city choir. He had brief careers as a schoolteacher and an insurance agent; during that time, his major extracurricular activity was not music but soccer, and his play made him a local star. However, increased involvement in the choir (which took prizes in international competitions) led him to pursue vocal studies, and he eventually settled on singing as his aspiration.

Pavarotti studied voice with Arrigo Polo in Modena, then with Ettore Campogalliani in Mantua. His operatic debut was as Rodolfo in La Bohème in Reggio Emilia (April 19, 1961), and soon increasing success led to a debut in Amsterdam on January 18, 1963, as Edgardo in Lucia di Lammermoor. After singing the same role with Joan Sutherland in Miami in 1965, he was engaged to travel with her in the Sutherland Williamson International Grand Opera Company, touring Australia. In 1966 he appeared at Covent Garden as Tonio in La fille du régiment, where his seemingly effortless handling of the nine successive high Cs in the aria "Pour mon âme" sent his career into high orbit. He repeated the feat at the Metropolitan Opera in 1972, and for more than two decades after that he was a fixture on the operatic scene, appearing in nearly every major European and American house, and even China, where he performed Puccini's La bohème in the 1980s.

Pavarotti appeared in the first "Live from the Met" broadcast on the PBS network and was the most consistent draw on that series for years. His outstanding catalogue of recordings on the London (Decca) record label preserves nearly every role he ever performed and is hard to match for its quality and scope. His charity work included AIDS benefit concerts and world hunger gala events, as well as his "Pavarotti and Friends" concerts to benefit children, especially in the former Yugoslav states. He also founded a quadrennial contest to identify talented young singers and boost their careers. And, as one of the "Three Tenors," he brought operatic singing to a wider popular audience than previously might have been thought possible. In 2003 he released his first solo crossover CD, Ti adoro. He was diagnosed with cancer in 2006, yet remained positive and hopeful of still being able to record and perform until his death. ~ Rovi Staff


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  • mufty77
  •  wrote in 21:42
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    • 0
Many thanks for lossless.