Aurora Peña, Eva Juarez, Orquesta Barroca de Granada, Marta Infante - Durón: La guerra de los gigantes (2019) [Hi-Res]
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BAND/ARTIST: Aurora Peña, Eva Juarez, Orquesta Barroca de Granada, Marta Infante
- Title: Durón: La guerra de los gigantes
- Year Of Release: 2019
- Label: IBS Classical
- Genre: Classical
- Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
- Total Time: 01:15:38
- Total Size: 415 / 1506 mb
- WebSite: Album Preview
Tracklist
01. La guerra de los gigantes, Introduction: Cítaras dulces
02. La guerra de los gigantes, Introduction: Si numen y voz
03. La guerra de los gigantes, Introduction: Aunque más vuele
04. La guerra de los gigantes, Introduction: Quien primero que la Fama
05. La guerra de los gigantes, Introduction: Tiempo, Eternidad y Fama
06. La guerra de los gigantes, Scene 1: Disformes hijos del cielo
07. La guerra de los gigantes, Scene 1: Yo, racionales monstruos
08. La guerra de los gigantes, Scene 2: Águila impaciente
09. La guerra de los gigantes, Scene 2: Y ya que varado el vuelo
10. La guerra de los gigantes, Scene 2: Que si yo de las ciencias
11. La guerra de los gigantes, Scene 2: En el cóncavo profundo
12. La guerra de los gigantes, Scene 2: Ya en mi oído
13. La guerra de los gigantes, Scene 2: Bucentoro de plumas
14. La guerra de los gigantes, Scene 3: Animoso denuedo
15. La guerra de los gigantes, Scene 3: Quién eres, divina
16. La guerra de los gigantes, Scene 3: Sacrílego impulso
17. La guerra de los gigantes, Scene 3: Ahora, sí, sí
18. La guerra de los gigantes, Scene 4: Osados escuadrones
19. La guerra de los gigantes, Scene 4: Mas, que es esto
20. La guerra de los gigantes, Scene 4: Y pues ya es ocasión
21. La guerra de los gigantes, Scene 4: Mas, ay cielos
22. La guerra de los gigantes, Scene 4: Ya emprendiendo cobardes
23. La guerra de los gigantes, Scene 5: Dónde, cielo divino
24. La guerra de los gigantes, Scene 5: Ay, que el golpe del ceño cruel
25. La guerra de los gigantes, Scene 6: Ah de la tierra
26. La guerra de los gigantes, Scene 6: Suenen, y al dulce hechizo
27. La guerra de los gigantes, Scene 6: Cómo hoy no ha de ser trofeo
28. La guerra de los gigantes, Scene 6: Suenen, suenen confusas
Sebastián Durón is usually recognized as one of the leading Spanish composers of theater music, although this repertoire is barely performed nowadays, even in concert version. As far as we know, ten complete scores of Durón’s stage works have been preserved, four of which are entirely sung, a number that is higher than that found in theater music by other important Spanish musicians of the 17th and 18th centuries, such as Juan Hidalgo, Juan de Navas or Antonio Literes. The fact that, in his theater music, Durón uses both the conventions of 17th-century Spanish court theater and some elements of the dramma per musica has placed these pieces in a diffuse and poorly understood territory, unlike what happens with the works of Hidalgo and Literes, repertoire which has been studied better. For some scholars, the theater music of Durón is incoherent due to the introduction of elements that are unfamiliar to the Spanish court theater, in contrast to the great dramaturgy devised by Calderón de la Barca and Hidalgo. On the contrary, for other scholars, the music of Durón is remarkable for its openness to modernity, although it is a timid modernization against the determined Italianization that is observed in Literes and other later musicians. In our opinion, however, Durón’s theater work exhibits great originality and drama in itself, which is hardly understandable if we approach it with the abstract models that face tradition to modernity, or Spanish to Italian.
Marta Infante, soprano (Palante)
Eva Juárez, soprano (Júpiter)
Aurora Peña, soprano (Minerva)
Solomía Antonyak, soprano (Hércules)
Pilar Alva, soprano (La Fama)
Soledad Cardoso, soprano (El Tiempo)
Laura Sabatel, soprano (La Inmortalidad)
Olalla Alemán, soprano (El Silencio)
Luis David Barrios, tenor
Darío Tamayo, director
Darío Moreno, harpsichord, conductor
01. La guerra de los gigantes, Introduction: Cítaras dulces
02. La guerra de los gigantes, Introduction: Si numen y voz
03. La guerra de los gigantes, Introduction: Aunque más vuele
04. La guerra de los gigantes, Introduction: Quien primero que la Fama
05. La guerra de los gigantes, Introduction: Tiempo, Eternidad y Fama
06. La guerra de los gigantes, Scene 1: Disformes hijos del cielo
07. La guerra de los gigantes, Scene 1: Yo, racionales monstruos
08. La guerra de los gigantes, Scene 2: Águila impaciente
09. La guerra de los gigantes, Scene 2: Y ya que varado el vuelo
10. La guerra de los gigantes, Scene 2: Que si yo de las ciencias
11. La guerra de los gigantes, Scene 2: En el cóncavo profundo
12. La guerra de los gigantes, Scene 2: Ya en mi oído
13. La guerra de los gigantes, Scene 2: Bucentoro de plumas
14. La guerra de los gigantes, Scene 3: Animoso denuedo
15. La guerra de los gigantes, Scene 3: Quién eres, divina
16. La guerra de los gigantes, Scene 3: Sacrílego impulso
17. La guerra de los gigantes, Scene 3: Ahora, sí, sí
18. La guerra de los gigantes, Scene 4: Osados escuadrones
19. La guerra de los gigantes, Scene 4: Mas, que es esto
20. La guerra de los gigantes, Scene 4: Y pues ya es ocasión
21. La guerra de los gigantes, Scene 4: Mas, ay cielos
22. La guerra de los gigantes, Scene 4: Ya emprendiendo cobardes
23. La guerra de los gigantes, Scene 5: Dónde, cielo divino
24. La guerra de los gigantes, Scene 5: Ay, que el golpe del ceño cruel
25. La guerra de los gigantes, Scene 6: Ah de la tierra
26. La guerra de los gigantes, Scene 6: Suenen, y al dulce hechizo
27. La guerra de los gigantes, Scene 6: Cómo hoy no ha de ser trofeo
28. La guerra de los gigantes, Scene 6: Suenen, suenen confusas
Sebastián Durón is usually recognized as one of the leading Spanish composers of theater music, although this repertoire is barely performed nowadays, even in concert version. As far as we know, ten complete scores of Durón’s stage works have been preserved, four of which are entirely sung, a number that is higher than that found in theater music by other important Spanish musicians of the 17th and 18th centuries, such as Juan Hidalgo, Juan de Navas or Antonio Literes. The fact that, in his theater music, Durón uses both the conventions of 17th-century Spanish court theater and some elements of the dramma per musica has placed these pieces in a diffuse and poorly understood territory, unlike what happens with the works of Hidalgo and Literes, repertoire which has been studied better. For some scholars, the theater music of Durón is incoherent due to the introduction of elements that are unfamiliar to the Spanish court theater, in contrast to the great dramaturgy devised by Calderón de la Barca and Hidalgo. On the contrary, for other scholars, the music of Durón is remarkable for its openness to modernity, although it is a timid modernization against the determined Italianization that is observed in Literes and other later musicians. In our opinion, however, Durón’s theater work exhibits great originality and drama in itself, which is hardly understandable if we approach it with the abstract models that face tradition to modernity, or Spanish to Italian.
Marta Infante, soprano (Palante)
Eva Juárez, soprano (Júpiter)
Aurora Peña, soprano (Minerva)
Solomía Antonyak, soprano (Hércules)
Pilar Alva, soprano (La Fama)
Soledad Cardoso, soprano (El Tiempo)
Laura Sabatel, soprano (La Inmortalidad)
Olalla Alemán, soprano (El Silencio)
Luis David Barrios, tenor
Darío Tamayo, director
Darío Moreno, harpsichord, conductor
Year 2019 | Classical | FLAC / APE | HD & Vinyl
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