Evangelina Mascardi - Bach: Complete Lute Works (2022) [Hi-Res]
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BAND/ARTIST: Evangelina Mascardi
- Title: Bach: Complete Lute Works
- Year Of Release: 2022
- Label: Arcana
- Genre: Classical
- Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
- Total Time: 01:50:35
- Total Size: 468 MB / 2.10 GB
- WebSite: Album Preview
Tracklist:
1. Suite in G Minor, BWV 995: I. Prélude (5:51)
2. Suite in G Minor, BWV 995: II. Allemande (6:21)
3. Suite in G Minor, BWV 995: III. Courante (2:32)
4. Suite in G Minor, BWV 995: IV. Sarabande (2:45)
5. Suite in G Minor, BWV 995: V. Gavotte I - Gavotte II en Rondeaux (4:55)
6. Suite in G Minor, BWV 995: VI. Gigue (2:37)
7. Prelude, Fugue and Allegro in E-Flat Major, BWV 998: I. Prélude (2:50)
8. Prelude, Fugue and Allegro in E-Flat Major, BWV 998: II. Fuga (7:19)
9. Prelude, Fugue and Allegro in E-Flat Major, BWV 998: III. Allegro (4:19)
10. Prelude in C Minor, BWV 999 (2:14)
11. Suite in E Minor, BWV 996: I. Praeludio (2:57)
12. Suite in E Minor, BWV 996: II. Allemande (3:13)
13. Suite in E Minor, BWV 996: III. Courante (2:57)
14. Suite in E Minor, BWV 996: IV. Sarabande (3:42)
15. Suite in E Minor, BWV 996: V. Bourée (1:22)
16. Suite in E Minor, BWV 996: VI. Giga (4:14)
17. Suite in E Major, BWV 1006a: I. Prélude (4:30)
18. Suite in E Major, BWV 1006a: II. Loure (4:15)
19. Suite in E Major, BWV 1006a: III. Gavotte en Rondeaux (3:34)
20. Suite in E Major, BWV 1006a: IV. Menuet I - Menuet II (4:18)
21. Suite in E Major, BWV 1006a: V. Bourrée (2:01)
22. Suite in E Major, BWV 1006a: VI. Gigue (2:26)
23. Suite in C Minor, BWV 997: I. Prélude (3:45)
24. Suite in C Minor, BWV 997: II. Fuga (8:09)
25. Suite in C Minor, BWV 997: III. Sarabande (5:13)
26. Suite in C Minor, BWV 997: IV. Gigue (3:30)
27. Suite in C Minor, BWV 997: V. Double (3:29)
28. Fugue in G Minor, BWV 1000 (5:30)
1. Suite in G Minor, BWV 995: I. Prélude (5:51)
2. Suite in G Minor, BWV 995: II. Allemande (6:21)
3. Suite in G Minor, BWV 995: III. Courante (2:32)
4. Suite in G Minor, BWV 995: IV. Sarabande (2:45)
5. Suite in G Minor, BWV 995: V. Gavotte I - Gavotte II en Rondeaux (4:55)
6. Suite in G Minor, BWV 995: VI. Gigue (2:37)
7. Prelude, Fugue and Allegro in E-Flat Major, BWV 998: I. Prélude (2:50)
8. Prelude, Fugue and Allegro in E-Flat Major, BWV 998: II. Fuga (7:19)
9. Prelude, Fugue and Allegro in E-Flat Major, BWV 998: III. Allegro (4:19)
10. Prelude in C Minor, BWV 999 (2:14)
11. Suite in E Minor, BWV 996: I. Praeludio (2:57)
12. Suite in E Minor, BWV 996: II. Allemande (3:13)
13. Suite in E Minor, BWV 996: III. Courante (2:57)
14. Suite in E Minor, BWV 996: IV. Sarabande (3:42)
15. Suite in E Minor, BWV 996: V. Bourée (1:22)
16. Suite in E Minor, BWV 996: VI. Giga (4:14)
17. Suite in E Major, BWV 1006a: I. Prélude (4:30)
18. Suite in E Major, BWV 1006a: II. Loure (4:15)
19. Suite in E Major, BWV 1006a: III. Gavotte en Rondeaux (3:34)
20. Suite in E Major, BWV 1006a: IV. Menuet I - Menuet II (4:18)
21. Suite in E Major, BWV 1006a: V. Bourrée (2:01)
22. Suite in E Major, BWV 1006a: VI. Gigue (2:26)
23. Suite in C Minor, BWV 997: I. Prélude (3:45)
24. Suite in C Minor, BWV 997: II. Fuga (8:09)
25. Suite in C Minor, BWV 997: III. Sarabande (5:13)
26. Suite in C Minor, BWV 997: IV. Gigue (3:30)
27. Suite in C Minor, BWV 997: V. Double (3:29)
28. Fugue in G Minor, BWV 1000 (5:30)
The seven compositions commonly called works for lute by Johann Sebastian Bach, despite more than a century of studies, do not seem to want to completely reveal the mystery of their birth, of their real instrumental destination and of Bach's decidedly abstract concept of the instrument, the lute, which in its latest evolution continued after almost three centuries of glory to attract the attention of the highest musical lineage. The mystery did not distance the interpreters from these compositions, which Bach did not collect in a single cycle, as he did for the works for solo violin and cello, and indeed it has made them perhaps more stimulating, especially if we consider that in the turn of seventy years the lute was destined to disappear from the music scene. There are moments in which, to discover or define who we are, we must confront ourselves with the unknown.
Evangelina Mascardi did it with this extraordinary engraving, which in addition to being the first Bach complete lute works recorderded by a women, writes a new important interpretative page, the result of artistic maturity, critical rethinking and original instrumental research.
Evangelina Mascardi did it with this extraordinary engraving, which in addition to being the first Bach complete lute works recorderded by a women, writes a new important interpretative page, the result of artistic maturity, critical rethinking and original instrumental research.
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