Evangelina Mascardi, Maurizio Croci - Milano Spagnola. Para tecla y vihuela (2020) [Hi-Res]
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BAND/ARTIST: Evangelina Mascardi, Maurizio Croci
- Title: Milano Spagnola. Para tecla y vihuela
- Year Of Release: 2020
- Label: Arcana
- Genre: Classical
- Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
- Total Time: 01:01:21
- Total Size: 360 mb / 1.27 gb
- WebSite: Album Preview
Tracklist
01. La Bataglia Taliana Secunda Pars
02. La cara rossa del Berdolin
03. Au joli bois (From Johannes Lupi's Song)
04. Cuatro diferencias sobre la Pavana
05. Fabordones del premier tono Ilano
06. Fantasia de Tento
07. Soneto Lombardo
08. Cancion glosada Triste depart (From Nicolas Gombert's Song)
09. Pavana chiamata La Gombertina
10. Diferencias sobre la Gallarda Milanesa
11. Benedicta es regina caelorum (From Josquin Des Prez's Motet)
12. Benedicta es regina caelorum Duo
13. Benedicta es regina caelorum Tercera parte
14. Fantasia
15. Himno Christe Redemptor omnium
16. Ave maris stella
17. Fantasia que contrahaze la harpa en la manera de Luduvico
18. Tiento de vihuela I
19. Tiento del quinto tono
20. Conde Claros
21. Diferencias sobre el canto de La Dama le demanda
![Evangelina Mascardi, Maurizio Croci - Milano Spagnola. Para tecla y vihuela (2020) [Hi-Res]](https://www.dibpic.com/uploads/posts/2020-10/1602197728_evangelina-mascardi-maurizio-croci-milano-spagnola_-para-tecla-y-vihuela-2020-back.jpg)
With the battle of Pavia in 1525 a long period of Spanish domination began for Milan. Under the reign of Charles V the arts and music flourished. Antonio de Cabezón travelled across Europe visiting Milan in 1548 and his music influenced the great European composers. Contrary to keyboard instruments, lute and vihuela already have a vast repertoire in print. The combination of a keyboard instrument (tecla) with the vihuela (called “viola da mano” in Italy) is common in the sources of Spanish influence of this period, which often bear the indication "para tecla y vihuela”. Evangelina Mascardi and Maurizio Croci, established soloists on the international early music scene , explore the affinities, the contrasts and, in the words of an enthusiastic chronicler of the time, the "unheard of imitations" that arise from the dialogue between the two instruments. Their research project, carried out at the Haute École de Musique de Lausanne (HEMU) with the involvement of various international partners, has led to the discovery of new interpretations that offer to an immense repertoire of extremely high musical value, unique and fascinating perspectives.
01. La Bataglia Taliana Secunda Pars
02. La cara rossa del Berdolin
03. Au joli bois (From Johannes Lupi's Song)
04. Cuatro diferencias sobre la Pavana
05. Fabordones del premier tono Ilano
06. Fantasia de Tento
07. Soneto Lombardo
08. Cancion glosada Triste depart (From Nicolas Gombert's Song)
09. Pavana chiamata La Gombertina
10. Diferencias sobre la Gallarda Milanesa
11. Benedicta es regina caelorum (From Josquin Des Prez's Motet)
12. Benedicta es regina caelorum Duo
13. Benedicta es regina caelorum Tercera parte
14. Fantasia
15. Himno Christe Redemptor omnium
16. Ave maris stella
17. Fantasia que contrahaze la harpa en la manera de Luduvico
18. Tiento de vihuela I
19. Tiento del quinto tono
20. Conde Claros
21. Diferencias sobre el canto de La Dama le demanda
With the battle of Pavia in 1525 a long period of Spanish domination began for Milan. Under the reign of Charles V the arts and music flourished. Antonio de Cabezón travelled across Europe visiting Milan in 1548 and his music influenced the great European composers. Contrary to keyboard instruments, lute and vihuela already have a vast repertoire in print. The combination of a keyboard instrument (tecla) with the vihuela (called “viola da mano” in Italy) is common in the sources of Spanish influence of this period, which often bear the indication "para tecla y vihuela”. Evangelina Mascardi and Maurizio Croci, established soloists on the international early music scene , explore the affinities, the contrasts and, in the words of an enthusiastic chronicler of the time, the "unheard of imitations" that arise from the dialogue between the two instruments. Their research project, carried out at the Haute École de Musique de Lausanne (HEMU) with the involvement of various international partners, has led to the discovery of new interpretations that offer to an immense repertoire of extremely high musical value, unique and fascinating perspectives.
Year 2020 | Classical | FLAC / APE | HD & Vinyl
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