Oliver Triendl, Quatuor Sine Nomine - Goldmark, K.: Piano Quintet, Opp. 30 and 54 (2008)
BAND/ARTIST: Oliver Triendl, Quatuor Sine Nomine
- Title: Goldmark, K.: Piano Quintet, Opp. 30 and 54
- Year Of Release: 2008
- Label: CPO
- Genre: Classical
- Quality: flac lossless (tracks)
- Total Time: 01:14:15
- Total Size: 336 mb
- WebSite: Album Preview
Tracklist
01. Piano Quintet in B-Flat Major, Op. 30: I. Allegro vivace
02. Piano Quintet in B-Flat Major, Op. 30: II. Adagio
03. Piano Quintet in B-Flat Major, Op. 30: III. Scherzo: Allegretto con spirito
04. Piano Quintet in B-Flat Major, Op. 30: IV. Allegro vivace
05. Piano Quintet in C-Sharp Minor, Op. 54: I. Sehr massig-Allegro non troppo
06. Piano Quintet in C-Sharp Minor, Op. 54: II. Adagio
07. Piano Quintet in C-Sharp Minor, Op. 54: III. Sehr langsam-Allegro moderato
08. Piano Quintet in C-Sharp Minor, Op. 54: IV. Moderato assai
Karl Goldmark is a composer whose former fame and glory have faded to a faint glimmer. The Quintet Op. 30 exhibits a flexible approach to modulation influenced by Schubert. The later Quintet Op. 54 also exemplifies his typical employment of harmony, sharpened motivic work, and permanent modulations – together with some suggestions of the modern.
This late work shows Goldmark's fresh musical vigour and both are powerfully interpreted by the Quatuor Sine Nomine and Oliver Triendl at the piano.
01. Piano Quintet in B-Flat Major, Op. 30: I. Allegro vivace
02. Piano Quintet in B-Flat Major, Op. 30: II. Adagio
03. Piano Quintet in B-Flat Major, Op. 30: III. Scherzo: Allegretto con spirito
04. Piano Quintet in B-Flat Major, Op. 30: IV. Allegro vivace
05. Piano Quintet in C-Sharp Minor, Op. 54: I. Sehr massig-Allegro non troppo
06. Piano Quintet in C-Sharp Minor, Op. 54: II. Adagio
07. Piano Quintet in C-Sharp Minor, Op. 54: III. Sehr langsam-Allegro moderato
08. Piano Quintet in C-Sharp Minor, Op. 54: IV. Moderato assai
Karl Goldmark is a composer whose former fame and glory have faded to a faint glimmer. The Quintet Op. 30 exhibits a flexible approach to modulation influenced by Schubert. The later Quintet Op. 54 also exemplifies his typical employment of harmony, sharpened motivic work, and permanent modulations – together with some suggestions of the modern.
This late work shows Goldmark's fresh musical vigour and both are powerfully interpreted by the Quatuor Sine Nomine and Oliver Triendl at the piano.
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