Alice Sara Ott, Münchner Philharmoniker, Thomas Hengelbrock - Tchaikovsky / Liszt: First Piano Concertos (2011)
BAND/ARTIST: Alice Sara Ott, Münchner Philharmoniker, Thomas Hengelbrock
- Title: Tchaikovsky / Liszt: First Piano Concertos
- Year Of Release: 2011
- Label: Deutsche Grammophon (DG)
- Genre: Classical Piano
- Quality: flac lossless (tracks)
- Total Time: 00:54:47
- Total Size: 215 mb
- WebSite: Album Preview
Tracklist
01. Piano Concerto No.1 In B Flat Minor, Op.23-1. Allegro Non Troppo E Molto Maestoso-Allegro Con Spirito
02. Piano Concerto No.1 In B Flat Minor, Op.23-2. Andantino Semplice-Prestissimo-Tempo I
03. Piano Concerto No.1 In B Flat minor, Op.23-3. Allegro Con Fuoco
04. Piano Concerto No.1 In E Flat, S.124-1. Allegro Maestoso
05. Piano Concerto No.1 In E Flat, S.124-2. Quasi Adagio-Allegretto Vivace-Allegro Animato
06. Piano Concerto No.1 In E Flat, S.124-3. Allegro Marziale Animato-Presto
Alice Sara Ott follows up the Complete Chopin Waltzes her highly successful international debut with her first concerto recording on Deutsche Grammophon. The young artist presents two of the greatest hits in the repertoire: Tchaikovskys and Liszts First Piano Concertos. She recorded this partly live (Tchaikovsky) album in her home town of Munich with the superb Munich Philharmonic Orchestra under the baton of Thomas Hengelbrock, known as a modern interpreter with strong ideas (and a strong work ethic). The two concertos are works that have accompanied Alice Sara Ott since her early youth. She played the Liszt before an audience the first time when she was 14 and the Tchaikovsky at 17. She has an intense relationship with both works, something clearly audible in the 21-year-old pianists vivid interpretations. Alice says about the Tchaikovsky: This piece is a revolution for me. It actually contains very different perspectives on life: the melancholy and gloomy, the majestic and, then again, the bright and light, lyrical and soaring. In any case its a challenge. A physical one, of course, but, in the end, really a mental one. A challenge she has mastered, as the Sddeutsche Zeitung confirmed: In the midst of Tchaikovskys avalanche of notes, Ott somehow manages to tease out the quiet passages, and with great poise to make room for lyricism and gently grazing the keys for a dreamy but distinct play of colours.
01. Piano Concerto No.1 In B Flat Minor, Op.23-1. Allegro Non Troppo E Molto Maestoso-Allegro Con Spirito
02. Piano Concerto No.1 In B Flat Minor, Op.23-2. Andantino Semplice-Prestissimo-Tempo I
03. Piano Concerto No.1 In B Flat minor, Op.23-3. Allegro Con Fuoco
04. Piano Concerto No.1 In E Flat, S.124-1. Allegro Maestoso
05. Piano Concerto No.1 In E Flat, S.124-2. Quasi Adagio-Allegretto Vivace-Allegro Animato
06. Piano Concerto No.1 In E Flat, S.124-3. Allegro Marziale Animato-Presto
Alice Sara Ott follows up the Complete Chopin Waltzes her highly successful international debut with her first concerto recording on Deutsche Grammophon. The young artist presents two of the greatest hits in the repertoire: Tchaikovskys and Liszts First Piano Concertos. She recorded this partly live (Tchaikovsky) album in her home town of Munich with the superb Munich Philharmonic Orchestra under the baton of Thomas Hengelbrock, known as a modern interpreter with strong ideas (and a strong work ethic). The two concertos are works that have accompanied Alice Sara Ott since her early youth. She played the Liszt before an audience the first time when she was 14 and the Tchaikovsky at 17. She has an intense relationship with both works, something clearly audible in the 21-year-old pianists vivid interpretations. Alice says about the Tchaikovsky: This piece is a revolution for me. It actually contains very different perspectives on life: the melancholy and gloomy, the majestic and, then again, the bright and light, lyrical and soaring. In any case its a challenge. A physical one, of course, but, in the end, really a mental one. A challenge she has mastered, as the Sddeutsche Zeitung confirmed: In the midst of Tchaikovskys avalanche of notes, Ott somehow manages to tease out the quiet passages, and with great poise to make room for lyricism and gently grazing the keys for a dreamy but distinct play of colours.
As a ISRA.CLOUD's PREMIUM member you will have the following benefits:
- Unlimited high speed downloads
- Download directly without waiting time
- Unlimited parallel downloads
- Support for download accelerators
- No advertising
- Resume broken downloads