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Susanna Piolanti - Sammartini: Harpsichord Sonatas (2017)

Susanna Piolanti - Sammartini: Harpsichord Sonatas (2017)

BAND/ARTIST: Susanna Piolanti

  • Title: Sammartini: Harpsichord Sonatas
  • Year Of Release: 2017
  • Label: Tactus
  • Genre: Classical
  • Quality: FLAC (tracks+booklet)
  • Total Time: 64:22 min
  • Total Size: 456 MB
  • WebSite:
Susanna Piolanti - Sammartini: Harpsichord Sonatas (2017)

Tracklist:

01. Harpsichord Sonata in G Major: I. Presto (1)
02. Harpsichord Sonata in G Major: II. Adagio
03. Harpsichord Sonata in G Major: III. Allegro (1)
04. Harpsichord Sonata in E-Flat Major: I. Largo
05. Harpsichord Sonata in E-Flat Major: II. Spiritoso
06. Harpsichord Sonata in D Major: I. Grazioso
07. Harpsichord Sonata in D Major: II. Allegro
08. Harpsichord Sonata in G Major: I. Andante
09. Harpsichord Sonata in G Major: II. Spiritoso
10. Harpsichord Sonata in G Major: III. Allegro (2)
11. Harpsichord Sonata in C Major: I. Allegro
12. Harpsichord Sonata in C Major: II. Spiritoso
13. 6 Select Sonatas, No. 3 in B-Flat Major: I. Preludio
14. 6 Select Sonatas, No. 3 in B-Flat Major: II. Andantino
15. 6 Select Sonatas, No. 3 in B-Flat Major: III. Allegro
16. 6 Select Sonatas, No. 4 in C Major: I. Allegro
17. 6 Select Sonatas, No. 4 in C Major: II. Spiritoso
18. Harpsichord Sonata in G Major: I. Presto (2)


Giovanni Battista Sammartini, main exponent of the eighteenth century Milanese instrumental school, was not only a reference for local musicians, but also enjoyed international fame; he was “the most European character of the Milanese scene of the time” (G. Pestelli, 1982). A prominent figure in a complex era, witness and advocate of those stylistic and formal metamorphoses that marked the gradual transition from the late Baroque, heavily influenced by the violinistic school, to the mature gallant style anticipating the classicism by reaching an idiomatic accomplishment. The award-winning harpsichordist Susanna Piolanti performs this unpublished collection of sonatas mostly edited in London during the eighteenth century, in which the search for and the consolidation of a new language never ends: “I will, I will, but my harpsichord will kill me”, senior Sammartini answers to his customers’ requests. After all, the work of a composer always starts from the keyboard.


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  • Cantor
  •  wrote in 21:36
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Muchas gracias!!!