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José Manuel Díaz, Marifé Nogales, Mikeldi Atxalandabaso, Miren Urbieta-Vega - Colin: Maitena (Excerpts) (2021) [Hi-Res]

José Manuel Díaz, Marifé Nogales, Mikeldi Atxalandabaso, Miren Urbieta-Vega - Colin: Maitena (Excerpts) (2021) [Hi-Res]
  • Title: Colin: Maitena (Excerpts)
  • Year Of Release: 2021
  • Label: IBS Classical
  • Genre: Classical
  • Quality: flac lossless (tracks) / flac 24bits - 48.0kHz +Booklet
  • Total Time: 01:38:02
  • Total Size: 516 mb / 1.01 gb
  • WebSite:
Tracklist

CD1
01. Maitena (Excerpts): Preludio
02. Maitena (Excerpts): Amodio bat badut berriki sortua
03. Maitena (Excerpts): Nik dakita?
04. Maitena (Excerpts): Gaizo Ganich?
05. Maitena (Excerpts): Unen aita zena zen ene laguna
06. Maitena (Excerpts): Zu, maiteño galanta, ikusi geroztik
07. Maitena (Excerpts): Zertan duzu gogoa?
08. Maitena (Excerpts): Angelus
09. Maitena (Excerpts): O! Zer nigarrak
10. Maitena (Excerpts): Ene Jainko maitia, izpiritua
11. Maitena (Excerpts): Final del acto primero

CD2
01. Maitena (Excerpts): Entreacto
02. Maitena (Excerpts): Gure lanaren saria
03. Maitena (Excerpts): Lo! Lo! Ene maitia
04. Maitena (Excerpts): Bizi eztia ezagutu dut
05. Maitena (Excerpts): Plañudiak es delakotz doatsua!
06. Maitena (Excerpts): Gan direnekiñ bazare bizi
07. Maitena (Excerpts): Zorigaitzak zaarzendu
08. Maitena (Excerpts): Adiós, me voy
09. Maitena (Excerpts): Unsa egiñendun emendik gatia
10. Maitena (Excerpts): Esposatu geroztik arras libre zare
11. Maitena (Excerpts): Zorion andi bat egun

José Manuel Díaz, Marifé Nogales, Mikeldi Atxalandabaso, Miren Urbieta-Vega - Colin: Maitena (Excerpts) (2021) [Hi-Res]


Maitena (1909) was a further step towards achieving the ideal of Basque opera linked to that of its own lyric theatre. For the critic and musicographer Francisco Gascue: “Colin has written a score that is as far from Wagnerian complications as it is from orchestral poverty; it is accessible without being poor or rudimentary. Colin has shown the same exquisite taste in the handling of the orchestra as in the choice of melodies”. He also singles out the duet between Domingo and Maitena at the beginning of Act I, the tenor and baritone duet that follows, the quartet in Scene VI, the melody sung by Chaadiñ at the beginning of Act II, Batista’s couplets and for its effect and simplicity the Angelus scene. He ends by noting the appropriate treatment of the chorus. The action tells the story of the rich farmer Piarres Landaburu, Maitena’s father, and his intention to marry her off to Ganich, a young man from a good family, rather than to an unfortunate pelotari named Domingo. Maitena, contrary to her father, marries Domingo and goes to America in search of a new life. After being widowed in Buenos Aires, she returns to her father’s home where she finds only repudiation. Maitena moves away, but her father welcomes her back into his home, favouring her marriage to Ganich and thus returning the family to live together again.




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