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Miren Urbieta-Vega - Ametsetan: Basque Songs (2019)

Miren Urbieta-Vega - Ametsetan: Basque Songs (2019)

BAND/ARTIST: Miren Urbieta-Vega

  • Title: Ametsetan: Basque Songs
  • Year Of Release: 2019
  • Label: IBS Classical
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 72:09 min
  • Total Size: 291 MB
  • WebSite:
Tracklist:

01. 7 Lieder: No. 1, Ametsetan
02. 7 Lieder: No. 2, Hotz Eta Isiltsu
03. 7 Lieder: No. 3, Eres Dagie Txilibituak
04. 7 Lieder: No. 4, Zure Musuan
05. 7 Lieder: No. 5, Lotoren Lorak
06. 7 Lieder: No. 6, Ez Dot Sinesten
07. 7 Lieder: No. 7, Agertu Jatan Orrila
08. Melodias, Op. 75: No. 1, En el Campo
09. Balada del Rey de Francia, Op. 57 No. 3
10. Canto a la Virgen, Op. 49 No. 1
11. Diligencia en el Camino, Op. 48 No. 6
12. 10 Melodias Vascas (Excerpts Arr. for Voice & Piano): No. 5, Alabatua
13. 10 Melodias Vascas (Excerpts Arr. for Voice & Piano): No. 2, Aritz Adarrean
14. 10 Melodias Vascas (Excerpts Arr. for Voice & Piano): No. 7, Asiko Naiz
15. 10 Melodias Vascas (Excerpts Arr. for Voice & Piano): No. 6, Ala Baita
16. 10 Melodias Vascas (Excerpts Arr. for Voice & Piano): No. 3, Garizuma Luzerik
17. 10 Melodias Vascas (Excerpts Arr. for Voice & Piano): No. 8, Zorabiatua Naiz
18. 10 Melodias Vascas (Excerpts Arr. for Voice & Piano): No. 4, Jentileri On
19. 10 Melodias Vascas (Excerpts Arr. for Voice & Piano): No. 1, Sant Urbanen Bezpera
20. 4 Canciones Vascas: No. 1, Ai Isabel, Isabel!
21. 4 Canciones Vascas: No. 2, Anderegaia
22. 4 Canciones Vascas: No. 3, Loa, Loa
23. 4 Canciones Vascas: No. 4, Aldapeko Maria
24. Lorea
25. Iturrina Goizean
26. Agur, Adixquidea
27. Adizan Gabriela
28. 3 Nombres de Mujer: No. 1, Isabel
29. 3 Nombres de Mujer: No. 2, Ainhoa
30. 3 Nombres de Mujer: No. 3, Begoña

The stunning economic development of the Basque Country after the end of the last Carlist War (1876) turned into an artistic flowering almost without precedent in the first decades of the 20th Century. Music, particularly, was promoted as an identifying attribute and a tool for civic progress. In a context of advanced globalisation of the Western culture, a constellation of local authors aspired to measure themselves on equal terms with their European counterparts, although without giving up neither their own personality nor their vernacular roots. Nevertheless, each of them faced such a challenge depending on their particular circumstance, sensitivity and idiosyncrasy. In their own way, the three composers featured on this album summarize a historical, social, cultural, and geographical framework of thrilling eagerness, sometimes evanescent. Guridi and Sorozabal culminated their career in Madrid: the former acclaimed by the academia, the latter blessed with popular success, although condemned to an inner excile because of his dissident and controversial nature. Only Isasi died, prematurely, forgotten, in his homeland. Fortunately, and all the same, the good art does not pay duties in the frontiers of life.


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