Roberto Cascio - La historia del Beato San Martino (2019)
BAND/ARTIST: Roberto Cascio
- Title: La historia del Beato San Martino
- Year Of Release: 2019
- Label: Tactus
- Genre: Classical
- Quality: FLAC (tracks)
- Total Time: 61:36 min
- Total Size: 281 MB
- WebSite: Album Preview
Tracklist:
01. La historia del Beato San Martino
02. O croce sancta
03. Borombetta
04. Laude, Book 1: L'amor a me venendo
05. O Vergene gentile
06. O derata
07. O bella rosa, o perla angelichata
08. Salve sacrato legno
09. Ave Maria, verzene coronata
10. Qui tollis peccata mundi
11. Verbum caro factus est à 3
12. Jay pryse amours
13. Padoana alla francese
14. Jay pryse amours
15. Fortune d'estrange plummaige - Pauper sum ego
16. O crux, fructus salvificus
17. Calata No. 3 "A la spagnola"
18. O crux, fructus salvificus
01. La historia del Beato San Martino
02. O croce sancta
03. Borombetta
04. Laude, Book 1: L'amor a me venendo
05. O Vergene gentile
06. O derata
07. O bella rosa, o perla angelichata
08. Salve sacrato legno
09. Ave Maria, verzene coronata
10. Qui tollis peccata mundi
11. Verbum caro factus est à 3
12. Jay pryse amours
13. Padoana alla francese
14. Jay pryse amours
15. Fortune d'estrange plummaige - Pauper sum ego
16. O crux, fructus salvificus
17. Calata No. 3 "A la spagnola"
18. O crux, fructus salvificus
Within this recording the reading of the 'Historia del Beato San Martino', a devotional text from the beginning of the sixteenth century is brought to light for the first time on CD. The music narrates in a fresh and popular language the events of San Martino of Tours, through a colourful account of his life, which plunges us into the typical mixed atmosphere of divine and profane of the end of Humanism and beginning of the Renaissance. The reciting voice of Roberto Cascio is flanked by the instrumental ensemble of the Cappella Musicale di San Giacomo Maggiore in Bologna. The choice of music was based on the particular period of Italian music prevalent at the end of the 1400s and the beginning of the 1500s, and, in particular, on the widespread devotional-laud genre and the use of spiritual camouflaging (in fact, the melodies derived from the secular repertoire, which, in turn and very often, came from the many French composers who, at that time, frequented the most important Italian courts).
Year 2019 | Classical | FLAC / APE
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