Edoardo Bruni - HyperKronos (2021)
BAND/ARTIST: Edoardo Bruni, Giuseppe Barutti, Ludus Quartet, Patrizia Bettotti, Jessica Dalsant, Lorenzo Guzzoni, Margherita Guarino
- Title: Bruni: Hyperkronos
- Year Of Release: 2021
- Label: Tactus
- Genre: Classical
- Quality: FLAC (tracks + booklet)
- Total Time: 2:15:25
- Total Size: 557 MB
- WebSite: Album Preview
Tracklist:
Cello Sonata, Op. 4
01. I. Allegro agitato
02. II. Largo
03. III. Allegro assai mosso
Danze Ungheresi
04. No. 1, Allegro vivace
05. No. 2, Andante
06. No. 3, Allegro appassionato
Flute Sonata, Op. 5
07. I. Parisienne
08. II. Arabesque
09. Fantasia for Violin & Piano, Op. 6
10. Elegia for Clarinet, Violin & Piano, Op. 7 (Arr. for Clarinet, Cello & Piano)
11. Harmonica Sonata, Op. 11
Pezzi Surrealisti (4)
12. No. 3, Spazi viola
13. No. 4, Grain de sable
14. No. 2, Verità nascoste
15. No. 1, La pastora
Tobruk '42
16. I. 1930 (Il sogno africano)
17. II. Il deserto
18. III. La pazzia del capo
19. IV. L'araba imprigionata
20. V. 1942 (Da Tobruk verso El Alamein)
21. VI. Ci furono anche in Libia gli eroi
22. Algol, Op. 17
Cello Sonata, Op. 4
01. I. Allegro agitato
02. II. Largo
03. III. Allegro assai mosso
Danze Ungheresi
04. No. 1, Allegro vivace
05. No. 2, Andante
06. No. 3, Allegro appassionato
Flute Sonata, Op. 5
07. I. Parisienne
08. II. Arabesque
09. Fantasia for Violin & Piano, Op. 6
10. Elegia for Clarinet, Violin & Piano, Op. 7 (Arr. for Clarinet, Cello & Piano)
11. Harmonica Sonata, Op. 11
Pezzi Surrealisti (4)
12. No. 3, Spazi viola
13. No. 4, Grain de sable
14. No. 2, Verità nascoste
15. No. 1, La pastora
Tobruk '42
16. I. 1930 (Il sogno africano)
17. II. Il deserto
18. III. La pazzia del capo
19. IV. L'araba imprigionata
20. V. 1942 (Da Tobruk verso El Alamein)
21. VI. Ci furono anche in Libia gli eroi
22. Algol, Op. 17
After the previous publication of Ars Modi, this double CD retraces three previous creative phases of the young composer Edoardo Bruni: romantic, surrealist, and heroic, on which is based the musical journey leading the author to his expressive maturity. Here we have a variety of different chamber compositions interpreted by numerous musicians who have alternated in the performances. The writing is in the name of a musical manifesto not looking for the “new” writing or expression at any costs, yet trying to find new formulas within a language of the past that belongs to our culture and that, for this reason, doesn’t necessarily need to be betrayed or reviled. The “beauty” - ultimately - has its own precise identity that does not always match with the “new”, as demonstrated by many artistic currents of the twentieth century that, in the desperate search for novelty, have perhaps lost sight of the ultimate goal of art, whose quintessence actually lies in the concept of beauty.
Year 2021 | Classical | FLAC / APE
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