Carl Schuricht - Carl Schuricht Collection (2007) [20CD Box Set]
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BAND/ARTIST: Carl Schuricht
- Title: Carl Schuricht Collection
- Year Of Release: 2007
- Label: Hanssler
- Genre: Classical
- Quality: FLAC (*image + .cue, log, scans)
- Total Time: 18:56:15
- Total Size: 5,78 GB (+3%rec.)
- WebSite: Album Preview
Carl Schuricht was born into a family of organ builders. He commenced his musical studies with the violin and piano at the age of six, started to compose when he was eleven, and to conduct when he was fifteen. His first professional engagement, which he held during 1901 and 1902, was as a répétiteur at Mainz; but having won a composition prize from the Kuszynki Foundation in 1902, he was awarded a scholarship by Franz von Mendelssohn which enabled him to continue to study composition with Humperdinck and piano with Rudorff at the High School for Music in Berlin, followed by further composition study with Reger in Leipzig. Following the publication of several works in Berlin, Schuricht was appointed operetta conductor at Zwickau for the 1907–1908 season. He succeeded Siegfried Ochs as the conductor of the Rühlschen Oratorio Chorus of Frankfurt in 1909, and three years later was appointed as chief conductor at Wiesbaden, where he conducted Mahler’s Symphony No. 8 in 1913.
Although he had been invited to conduct in London and at La Scala, Milan during 1914, Schuricht’s career appears to have been dormant for the years of World War I. It recommenced in 1921 when he directed a Brahms festival with Furtwängler. In 1923 he became chief conductor of the Wiesbaden Symphony Orchestra, a post which he retained until 1944. During the inter-war years he pursued an active career conducting in Germany and abroad, appearing at the first German Mahler Festival in Wiesbaden (1923), in St Louis (1927), in London (1931), and at the summer symphony concerts in Scheveningen in Holland (1930–1939). In 1933 he was appointed conductor of the Berlin Philharmonic Choir, conducted the Vienna Philharmonic Orchestra for the first time in the following year, and served as principal guest conductor of the Frankfurt Radio Symphony Orchestra from 1937 to 1944 and of the Dresden Philharmonic Orchestra during 1943 and 1944, followed by a short period as its chief conductor. However, as World War II drew to a close he left Germany during the autumn of 1944 and settled in Switzerland, where he began to work with the Suisse Romande Orchestra.
At the re-opening of the Salzburg Festival in 1946 Schuricht conducted the Vienna Philharmonic and ten years later he led the same orchestra in both the Furtwängler Memorial Concert in Vienna at the beginning of 1956 and in a concert during the January Mozart Week in Salzburg. With the unexpected death immediately afterwards of Erich Kleiber, Schuricht was invited by the orchestra to share the conducting of its forthcoming tour of America with André Cluytens, leading twelve concerts; and during the same year, 1956, he conducted all the Beethoven symphonies at the Lyons Festival. He was invited to conduct at the Chicago Symphony Festival at Ravinia in 1957, appearing also as a guest conductor with the Boston Symphony Orchestra at the Berkshire Music Festival, Tanglewood. He conducted the Vienna Philharmonic on another tour, of Europe, in 1958, and on his eightieth birthday the orchestra conferred upon him honorary membership. During his final years he made guest appearances in London and Berlin, and continued to conduct the Vienna Philharmonic; he also participated in the Salzburg Festival, giving his last concert there in 1965.
Compared with his more famous contemporaries, such as Beecham, Furtwängler, and Toscanini, Schuricht’s style as a conductor was understated. He described his essentially instinctive approach to performance thus: ‘The interpretative artist should be endowed, first and foremost, with that kind of spiritual musical intuition which permits him to sense the original impulse of the work he is interpreting, and secondly, with the gift of making clear in his own presentation the essence of what he sees… If the interpretative artist is fortunate enough to touch the ‘active nucleus’ of the musical cell, whence stem all the forces which govern the work, this ‘nucleus’ will guide him even in the smallest details.’ When successful this approach to performance produced excellent results: for instance the British critic Colin Mason described Schuricht’s 1964 account of Beethoven’s Symphony No. 9 ‘Choral’ with the London Symphony Orchestra as ‘an immensely dramatic and exciting performance’.
Schuricht’s recording career was extensive. Already established as a conductor of note during the acoustic era, he recorded Beethoven using this process with the Berlin Municipal Orchestra. His electrical 78rpm recordings, made with all the major orchestras of Berlin, included such large-scale works as Beethoven’s Symphonies Nos 3, 6, 7 and 9, Bruckner’s Symphonies Nos 7 and 9, and Richard Strauss’s Sinfonia Domestica and Tod und Verklärung, as well as many shorter pieces. After World War II, he recorded both 78rpm and long-playing records for Decca, working initially with Swiss orchestras and later with the Paris Conservatoire and Vienna Philharmonic Orchestras. Towards the end of his life Schuricht recorded for EMI, committing to disc once again his interpretations of Beethoven and Bruckner. A wide cross-section of repertoire was also recorded by the Concert Hall Record Club, including music by Bach and Handel as well as by Schumann, Brahms, Wagner and Johann Strauss II. In addition many of his radio recordings have been published. Schuricht’s interpretations at their best have an unforced, natural and deeply-felt quality that is most appealing. As he himself noted, he was ‘…essentially an exponent of the old tradition’.
Tracks:
CD01
Ludwig van Beethoven - Symphony No. 7 in A major, Op. 92
1952 33:33
01. I. Poco sostenuto - Vivace 11:44
02. II. Allegretto 7:35
03. III. Presto 7:07
04. IV. Allegro con brio 7:07
Robert Schumann - Symphony No. 2 in C major, Op. 61
1959 36:18
05. I. Sostenuto assai - Allegro ma non troppo 10:54
06. II. Scherzo, Allegro vivace 7:41
07. III. Adagio espressivo 9:36
08. IV. Allegro molto vivace 8:08
CD02
Ludwig van Beethoven - Symphony No. 9 in D minor ("Choral"), Op. 125
1961 64:34
01. I. Allegro ma non troppo, un poco maestoso Maria Stader 15:17
02. II. Molto vivace Maria Stader 11:34
03. III. Adagio molto e cantabile - Andante moderato Maria Stader 15:20
04. IV. Finale: Presto - Allegro assai Maria Stader 22:23
with Murray Dickie, Marga Höffgen,
Maria Stader, Otto Wiener
Coriolan Overture, Op. 62
1952 8:07
05. Overture to Collin's Coriolan, Op. 62, "Coriolan Overture" 8:07
CD03
Johannes Brahms - Symphony No. 2 in D major, Op. 73
1966 41:39
01. I. Allegro non troppo 16:21
02. II. Adagio non troppo 9:22
03. III. Allegretto grazioso 5:35
04. IV. Allegro con spirito 10:22
05. Schicksalslied (Song of Destiny) for chorus and orchestra, Op. 54
1954 15:16
06. Nänie ("Auch das Schöne muss sterben"), for chorus, orchestra & harp ad lib, Op. 82 1954 13:22
CD04
Johannes Brahms - Ein deutsches Requiem (A German Requiem), Op. 45
1959 68:09
01. I. Selig sind, die da Leid tragen 10:54
02. II. Denn alles Fleisch, es ist wie Gras 13:18
03. III. Herr, lehre doch mich 8:37
04. IV. Wie lieblich sind deine Wohnungen 6:05
05. V. Ihr habt nun Traurigkeit 7:11
06. VI. Denn wir haben hie keine bleibende Statt 11:27
07. VII. Selig sind die Toten 10:37
with Hermann Prey, Maria Stader
CD05
Anton Bruckner - Symphony No. 4 in E flat ("Romantic")
1955 69:01
01. I. Bewegt, nicht zu schnell 17:40
02. II. Andante quasi allegretto 16:34
03. III. Scherzo: Bewegt 11:17
04. IV. Finale: Bewegt, doch nicht zu schnell 23:30
CD06
Anton Bruckner - Symphony No. 5 in B flat
1962 72:52
01. I. Introduction: Adagio - Allegro 20:54
02. II. Adagio: Sehr langsam 16:06
03. III. Scherzo: Molto vivace (Schnell) - Trio: Im gleichen Tempo 9:08
04. IV. Finale: Adagio - Allegro moderato 26:44
CD07
Anton Bruckner - Symphony No. 7 in E major
1953 60:13
01. I. Allegro moderato 20:15
02. II. Adagio: Sehr feierlich und sehr langsam 18:59
03. III. Scherzo: Sehr schnell 8:21
04. IV. Finale: Bewegt, doch nicht schnell 12:37
Richard Wagner
05. Tristan und Isolde, opera, WWV 90: 1. Act 1. Vorspiel
1950 11:26
06. Tristan und Isolde, opera, WWV 90: 2. Act 3. Isoldes Liebestod
1950 6:51
CD08
Anton Bruckner - Symphony No. 8 in C minor
1954 79:43
01. I. Allegro moderato 16:07
02. II. Scherzo: Allegro moderato - Langsam 25:42
03. III. Adagio: Feierlich langsam, doch nicht schleppend 23:37
04. IV. Finale: Feierlich, nicht schnell 10:07
CD09
Anton Bruckner - Symphony No. 9 in D minor
1951 55:59
01. I. Feierlich: Misterioso 22:14
02. II. Scherzo: Bewegt, lebhaft - Trio: Schnell 14:25
03. III. Adagio: Langsam feierlich 23:29
CD10
01. Edvard Grieg - I høst (In Autumn), concert overture for orchestra, Op. 11
1954 11:28
Max Bruch - Violin Concerto No. 1 in G minor, Op. 26
1960 25:18
02. I. Prelude: Allegro moderato Hansheinz Schneeberger 8:34
03. II. Adagio Hansheinz Schneeberger 9:16
04. III. Finale: Allegro energico Hansheinz Schneeberger 7:28
05. Hermann Goetz - Concerto for violin and orchestra in G Major, Op 22
1953 16:45
06. Robert Volkmann - Overture "Richard III, " Op 68
1952 13:22
CD11
Franz Joseph Haydn
Symphony No. 100 in G major ("Military") H. 1/100
1958 22:34
01. I. Adagio - Allegro 6:07
02. II. Allegretto 5:34
03. III. Menuet: Moderato - Trio 4:58
04. IV. Finale: Presto 5:55
Cello Concerto No. 2 in D major, H. 7b/2 (Op. 101)
1950 27:17
05. I. Allegro moderato Enrico Mainardi 14:00
06. II. Adagio Enrico Mainardi 6:53
07. III. Rondo: Allegro Enrico Mainardi 6:24
Symphony No. 95 in C minor, H. 1/95
1955 19:51
08. I. Allegro 6:46
09. II. Andante 4:50
10. III. Menuetto 4:39
11. IV. Finale: Vivace 3:36
CD12
Gustav Mahler
Symphony No. 3 in D minor
1960 87:50
01. I. Kraftig: Entschieden 30:38
02. II. Tempo di menuetto: Sehr massig 8:04
03. III. Comodo. Scherzando. Ohne Hast 15:08
04. IV. Sehr langsam: Misterioso 8:27
05. V. Lustig im Tempo und keck im Ausdruck 4:21
CD13
01. VI. Langsam. Ruhevoll. Empfunden 21:12
Richard Strauss
Eine Alpensinfonie (An Alpine Symphony), Op. 64 (TrV 233)
1955 45:20
02. I. Nacht: Lento 2:41
03. II. Sonnenaufgang: Festes Zeitmass, massig langsam 1:26
04. III. Der Anstieg: Sehr lebhaft und ernergisch 2:09
05. IV. Eintritt in den Wald 4:41
06. V. Wanderung neben dem Bache 0:39
07. VI. Am Wasserfall: Sehr lebhaft 0:16
08. VII. Erscheinung 0:48
09. VIII. Auf Blumige Wiesen: Sehr Lebhaft 0:50
10. IX. Auf der Alm: Massig schnell 2:08
11. X. Durch Dickicht und Gestrupp auf Irrwegen 1:30
12. XI. Auf Dem Gletscher: Festes, sehr lebhaftes Zeitmass - un poco maestoso 0:59
13. XII. Gefahrvolle Augenblicke: A tempo, lebhafter als vorher 1:41
14. XIII. Auf Dem Gipfel 4:10
15. XIV. Vision: Fest und gehalten 3:22
16. XV. nebel steigen auf: Etwas weniger breit 0:19
17. XVI. Die Sonne verdustert sich allmahlich 1:01
18. XVII. Elegie: Moderato Espressivo 2:07
19. XVIII. Stille Vor Dem Stum 2:37
20. XIX. Gewitter und Sturm. Abstieg. Schnell und heftig 3:58
21. XX. Sonnenuntergang 1:33
22. XXI. Ausklang: Etwas breit und getragen 4:53
23. Xxii. Nacht: Breit - Sehr Langsam 1:34
CD14
Wolfgang Amadeus Mozart
Symphony No. 35 in D major ("Haffner"), K. 385
1956 16:59
01. I. Allegro con spirito 5:33
02. II. Andante 4:43
03. III. Menuetto - Trio 2:53
04. IV. Finale: Presto 3:50
Symphony No. 38 in D major ("Prague"), K. 504
1956 23:05
05. I. Adagio - Allegro 9:15
06. II. Andante 9:00
07. III. Finale: Presto 4:59
Symphony No. 40 in G minor, K. 550
1961 23:29
08. I. Molto allegro 6:01
09. II. Andante 8:09
10. III. Menuetto: Allegro 4:08
11. IV. Allegro assai 5:12
12. No no, che non sei capace, aria for soprano & orchestra, K. 419
1959 4:29
13. Le nozze di Figaro (The Marriage of Figaro), opera, K. 492: Porgi, amor Aria
1959 4:25
14. Die Zauberflöte (The Magic Flute), opera, K. 620: Dies Bildnis ist bezaubernd schön
1959 4:15
CD15
Wolfgang Amadeus Mozart
Piano Concerto No. 9 in E flat major ("Jeunehomme," "Jenamy"), K. 271
1952 30:25
01. I. Allegro 10:09
02. II. Andantino 10:43
03. III. Rondeau: Presto 9:33
with Clara Haskil
Piano Concerto No. 19 in F major, K. 459
1956 27:16
04. I. Allegro vivace 12:05
05. II. Allegretto 8:02
06. III. Allegro assai 7:09
with Clara Haskil
CD16
Emil Nikolaus von Reznicek
01. Theme and Variations for large orchestra & baritone solo, after the poem "Tragic Story" by Adelbert von Chamisso
1960 17:25
Richard Strauss
02. Guntram, opera, Op. 25 (TrV 168): Act 1, Overture
1956 11:24
Hans Pfitzner
03. Das Käthchen von Heilbronn, incidental music, Op 17: Overture
1956 12:34
Max Reger
Variations and Fugue on a Theme of Mozart for orchestra, Op. 132
1950 31:40
04. Theme: Andante grazioso 1:59
05. Variation 1: L'istesso tempo 2:23
06. Variation 2: Poco agitato 1:58
07. Variation 3: Con moto 1:11
08. Variation 4: Vivace 0:52
09. Variation 5: Quasi presto 1:39
10. Variation 6: Sostenuto (quasi adagietto) 2:24
11. Variation 7: Andante grazioso 2:26
12. Variation 8: Molto sostenuto 7:26
13. Fuge: Allegretto grazioso 9:23
CD17
01. Robert Schumann
Manfred, overture & incidental music, Op. 115: Overture
1960 11:30
02. Felix Mendelssohn
Calm Sea and Prosperous Voyage, overture in D major, Op. 27
1961 12:27
Robert Schumann
Overture, Scherzo & Finale for orchestra in E minor / E major, Op. 52
1954 16:15
03. I. Overture: Andante con moto - Allegro 6:23
04. II. Scherzo: Vivo 3:59
05. III. Finale: Allegro molto vivace 5:53
Felix Mendelssohn
06. The Hebrides, overture for orchestra in B minor ("Fingal's Cave"), Op. 26
1955 10:15
07. A Midsummer Night's Dream, overture, Op. 21
08. A Midsummer Night's Dream, incidental music, Op. 61: No. 7 Noturno. Con molto tranquillo
09. A Midsummer Night's Dream, incidental music, Op. 61: No. 1 Scherzo. Allegro vivace
1954 4:46
CD18
01. Richard Wagner
Parsifal, opera, WWV 111: Act 1. Vorspiel
1966 12:39
02. Tristan und Isolde, opera, WWV 90: Act 1. Vorspiel
1950 11:35
03. Die Götterdämmerung (Twilight of the Gods), opera, WWV 86d: Morgendämmerung und Siegfrieds Rheinfahrt
04. Die Götterdämmerung (Twilight of the Gods), opera, WWV 86d: Trauermarsch beim Tode Siegfrieds
05. Siegfried Idyll, for small orchestra in E major, WWV 103
1955
06. Parsifal, opera, WWV 111: Act 3. Karfreitagszauber
1954 9:56
07. Parsifal, opera, WWV 111: Act 3. Schluss
1966 5:32
CD19
Gustav Mahler
Symphony No. 2 in C minor ("Resurrection")
1958 79:38
01. I. Allegro maestoso Hertha Topper 9:01
02. II. Andante moderato Hertha Topper 5:39
03. III. Scherzo: In ruhig fliessender Bewegung Hertha Topper 8:36
04. IV. Sehr feierlich, aber schlicht, "Ulricht" Hertha Topper 7:46
CD20
01. V. Im Tempo des Scherzo Hertha Topper 6:38
Franz Joseph Haydn
Symphony No. 86 in D major, H. 1/86
1954 24:25
02. I. Adagio - Allegro spiritoso 6:57
03. II. Capriccio: Largo 7:59
04. III. Menuetto: Allegretto 9:14
05. IV. Finale: Allegro con spirito 10:28
Personnel:
Conductor - Carl Schuricht
Stuttgart Radio Symphony Orchestra
Although he had been invited to conduct in London and at La Scala, Milan during 1914, Schuricht’s career appears to have been dormant for the years of World War I. It recommenced in 1921 when he directed a Brahms festival with Furtwängler. In 1923 he became chief conductor of the Wiesbaden Symphony Orchestra, a post which he retained until 1944. During the inter-war years he pursued an active career conducting in Germany and abroad, appearing at the first German Mahler Festival in Wiesbaden (1923), in St Louis (1927), in London (1931), and at the summer symphony concerts in Scheveningen in Holland (1930–1939). In 1933 he was appointed conductor of the Berlin Philharmonic Choir, conducted the Vienna Philharmonic Orchestra for the first time in the following year, and served as principal guest conductor of the Frankfurt Radio Symphony Orchestra from 1937 to 1944 and of the Dresden Philharmonic Orchestra during 1943 and 1944, followed by a short period as its chief conductor. However, as World War II drew to a close he left Germany during the autumn of 1944 and settled in Switzerland, where he began to work with the Suisse Romande Orchestra.
At the re-opening of the Salzburg Festival in 1946 Schuricht conducted the Vienna Philharmonic and ten years later he led the same orchestra in both the Furtwängler Memorial Concert in Vienna at the beginning of 1956 and in a concert during the January Mozart Week in Salzburg. With the unexpected death immediately afterwards of Erich Kleiber, Schuricht was invited by the orchestra to share the conducting of its forthcoming tour of America with André Cluytens, leading twelve concerts; and during the same year, 1956, he conducted all the Beethoven symphonies at the Lyons Festival. He was invited to conduct at the Chicago Symphony Festival at Ravinia in 1957, appearing also as a guest conductor with the Boston Symphony Orchestra at the Berkshire Music Festival, Tanglewood. He conducted the Vienna Philharmonic on another tour, of Europe, in 1958, and on his eightieth birthday the orchestra conferred upon him honorary membership. During his final years he made guest appearances in London and Berlin, and continued to conduct the Vienna Philharmonic; he also participated in the Salzburg Festival, giving his last concert there in 1965.
Compared with his more famous contemporaries, such as Beecham, Furtwängler, and Toscanini, Schuricht’s style as a conductor was understated. He described his essentially instinctive approach to performance thus: ‘The interpretative artist should be endowed, first and foremost, with that kind of spiritual musical intuition which permits him to sense the original impulse of the work he is interpreting, and secondly, with the gift of making clear in his own presentation the essence of what he sees… If the interpretative artist is fortunate enough to touch the ‘active nucleus’ of the musical cell, whence stem all the forces which govern the work, this ‘nucleus’ will guide him even in the smallest details.’ When successful this approach to performance produced excellent results: for instance the British critic Colin Mason described Schuricht’s 1964 account of Beethoven’s Symphony No. 9 ‘Choral’ with the London Symphony Orchestra as ‘an immensely dramatic and exciting performance’.
Schuricht’s recording career was extensive. Already established as a conductor of note during the acoustic era, he recorded Beethoven using this process with the Berlin Municipal Orchestra. His electrical 78rpm recordings, made with all the major orchestras of Berlin, included such large-scale works as Beethoven’s Symphonies Nos 3, 6, 7 and 9, Bruckner’s Symphonies Nos 7 and 9, and Richard Strauss’s Sinfonia Domestica and Tod und Verklärung, as well as many shorter pieces. After World War II, he recorded both 78rpm and long-playing records for Decca, working initially with Swiss orchestras and later with the Paris Conservatoire and Vienna Philharmonic Orchestras. Towards the end of his life Schuricht recorded for EMI, committing to disc once again his interpretations of Beethoven and Bruckner. A wide cross-section of repertoire was also recorded by the Concert Hall Record Club, including music by Bach and Handel as well as by Schumann, Brahms, Wagner and Johann Strauss II. In addition many of his radio recordings have been published. Schuricht’s interpretations at their best have an unforced, natural and deeply-felt quality that is most appealing. As he himself noted, he was ‘…essentially an exponent of the old tradition’.
Tracks:
CD01
Ludwig van Beethoven - Symphony No. 7 in A major, Op. 92
1952 33:33
01. I. Poco sostenuto - Vivace 11:44
02. II. Allegretto 7:35
03. III. Presto 7:07
04. IV. Allegro con brio 7:07
Robert Schumann - Symphony No. 2 in C major, Op. 61
1959 36:18
05. I. Sostenuto assai - Allegro ma non troppo 10:54
06. II. Scherzo, Allegro vivace 7:41
07. III. Adagio espressivo 9:36
08. IV. Allegro molto vivace 8:08
CD02
Ludwig van Beethoven - Symphony No. 9 in D minor ("Choral"), Op. 125
1961 64:34
01. I. Allegro ma non troppo, un poco maestoso Maria Stader 15:17
02. II. Molto vivace Maria Stader 11:34
03. III. Adagio molto e cantabile - Andante moderato Maria Stader 15:20
04. IV. Finale: Presto - Allegro assai Maria Stader 22:23
with Murray Dickie, Marga Höffgen,
Maria Stader, Otto Wiener
Coriolan Overture, Op. 62
1952 8:07
05. Overture to Collin's Coriolan, Op. 62, "Coriolan Overture" 8:07
CD03
Johannes Brahms - Symphony No. 2 in D major, Op. 73
1966 41:39
01. I. Allegro non troppo 16:21
02. II. Adagio non troppo 9:22
03. III. Allegretto grazioso 5:35
04. IV. Allegro con spirito 10:22
05. Schicksalslied (Song of Destiny) for chorus and orchestra, Op. 54
1954 15:16
06. Nänie ("Auch das Schöne muss sterben"), for chorus, orchestra & harp ad lib, Op. 82 1954 13:22
CD04
Johannes Brahms - Ein deutsches Requiem (A German Requiem), Op. 45
1959 68:09
01. I. Selig sind, die da Leid tragen 10:54
02. II. Denn alles Fleisch, es ist wie Gras 13:18
03. III. Herr, lehre doch mich 8:37
04. IV. Wie lieblich sind deine Wohnungen 6:05
05. V. Ihr habt nun Traurigkeit 7:11
06. VI. Denn wir haben hie keine bleibende Statt 11:27
07. VII. Selig sind die Toten 10:37
with Hermann Prey, Maria Stader
CD05
Anton Bruckner - Symphony No. 4 in E flat ("Romantic")
1955 69:01
01. I. Bewegt, nicht zu schnell 17:40
02. II. Andante quasi allegretto 16:34
03. III. Scherzo: Bewegt 11:17
04. IV. Finale: Bewegt, doch nicht zu schnell 23:30
CD06
Anton Bruckner - Symphony No. 5 in B flat
1962 72:52
01. I. Introduction: Adagio - Allegro 20:54
02. II. Adagio: Sehr langsam 16:06
03. III. Scherzo: Molto vivace (Schnell) - Trio: Im gleichen Tempo 9:08
04. IV. Finale: Adagio - Allegro moderato 26:44
CD07
Anton Bruckner - Symphony No. 7 in E major
1953 60:13
01. I. Allegro moderato 20:15
02. II. Adagio: Sehr feierlich und sehr langsam 18:59
03. III. Scherzo: Sehr schnell 8:21
04. IV. Finale: Bewegt, doch nicht schnell 12:37
Richard Wagner
05. Tristan und Isolde, opera, WWV 90: 1. Act 1. Vorspiel
1950 11:26
06. Tristan und Isolde, opera, WWV 90: 2. Act 3. Isoldes Liebestod
1950 6:51
CD08
Anton Bruckner - Symphony No. 8 in C minor
1954 79:43
01. I. Allegro moderato 16:07
02. II. Scherzo: Allegro moderato - Langsam 25:42
03. III. Adagio: Feierlich langsam, doch nicht schleppend 23:37
04. IV. Finale: Feierlich, nicht schnell 10:07
CD09
Anton Bruckner - Symphony No. 9 in D minor
1951 55:59
01. I. Feierlich: Misterioso 22:14
02. II. Scherzo: Bewegt, lebhaft - Trio: Schnell 14:25
03. III. Adagio: Langsam feierlich 23:29
CD10
01. Edvard Grieg - I høst (In Autumn), concert overture for orchestra, Op. 11
1954 11:28
Max Bruch - Violin Concerto No. 1 in G minor, Op. 26
1960 25:18
02. I. Prelude: Allegro moderato Hansheinz Schneeberger 8:34
03. II. Adagio Hansheinz Schneeberger 9:16
04. III. Finale: Allegro energico Hansheinz Schneeberger 7:28
05. Hermann Goetz - Concerto for violin and orchestra in G Major, Op 22
1953 16:45
06. Robert Volkmann - Overture "Richard III, " Op 68
1952 13:22
CD11
Franz Joseph Haydn
Symphony No. 100 in G major ("Military") H. 1/100
1958 22:34
01. I. Adagio - Allegro 6:07
02. II. Allegretto 5:34
03. III. Menuet: Moderato - Trio 4:58
04. IV. Finale: Presto 5:55
Cello Concerto No. 2 in D major, H. 7b/2 (Op. 101)
1950 27:17
05. I. Allegro moderato Enrico Mainardi 14:00
06. II. Adagio Enrico Mainardi 6:53
07. III. Rondo: Allegro Enrico Mainardi 6:24
Symphony No. 95 in C minor, H. 1/95
1955 19:51
08. I. Allegro 6:46
09. II. Andante 4:50
10. III. Menuetto 4:39
11. IV. Finale: Vivace 3:36
CD12
Gustav Mahler
Symphony No. 3 in D minor
1960 87:50
01. I. Kraftig: Entschieden 30:38
02. II. Tempo di menuetto: Sehr massig 8:04
03. III. Comodo. Scherzando. Ohne Hast 15:08
04. IV. Sehr langsam: Misterioso 8:27
05. V. Lustig im Tempo und keck im Ausdruck 4:21
CD13
01. VI. Langsam. Ruhevoll. Empfunden 21:12
Richard Strauss
Eine Alpensinfonie (An Alpine Symphony), Op. 64 (TrV 233)
1955 45:20
02. I. Nacht: Lento 2:41
03. II. Sonnenaufgang: Festes Zeitmass, massig langsam 1:26
04. III. Der Anstieg: Sehr lebhaft und ernergisch 2:09
05. IV. Eintritt in den Wald 4:41
06. V. Wanderung neben dem Bache 0:39
07. VI. Am Wasserfall: Sehr lebhaft 0:16
08. VII. Erscheinung 0:48
09. VIII. Auf Blumige Wiesen: Sehr Lebhaft 0:50
10. IX. Auf der Alm: Massig schnell 2:08
11. X. Durch Dickicht und Gestrupp auf Irrwegen 1:30
12. XI. Auf Dem Gletscher: Festes, sehr lebhaftes Zeitmass - un poco maestoso 0:59
13. XII. Gefahrvolle Augenblicke: A tempo, lebhafter als vorher 1:41
14. XIII. Auf Dem Gipfel 4:10
15. XIV. Vision: Fest und gehalten 3:22
16. XV. nebel steigen auf: Etwas weniger breit 0:19
17. XVI. Die Sonne verdustert sich allmahlich 1:01
18. XVII. Elegie: Moderato Espressivo 2:07
19. XVIII. Stille Vor Dem Stum 2:37
20. XIX. Gewitter und Sturm. Abstieg. Schnell und heftig 3:58
21. XX. Sonnenuntergang 1:33
22. XXI. Ausklang: Etwas breit und getragen 4:53
23. Xxii. Nacht: Breit - Sehr Langsam 1:34
CD14
Wolfgang Amadeus Mozart
Symphony No. 35 in D major ("Haffner"), K. 385
1956 16:59
01. I. Allegro con spirito 5:33
02. II. Andante 4:43
03. III. Menuetto - Trio 2:53
04. IV. Finale: Presto 3:50
Symphony No. 38 in D major ("Prague"), K. 504
1956 23:05
05. I. Adagio - Allegro 9:15
06. II. Andante 9:00
07. III. Finale: Presto 4:59
Symphony No. 40 in G minor, K. 550
1961 23:29
08. I. Molto allegro 6:01
09. II. Andante 8:09
10. III. Menuetto: Allegro 4:08
11. IV. Allegro assai 5:12
12. No no, che non sei capace, aria for soprano & orchestra, K. 419
1959 4:29
13. Le nozze di Figaro (The Marriage of Figaro), opera, K. 492: Porgi, amor Aria
1959 4:25
14. Die Zauberflöte (The Magic Flute), opera, K. 620: Dies Bildnis ist bezaubernd schön
1959 4:15
CD15
Wolfgang Amadeus Mozart
Piano Concerto No. 9 in E flat major ("Jeunehomme," "Jenamy"), K. 271
1952 30:25
01. I. Allegro 10:09
02. II. Andantino 10:43
03. III. Rondeau: Presto 9:33
with Clara Haskil
Piano Concerto No. 19 in F major, K. 459
1956 27:16
04. I. Allegro vivace 12:05
05. II. Allegretto 8:02
06. III. Allegro assai 7:09
with Clara Haskil
CD16
Emil Nikolaus von Reznicek
01. Theme and Variations for large orchestra & baritone solo, after the poem "Tragic Story" by Adelbert von Chamisso
1960 17:25
Richard Strauss
02. Guntram, opera, Op. 25 (TrV 168): Act 1, Overture
1956 11:24
Hans Pfitzner
03. Das Käthchen von Heilbronn, incidental music, Op 17: Overture
1956 12:34
Max Reger
Variations and Fugue on a Theme of Mozart for orchestra, Op. 132
1950 31:40
04. Theme: Andante grazioso 1:59
05. Variation 1: L'istesso tempo 2:23
06. Variation 2: Poco agitato 1:58
07. Variation 3: Con moto 1:11
08. Variation 4: Vivace 0:52
09. Variation 5: Quasi presto 1:39
10. Variation 6: Sostenuto (quasi adagietto) 2:24
11. Variation 7: Andante grazioso 2:26
12. Variation 8: Molto sostenuto 7:26
13. Fuge: Allegretto grazioso 9:23
CD17
01. Robert Schumann
Manfred, overture & incidental music, Op. 115: Overture
1960 11:30
02. Felix Mendelssohn
Calm Sea and Prosperous Voyage, overture in D major, Op. 27
1961 12:27
Robert Schumann
Overture, Scherzo & Finale for orchestra in E minor / E major, Op. 52
1954 16:15
03. I. Overture: Andante con moto - Allegro 6:23
04. II. Scherzo: Vivo 3:59
05. III. Finale: Allegro molto vivace 5:53
Felix Mendelssohn
06. The Hebrides, overture for orchestra in B minor ("Fingal's Cave"), Op. 26
1955 10:15
07. A Midsummer Night's Dream, overture, Op. 21
08. A Midsummer Night's Dream, incidental music, Op. 61: No. 7 Noturno. Con molto tranquillo
09. A Midsummer Night's Dream, incidental music, Op. 61: No. 1 Scherzo. Allegro vivace
1954 4:46
CD18
01. Richard Wagner
Parsifal, opera, WWV 111: Act 1. Vorspiel
1966 12:39
02. Tristan und Isolde, opera, WWV 90: Act 1. Vorspiel
1950 11:35
03. Die Götterdämmerung (Twilight of the Gods), opera, WWV 86d: Morgendämmerung und Siegfrieds Rheinfahrt
04. Die Götterdämmerung (Twilight of the Gods), opera, WWV 86d: Trauermarsch beim Tode Siegfrieds
05. Siegfried Idyll, for small orchestra in E major, WWV 103
1955
06. Parsifal, opera, WWV 111: Act 3. Karfreitagszauber
1954 9:56
07. Parsifal, opera, WWV 111: Act 3. Schluss
1966 5:32
CD19
Gustav Mahler
Symphony No. 2 in C minor ("Resurrection")
1958 79:38
01. I. Allegro maestoso Hertha Topper 9:01
02. II. Andante moderato Hertha Topper 5:39
03. III. Scherzo: In ruhig fliessender Bewegung Hertha Topper 8:36
04. IV. Sehr feierlich, aber schlicht, "Ulricht" Hertha Topper 7:46
CD20
01. V. Im Tempo des Scherzo Hertha Topper 6:38
Franz Joseph Haydn
Symphony No. 86 in D major, H. 1/86
1954 24:25
02. I. Adagio - Allegro spiritoso 6:57
03. II. Capriccio: Largo 7:59
04. III. Menuetto: Allegretto 9:14
05. IV. Finale: Allegro con spirito 10:28
Personnel:
Conductor - Carl Schuricht
Stuttgart Radio Symphony Orchestra
Classical | Discography | FLAC / APE | CD-Rip
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