Boston Baroque and Martin Pearlman - Monteverdi: Vespers of 1610, SV 206 (1997)
BAND/ARTIST: Boston Baroque, Martin Pearlman
- Title: Monteverdi: Vespers of 1610, SV 206
- Year Of Release: 1997
- Label: Telarc
- Genre: Classical
- Quality: FLAC (tracks)
- Total Time: 1:33:09
- Total Size: 382 MB
- WebSite: Album Preview
Tracklist:
01. I. Deus in adjutorium - Domine ad adjuvandum
02. Anonymous: Antiphon (1)
03. II. Psalm 109. Dixit Dominus
04. III. Motet. Nigra sum
05. Anonymous: Antiphon (2)
06. IV. Psalm 112. Laudate pueri
07. V. Motet. Pulchra es
08. Anonymous: Antiphon (3)
09. VI. Psalm 121. Laetatus sum
10. VII. Motet. Duo seraphim
11. Anonymous: Antiphon (4)
12. VIII. Psalm 126. Nisi Dominus
13. IX. Motet. Audi coelum
14. Anonymous: Antiphon (5)
15. X. Psalm 147. Lauda Jerusalem
16. XI. Sonata sopra "Sancta Maria, ora pro nobis"
17. XII. Hymn. Ave maris stella
18. Anonymous: Antiphon (6)
19. XIIIa. Magnificat anima mea
20. XIIIb. Et exultavit
21. XIIIc. Quia respexit
22. XIIId. Quia fecit mihi magna
23. XIIIe. Et misericordia
24. XIIIf. Fecit potentiam
25. XIIIg. Deposuit potentes de sede
26. XIIIh. Esurientes implevit bonis
27. XIIIi. Suscepit Israel
28. XIIIj. Sicut locutus est
29. XIIIk. Gloria Patri
30. XIIIl. Sicut erat in principio
01. I. Deus in adjutorium - Domine ad adjuvandum
02. Anonymous: Antiphon (1)
03. II. Psalm 109. Dixit Dominus
04. III. Motet. Nigra sum
05. Anonymous: Antiphon (2)
06. IV. Psalm 112. Laudate pueri
07. V. Motet. Pulchra es
08. Anonymous: Antiphon (3)
09. VI. Psalm 121. Laetatus sum
10. VII. Motet. Duo seraphim
11. Anonymous: Antiphon (4)
12. VIII. Psalm 126. Nisi Dominus
13. IX. Motet. Audi coelum
14. Anonymous: Antiphon (5)
15. X. Psalm 147. Lauda Jerusalem
16. XI. Sonata sopra "Sancta Maria, ora pro nobis"
17. XII. Hymn. Ave maris stella
18. Anonymous: Antiphon (6)
19. XIIIa. Magnificat anima mea
20. XIIIb. Et exultavit
21. XIIIc. Quia respexit
22. XIIId. Quia fecit mihi magna
23. XIIIe. Et misericordia
24. XIIIf. Fecit potentiam
25. XIIIg. Deposuit potentes de sede
26. XIIIh. Esurientes implevit bonis
27. XIIIi. Suscepit Israel
28. XIIIj. Sicut locutus est
29. XIIIk. Gloria Patri
30. XIIIl. Sicut erat in principio
On their seventh release for Telarc, Martin Pearlman and the Boston Baroque, period instruments orchestra and chorus, are heard in the opulent Vespro della Beata Vergine (Vespers of the Blessed Virgin) by Monteverdi. Included in the three-CD set is a thirty-minute discussion disc by Pearlman, in which he gives an overview of the historical background, the instrumentation, and the complexities of the scoring and musical styles in this great work, interspersed with musical examples taken from the recording. The ensemble’s most recent release for Telarc was of Purcell’s Dido and Aeneas. Upcoming plans include a recording of American Moravian music, to be released in 1998. Monteverdi’s Vespers first appeared in print in 1610, part of a large collection of church music that was dedicated to Pope Paul V. At that time, Monteverdi was still employed at the court of Duke Vincenzo in Mantua. But in 1613, he became the maestro di cappella at the Basilica of St. Mark’s in Venice, a position he retained for the rest of his life. There are many issues of orchestration and assignment of vocal parts that are left unspecified in the score, and must be decided by the conductor. The texts that Monteverdi set in the Vespers are all appropriate for feast days in the Catholic Church year dedicated to the Virgin Mary. Pearlman has chosen to perform the piece as if it were a complete liturgical service, and has therefore inserted Gregorian chants from the Feast of the Assumption (a major Marian feast day) before each of the psalms and the final Magnificat.
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