Boston Baroque & Martin Pearlman - Haydn: The Creation (2012) [Hi-Res]
![Boston Baroque & Martin Pearlman - Haydn: The Creation (2012) [Hi-Res]](https://www.dibpic.com/uploads/posts/2020-03/1583834973_001.jpg)
BAND/ARTIST: Boston Baroque, Martin Pearlman, Amanda Forsythe, Keith Jameson, Kevin Deas
- Title: Haydn: The Creation
- Year Of Release: 2012
- Label: Linn Records
- Genre: Classical
- Quality: FLAC (tracks, booklet) [192kHz/24bit]
- Total Time: 1:36:51
- Total Size: 4.16 GB
- WebSite: Album Preview
Tracklist:
1 Part 1, Prelude: ‘Die Vorstellung des Chaos’ 05:08
2 Part 1, No. 1, Recitativ mit Chor: ‘Im Anfange schuf Gott Himmel und Erde’ 02:29
3 Part 1, No. 2, Arie mit Chor: ‘Nun schwanden vor dem heiligen Strahle’ 03:34
4 Part 1, No. 3, Recitativ: ‘Und Gott machte das Firmament’ 01:52
5 Part 1, No. 4, Solo mit Chor: ‘Mit Staunen sieht das Wunderwerk’ 01:49
6 Part 1, No. 5, Recitativ: ‘Und Gott sprach: Es sammle sich das Wasser’ 00:37
7 Part 1, No. 6, Arie: ‘Rollend in schaumenden Wellen’ 03:47
8 Part 1, No. 7, Recitativ: ‘Und Gott sprach: Es bringe die Erde Gras hervor’ 00:28
9 Part 1, No. 8, Arie: ‘Nun beut die Flur das frische Grun’ 04:42
10 Part 1, No. 9, Recitativ: ‘Und die himmlischen Heerscharen’ 00:10
11 Part 1, No. 10, Chor: ‘Stimmt an die Saiten’ 02:01
12 Part 1, No. 11, Recitativ: ‘Und Gott sprach: Es sei'n Lichter an der Feste’ 00:32
13 Part 1, No. 12, Recitativ: ‘In vollem Glanze steiget jetzt ‘ 02:38
14 Part 1, No. 13, Terzett mit Chor: ‘Die Himmel erzahlen die Ehre Gottes’ 04:03
15 Part II, No. 14, Recitativ: ‘Und Gott sprach: Es bringe das Wasser’ 00:25
16 Part II, No. 15, Arie: ‘Auf starkem Fittiche schwinget sich’ 07:01
17 Part II, No. 16, Recitativ: ‘Und Gott schuf grosse Walfische’ 02:07
18 Part II, No. 17, Recitativ: ‘Und die Engel ruhrten ihr' unsterblichen Harfen’ 00:21
19 Part II, No. 18, Terzett mit Chor: ‘In holder Anmut stehn, mit jungem Grun’ 06:22
20 Part II, No. 19, Recitativ: ‘Und Gott sprach: Es bringe die Erde hervor’ 00:23
21 Part II, No. 20, Recitativ: ‘Gleich offnet sich der Erde Schoss’ 02:57
22 Part II, No. 21, Arie: ‘Nun scheint in vollem Glanze der Himmel’ 03:03
23 Part II, No. 22, Recitativ: ‘Und Gott schuf den Menshen’ 00:32
24 Part II, No. 23, Arie: ‘Mit Wurd' und Hoheit angetan’ 03:26
25 Part II, No. 24, Recitativ: ‘Und Gott sah jedes Ding’ 00:23
26 Part II, No. 25, Terzett mit Chor: ‘Zu dir, o Herr, blickt alles auf' 08:31
27 Part III, No. 26: Recitativ: ‘Aus Rosenwolken bricht’ 03:55
28 Part III, No. 27: Duett mit Chor: ‘Von deiner Gut', o Herr und Gott' 09:06
29 Part III, No. 28: Recitativ: ‘Nun ist die erste Pflicht erfullt’ 02:30
30 Part III, No. 29: Duett: ‘Holde Gattin, dir zur Seite’ 08:00
31 Part III, No. 30: Recitativ: ‘O glucklich Paar, und glucklich immerfort’ 00:21
32 Part III, No. 31: Chor: ‘Singt dem Herrn alle Stimmen’ 03:31
Performers:
Amanda Forsythe (soprano)
Keith Jameson (tenor)
Kevin Deas (bass-baritone)
Boston Baroque
Martin Pearlman
1 Part 1, Prelude: ‘Die Vorstellung des Chaos’ 05:08
2 Part 1, No. 1, Recitativ mit Chor: ‘Im Anfange schuf Gott Himmel und Erde’ 02:29
3 Part 1, No. 2, Arie mit Chor: ‘Nun schwanden vor dem heiligen Strahle’ 03:34
4 Part 1, No. 3, Recitativ: ‘Und Gott machte das Firmament’ 01:52
5 Part 1, No. 4, Solo mit Chor: ‘Mit Staunen sieht das Wunderwerk’ 01:49
6 Part 1, No. 5, Recitativ: ‘Und Gott sprach: Es sammle sich das Wasser’ 00:37
7 Part 1, No. 6, Arie: ‘Rollend in schaumenden Wellen’ 03:47
8 Part 1, No. 7, Recitativ: ‘Und Gott sprach: Es bringe die Erde Gras hervor’ 00:28
9 Part 1, No. 8, Arie: ‘Nun beut die Flur das frische Grun’ 04:42
10 Part 1, No. 9, Recitativ: ‘Und die himmlischen Heerscharen’ 00:10
11 Part 1, No. 10, Chor: ‘Stimmt an die Saiten’ 02:01
12 Part 1, No. 11, Recitativ: ‘Und Gott sprach: Es sei'n Lichter an der Feste’ 00:32
13 Part 1, No. 12, Recitativ: ‘In vollem Glanze steiget jetzt ‘ 02:38
14 Part 1, No. 13, Terzett mit Chor: ‘Die Himmel erzahlen die Ehre Gottes’ 04:03
15 Part II, No. 14, Recitativ: ‘Und Gott sprach: Es bringe das Wasser’ 00:25
16 Part II, No. 15, Arie: ‘Auf starkem Fittiche schwinget sich’ 07:01
17 Part II, No. 16, Recitativ: ‘Und Gott schuf grosse Walfische’ 02:07
18 Part II, No. 17, Recitativ: ‘Und die Engel ruhrten ihr' unsterblichen Harfen’ 00:21
19 Part II, No. 18, Terzett mit Chor: ‘In holder Anmut stehn, mit jungem Grun’ 06:22
20 Part II, No. 19, Recitativ: ‘Und Gott sprach: Es bringe die Erde hervor’ 00:23
21 Part II, No. 20, Recitativ: ‘Gleich offnet sich der Erde Schoss’ 02:57
22 Part II, No. 21, Arie: ‘Nun scheint in vollem Glanze der Himmel’ 03:03
23 Part II, No. 22, Recitativ: ‘Und Gott schuf den Menshen’ 00:32
24 Part II, No. 23, Arie: ‘Mit Wurd' und Hoheit angetan’ 03:26
25 Part II, No. 24, Recitativ: ‘Und Gott sah jedes Ding’ 00:23
26 Part II, No. 25, Terzett mit Chor: ‘Zu dir, o Herr, blickt alles auf' 08:31
27 Part III, No. 26: Recitativ: ‘Aus Rosenwolken bricht’ 03:55
28 Part III, No. 27: Duett mit Chor: ‘Von deiner Gut', o Herr und Gott' 09:06
29 Part III, No. 28: Recitativ: ‘Nun ist die erste Pflicht erfullt’ 02:30
30 Part III, No. 29: Duett: ‘Holde Gattin, dir zur Seite’ 08:00
31 Part III, No. 30: Recitativ: ‘O glucklich Paar, und glucklich immerfort’ 00:21
32 Part III, No. 31: Chor: ‘Singt dem Herrn alle Stimmen’ 03:31
Performers:
Amanda Forsythe (soprano)
Keith Jameson (tenor)
Kevin Deas (bass-baritone)
Boston Baroque
Martin Pearlman
The three-time Grammy-nominated ensemble, widely regarded as ‘one of the world’s premier period instruments bands’ (Fanfare), will mark the beginning of its relationship with Linn with a recording of Haydn’s The Creation.
Soloists Amanda Forsythe, Keith Jameson and Kevin Deas will join the ensemble and conductor Martin Pearlman for the performance of Haydn’s crowning achievement.
The Creation remains one of the greatest works of choral repertoire and has been astonishing audiences since its premiere in 1798.
The ensemble’s previous performances of The Creation have received rave reviews, with the Boston Globe stating: ‘Boston Baroque performed [Haydn’s Creation] with vibrant color and a fleet momentum…and made it a vivid, effervescent occasion.’
Founded in 1973 by Martin Pearlman, Boston Baroque is already familiar to an international audience with its critically acclaimed catalogue of recordings.
Boston Baroque's recordings—of which Fanfare magazine wrote ‘each one is an incomparable gem’— are heard by millions on classical radio stations in North America and Europe.
Boston Baroque's many career milestones include the American premiere of Rameau's Zoroastre; a Mozart opera series including Marriage of Figaro, Così fan tutte, and the American period-instrument premieres of Mozart's Don Giovanni and The Magic Flute; and a revelatory exploration of the Beethoven symphonies on period instruments.
Soloists Amanda Forsythe, Keith Jameson and Kevin Deas will join the ensemble and conductor Martin Pearlman for the performance of Haydn’s crowning achievement.
The Creation remains one of the greatest works of choral repertoire and has been astonishing audiences since its premiere in 1798.
The ensemble’s previous performances of The Creation have received rave reviews, with the Boston Globe stating: ‘Boston Baroque performed [Haydn’s Creation] with vibrant color and a fleet momentum…and made it a vivid, effervescent occasion.’
Founded in 1973 by Martin Pearlman, Boston Baroque is already familiar to an international audience with its critically acclaimed catalogue of recordings.
Boston Baroque's recordings—of which Fanfare magazine wrote ‘each one is an incomparable gem’— are heard by millions on classical radio stations in North America and Europe.
Boston Baroque's many career milestones include the American premiere of Rameau's Zoroastre; a Mozart opera series including Marriage of Figaro, Così fan tutte, and the American period-instrument premieres of Mozart's Don Giovanni and The Magic Flute; and a revelatory exploration of the Beethoven symphonies on period instruments.
Classical | FLAC / APE | HD & Vinyl
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