Oslo kammerakademi - Chanson et Danses (2021) [Hi-Res]
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BAND/ARTIST: Oslo kammerakademi
- Title: Chanson et Danses
- Year Of Release: 2021
- Label: Lawo Classics
- Genre: Classical
- Quality: flac lossless (tracks) / flac 24bits - 192.0kHz +Booklet
- Total Time: 01:12:14
- Total Size: 295 mb / 2.34 gb
- WebSite: Album Preview
Tracklist
01. Petite symphonie, Op. 216: I. Adagio et Allegretto
02. Petite symphonie, Op. 216: II. Andante cantabile
03. Petite symphonie, Op. 216: III. Scherzo. Allegro moderato
04. Petite symphonie, Op. 216: IV. Finale. Allegretto
05. Septuor d’instruments à vent, Op. 165: I. Monodie
06. Septuor d’instruments à vent, Op. 165: II. Pastorale
07. Septuor d’instruments à vent, Op. 165: III. Intermezzo
08. Septuor d’instruments à vent, Op. 165: IV. Fugue
09. Septuor d’instruments à vent, Op. 165: V. Sérénité
10. Septuor d’instruments à vent, Op. 165: VI. Fugue
11. Lied et scherzo, Op. 54
12. Petite suite gauloise, Op. 90: I. Introduction (Adagio) et Menuet (Allegro moderato)
13. Petite suite gauloise, Op. 90: II. Aubade. Moderato
14. Petite suite gauloise, Op. 90: III. Ronde de nuit. Allegretto moderato
15. Petite suite gauloise, Op. 90: IV. Tambourin. Presto
16. Chanson et danses, Op. 50: I. Chanson
17. Chanson et danses, Op. 50: II. Danses
Flutist, composer, and teacher Paul Taffanel (1844-1908) was to have a decisive influence on the development of chamber music for winds in France. While his work as a flutist and educator can in no way be undervalued, Taffanel’s musical career extended far beyond this. He was also a renowned composer and conductor, and had considerable entrepreneurial talent. In 1879 he founded the Société de musique de chambre pour instruments à vent (Society of Chamber Music for Wind Instruments). The organization’s objective was to expand and promote chamber music repertoire for winds. Taffanel took the classic octet as his starting point, the orchestration that had given rise to the Harmonie music of Mozart and Beethoven’s time, but the society also aimed to profile soloists and bring new French and foreign works to light. The concert program of the society’s inaugural performance on 6 February 1879, in Salons Pleyel-Wolff is indeed a testimony to this. They performed Beethoven’s Octet, op.103, the flute sonata in B minor by Bach with Taffanel himself as soloist, Barthe’s Aubade for wind quintet, and a quintet for piano and winds by Rubinstein. After the concert, the magazine La Revue et Gazette de Paris interpreted the ensemble’s intentions as follows: “A group of artists have just met with the commendable goal of making chamber music for wind instruments better known, something we have far too much neglected at our concerts.”
On this recording, the Oslo Kammerakademi performs chamber works for winds by composers Charles Gounod, Charles Koechlin, Florent Schmitt, Théodore Gouvy, and Vincent d’Indy, several of which were composed for the Société de musique de chambre pour instruments à vent.
01. Petite symphonie, Op. 216: I. Adagio et Allegretto
02. Petite symphonie, Op. 216: II. Andante cantabile
03. Petite symphonie, Op. 216: III. Scherzo. Allegro moderato
04. Petite symphonie, Op. 216: IV. Finale. Allegretto
05. Septuor d’instruments à vent, Op. 165: I. Monodie
06. Septuor d’instruments à vent, Op. 165: II. Pastorale
07. Septuor d’instruments à vent, Op. 165: III. Intermezzo
08. Septuor d’instruments à vent, Op. 165: IV. Fugue
09. Septuor d’instruments à vent, Op. 165: V. Sérénité
10. Septuor d’instruments à vent, Op. 165: VI. Fugue
11. Lied et scherzo, Op. 54
12. Petite suite gauloise, Op. 90: I. Introduction (Adagio) et Menuet (Allegro moderato)
13. Petite suite gauloise, Op. 90: II. Aubade. Moderato
14. Petite suite gauloise, Op. 90: III. Ronde de nuit. Allegretto moderato
15. Petite suite gauloise, Op. 90: IV. Tambourin. Presto
16. Chanson et danses, Op. 50: I. Chanson
17. Chanson et danses, Op. 50: II. Danses
Flutist, composer, and teacher Paul Taffanel (1844-1908) was to have a decisive influence on the development of chamber music for winds in France. While his work as a flutist and educator can in no way be undervalued, Taffanel’s musical career extended far beyond this. He was also a renowned composer and conductor, and had considerable entrepreneurial talent. In 1879 he founded the Société de musique de chambre pour instruments à vent (Society of Chamber Music for Wind Instruments). The organization’s objective was to expand and promote chamber music repertoire for winds. Taffanel took the classic octet as his starting point, the orchestration that had given rise to the Harmonie music of Mozart and Beethoven’s time, but the society also aimed to profile soloists and bring new French and foreign works to light. The concert program of the society’s inaugural performance on 6 February 1879, in Salons Pleyel-Wolff is indeed a testimony to this. They performed Beethoven’s Octet, op.103, the flute sonata in B minor by Bach with Taffanel himself as soloist, Barthe’s Aubade for wind quintet, and a quintet for piano and winds by Rubinstein. After the concert, the magazine La Revue et Gazette de Paris interpreted the ensemble’s intentions as follows: “A group of artists have just met with the commendable goal of making chamber music for wind instruments better known, something we have far too much neglected at our concerts.”
On this recording, the Oslo Kammerakademi performs chamber works for winds by composers Charles Gounod, Charles Koechlin, Florent Schmitt, Théodore Gouvy, and Vincent d’Indy, several of which were composed for the Société de musique de chambre pour instruments à vent.
Year 2021 | Classical | FLAC / APE | HD & Vinyl
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