Oslo kammerakademi - Beethoven for Wind Octet (2012)
BAND/ARTIST: Oslo kammerakademi
- Title: Beethoven for Wind Octet
- Year Of Release: 2012
- Label: Lawo Classics
- Genre: Classical
- Quality: FLAC (tracks+booklet)
- Total Time: 61:50 min
- Total Size: 231 MB
- WebSite: Album Preview
Tracklist:
01. Wind Octet in E-Flat Major, Parthia, Op. 103 I. Allegro
02. Wind Octet in E-Flat Major, Parthia, Op. 103 II. Andante
03. Wind Octet in E-Flat Major, Parthia, Op. 103 III. Allegro Minuetto - trio
04. Wind Octet in E-Flat Major, Parthia, Op. 103 IV. Finale presto
05. Rondino in E-Flat Major, WoO 25 Es-dur
06. Symphony No. 7, Op. 92: I. Poco sostenuto - Vivace
07. Symphony No. 7, Op. 92: II. Allegretto
08. Symphony No. 7, Op. 92: III. Presto - Assai meno presto
09. Symphony No. 7, Op. 92: IV. Allegro con brio
01. Wind Octet in E-Flat Major, Parthia, Op. 103 I. Allegro
02. Wind Octet in E-Flat Major, Parthia, Op. 103 II. Andante
03. Wind Octet in E-Flat Major, Parthia, Op. 103 III. Allegro Minuetto - trio
04. Wind Octet in E-Flat Major, Parthia, Op. 103 IV. Finale presto
05. Rondino in E-Flat Major, WoO 25 Es-dur
06. Symphony No. 7, Op. 92: I. Poco sostenuto - Vivace
07. Symphony No. 7, Op. 92: II. Allegretto
08. Symphony No. 7, Op. 92: III. Presto - Assai meno presto
09. Symphony No. 7, Op. 92: IV. Allegro con brio
Oslo Kammerakademi, led by Oslo Philharmonic solo oboist, David Friedemann Strunck, presents on its debut CD chamber music by Beethoven for wind octet. This repertoire ranges from the “Storm and Stress” compositions of the young Beethoven to the mature Beethoven’s Symphony no. 7 transcribed for wind octet with double bass. Beethoven’s music for this instrumentation, together with Mozart’s serenades, forms the core repertoire for wind octet or “Harmoniemusik”, as the ensembles were called in that period. Harmony music was the fashionable chamber music of the day. Thus one can find an abundance of transcribed material along with the composed repertoire.
When Beethoven’s Symphony no. 7 was published in 1816, it was hardly surprising that the favourable critical reception of early performances would result in publications of the work in other instrumentations. Beethoven himself rewrote the orchestral score for piano, and although everything suggests that he gave his consent to the numerous publications of the work, it is unclear who wrote all the other transcriptions. Oslo Kammerakademi shows on this recording what it is best known for - virtuoso and passionate playing combined with historically informed performance practice.
When Beethoven’s Symphony no. 7 was published in 1816, it was hardly surprising that the favourable critical reception of early performances would result in publications of the work in other instrumentations. Beethoven himself rewrote the orchestral score for piano, and although everything suggests that he gave his consent to the numerous publications of the work, it is unclear who wrote all the other transcriptions. Oslo Kammerakademi shows on this recording what it is best known for - virtuoso and passionate playing combined with historically informed performance practice.
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