Federico del Sordo, Nova Schola Gregoriana & Alberto Turco - Cavazzoni: Complete Organ Music (2021) [Hi-Res]
BAND/ARTIST: Federico del Sordo, Nova Schola Gregoriana, Alberto Turco
- Title: Cavazzoni: Complete Organ Music
- Year Of Release: 2021
- Label: Brilliant Classics
- Genre: Classical Organ
- Quality: flac lossless / flac 24bits - 44.1kHz +Booklet
- Total Time: 02:51:44
- Total Size: 889 mb / 1.64 gb
- WebSite: Album Preview
Tracklist
01. Cavazzoni Recercar Primo
02. Cavazzoni Hymnus Christe Redemptor Omnium
03. Cavazzoni Hymnus Ad Coenam Agni Provide
04. Cavazzoni Recercar seconda
05. Cavazzoni Hymnus Lucis Creator Optime
06. Cavazzoni Hymnus Ave Maris Stella
07. Cavazzoni Recercar Terzo
08. Cavazzoni Hymnus Veni Creator Spiritus
09. Cavazzoni Hymnus Exultet Coelum Laudibus
10. Cavazzoni Recercar Quarto
11. Cavazzoni Hymnus Pange Lingua Gloriosi
12. Cavazzoni Hymnus Iste Confessor
13. Cavazzoni Canzon Sopra I Le Bel E Bon
14. Cavazzoni Hymnus Iesu Nostra Redemptio
15. Cavazzoni Hymnus Iesu Corona Virginum
16. Cavazzoni Canzon Sopra Falt D'argens
17. Cavazzoni Hymnus Deus Tuorum Militum
18. Cavazzoni Hymnus Hostis Herodes Impie
19. Cavazzoni Magnificat Primi Toni
20. Cavazzoni Magnificat Ottavi Toni
21. Cavazzoni Magnificat Quarti Toni
22. Cavazzoni Magnificat Sexti Toni
23. Cavazzoni Missa Apostolorum - Kyrie
24. Cavazzoni Missa Apostolorum - Gloria
25. Cavazzoni Credo Cardinalis
26. Cavazzoni Missa Apostolorum - Sanctus
27. Cavazzoni Missa Apostolorum - Agnus Dei
28. Cavazzoni Missa Dominicalis - Kyrie
29. Cavazzoni Missa Dominicalis - Gloria
30. Cavazzoni Credo Dominicalis
31. Cavazzoni Missa Dominicalis - Sanctus
32. Cavazzoni Missa Dominicalis - Agnus Dei
33. Cavazzoni Missa De Beata Virgine - Kyrie
34. Cavazzoni Missa De Beata Virgine - Gloria
35. Cavazzoni Missa De Beata Virgine - Sanctus
36. Cavazzoni Missa De Beata Virgine - Agnus Dei
37. Cavazzoni Ricercare
38. Cavazzoni Recercar
The most comprehensive collection of organ music by a major forerunner to Monteverdi, recorded on a historically significant instrument by an organist with a distinguished catalogue of 17th-century repertoire.
Born in northern Italy around the turn of the 16th century – no more precise data is available – Girolamo Cavazzoni became organist of the cathedral in Mantova in 1621 and soon after entered the service of the Gonzaga family whose lavish artistic patronage sponsored and encouraged many of the finest Italian composers of the day. During his Mantuan years Cavazzoni taught the organ to Costanzo Antegnati (1549–1624), son of the organ builder at S Barbara, Graziadio Antegnati. Costanzo's L'arte organica (Brescia, 1608) recalls Cavazzoni as ‘Hieronimo d'Urbino già mio honorato maestro’.
In 1565–6 he supervised the building of the organ in the church of S Barbara, Mantua, and also played the organ there at Mass. This is the very instrument played by Federico Del Sordo, lending his recording a unique authenticity and powerful sense of place and time. The restoration of the single-manual Santa Barbara organ (1995-2006) was undertaken by Giorgio Carli with the aim of returning the instrument to its original pristine state as far as possible, rather than extending or ‘improving’ it, and thus the colours of the instrument closely resemble those with which Cavazzoni was familiar.
Much of the music here was written for liturgical performance in the alternatim fashion, whereby verses of the Mass text, the Magnificat or an antiphon are alternatively played and embroidered by the organ and then chanted by a choir. Federico Del Sordo draws on two original volumes, printed in Venice in the 1540s, plus a pair of ricercars to be found in multi-authored collections of the time. Together they build a portrait of a
composer as stylish as he was pragmatic.
01. Cavazzoni Recercar Primo
02. Cavazzoni Hymnus Christe Redemptor Omnium
03. Cavazzoni Hymnus Ad Coenam Agni Provide
04. Cavazzoni Recercar seconda
05. Cavazzoni Hymnus Lucis Creator Optime
06. Cavazzoni Hymnus Ave Maris Stella
07. Cavazzoni Recercar Terzo
08. Cavazzoni Hymnus Veni Creator Spiritus
09. Cavazzoni Hymnus Exultet Coelum Laudibus
10. Cavazzoni Recercar Quarto
11. Cavazzoni Hymnus Pange Lingua Gloriosi
12. Cavazzoni Hymnus Iste Confessor
13. Cavazzoni Canzon Sopra I Le Bel E Bon
14. Cavazzoni Hymnus Iesu Nostra Redemptio
15. Cavazzoni Hymnus Iesu Corona Virginum
16. Cavazzoni Canzon Sopra Falt D'argens
17. Cavazzoni Hymnus Deus Tuorum Militum
18. Cavazzoni Hymnus Hostis Herodes Impie
19. Cavazzoni Magnificat Primi Toni
20. Cavazzoni Magnificat Ottavi Toni
21. Cavazzoni Magnificat Quarti Toni
22. Cavazzoni Magnificat Sexti Toni
23. Cavazzoni Missa Apostolorum - Kyrie
24. Cavazzoni Missa Apostolorum - Gloria
25. Cavazzoni Credo Cardinalis
26. Cavazzoni Missa Apostolorum - Sanctus
27. Cavazzoni Missa Apostolorum - Agnus Dei
28. Cavazzoni Missa Dominicalis - Kyrie
29. Cavazzoni Missa Dominicalis - Gloria
30. Cavazzoni Credo Dominicalis
31. Cavazzoni Missa Dominicalis - Sanctus
32. Cavazzoni Missa Dominicalis - Agnus Dei
33. Cavazzoni Missa De Beata Virgine - Kyrie
34. Cavazzoni Missa De Beata Virgine - Gloria
35. Cavazzoni Missa De Beata Virgine - Sanctus
36. Cavazzoni Missa De Beata Virgine - Agnus Dei
37. Cavazzoni Ricercare
38. Cavazzoni Recercar
The most comprehensive collection of organ music by a major forerunner to Monteverdi, recorded on a historically significant instrument by an organist with a distinguished catalogue of 17th-century repertoire.
Born in northern Italy around the turn of the 16th century – no more precise data is available – Girolamo Cavazzoni became organist of the cathedral in Mantova in 1621 and soon after entered the service of the Gonzaga family whose lavish artistic patronage sponsored and encouraged many of the finest Italian composers of the day. During his Mantuan years Cavazzoni taught the organ to Costanzo Antegnati (1549–1624), son of the organ builder at S Barbara, Graziadio Antegnati. Costanzo's L'arte organica (Brescia, 1608) recalls Cavazzoni as ‘Hieronimo d'Urbino già mio honorato maestro’.
In 1565–6 he supervised the building of the organ in the church of S Barbara, Mantua, and also played the organ there at Mass. This is the very instrument played by Federico Del Sordo, lending his recording a unique authenticity and powerful sense of place and time. The restoration of the single-manual Santa Barbara organ (1995-2006) was undertaken by Giorgio Carli with the aim of returning the instrument to its original pristine state as far as possible, rather than extending or ‘improving’ it, and thus the colours of the instrument closely resemble those with which Cavazzoni was familiar.
Much of the music here was written for liturgical performance in the alternatim fashion, whereby verses of the Mass text, the Magnificat or an antiphon are alternatively played and embroidered by the organ and then chanted by a choir. Federico Del Sordo draws on two original volumes, printed in Venice in the 1540s, plus a pair of ricercars to be found in multi-authored collections of the time. Together they build a portrait of a
composer as stylish as he was pragmatic.
Year 2021 | Classical | FLAC / APE | HD & Vinyl
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