Federico del Sordo - Antegnati: 12 Ricercari (2018) [Hi-Res]
![Federico del Sordo - Antegnati: 12 Ricercari (2018) [Hi-Res]](https://img.israbox.com/uploads/posts/2018-07/1532845049_federico-del-sordo-antegnati-12-ricercari-2018.jpg)
BAND/ARTIST: Federico del Sordo
- Title: Antegnati: 12 Ricercari
- Year Of Release: 2018
- Label: Brilliant Classics
- Genre: Classical
- Quality: flac lossless / flac 24bits - 44.1kHz
- Total Time: 00:58:02
- Total Size: 321 / 614 mb
- WebSite: Album Preview
Tracklist
01. Ricercar del primo tono
02. Canzon prima
03. Ricercar del secondo tono
04. Canzon seconda
05. Ricercar del terzo tono
06. Toccata del settimo tono
07. Ricercar del quarto tono
08. Ricercar del quinto tono
09. Ricercar del sesto tono
10. Canzon "la serpentine"
11. Ricercar del settimo tono
12. Ricercar del ottavo tono
13. Ricercar del nono tono
14. Canzon terza
15. Canzon "la ducalina"
16. Ricercar del decimo tono
17. Ricercar del undecimo tono
18. Ricercar del duodecimo tono
![Federico del Sordo - Antegnati: 12 Ricercari (2018) [Hi-Res]](https://www.dibpic.com/uploads/posts/2020-10/1602393278_federico-del-sordo-antegnati-12-ricercari-2018-back.jpg)
The Antegnatis were a family of organ builders who produced some of the best-known instruments of the 16th century, many of which can be found in churches across northern Italy. In total, they constructed an estimated 400 organs. Costanzo Antegnati was perhaps the most influential member of the family, and his set of 12 ricercars – the centrepiece of this recording – was published alongside his treatise on organ tuning and registration. The compositions were of such high quality and popularity that they were subsequently included in the Intavolatura d’organo tedesca, the most extensive manuscript source of keyboard works known today, containing a good 1,770 pieces by composers from Italy and Northern Europe. Interwoven between Antegnati's pieces are works by other composers of the same period. Notable among these is Anton Holzer's three canzoni, of which this is the first complete recording, and Agostino Soderini's Canzon La Ducalina, a fascinating short piece in which the keyboard writing closely follows the pronunciation of a virtual text and at times sounds like poetry being recited. Federico Del Sordo is a renowned continuo player who has devoted himself for more than 15 years to the study of the alternatim repertoire. For this recording, he performs primarily on a 17th-century organ installed in a Brescia church by Graziadio Antegnati III; variety is added to the set by the inclusion of harpsichord and clavichord performances.
01. Ricercar del primo tono
02. Canzon prima
03. Ricercar del secondo tono
04. Canzon seconda
05. Ricercar del terzo tono
06. Toccata del settimo tono
07. Ricercar del quarto tono
08. Ricercar del quinto tono
09. Ricercar del sesto tono
10. Canzon "la serpentine"
11. Ricercar del settimo tono
12. Ricercar del ottavo tono
13. Ricercar del nono tono
14. Canzon terza
15. Canzon "la ducalina"
16. Ricercar del decimo tono
17. Ricercar del undecimo tono
18. Ricercar del duodecimo tono
The Antegnatis were a family of organ builders who produced some of the best-known instruments of the 16th century, many of which can be found in churches across northern Italy. In total, they constructed an estimated 400 organs. Costanzo Antegnati was perhaps the most influential member of the family, and his set of 12 ricercars – the centrepiece of this recording – was published alongside his treatise on organ tuning and registration. The compositions were of such high quality and popularity that they were subsequently included in the Intavolatura d’organo tedesca, the most extensive manuscript source of keyboard works known today, containing a good 1,770 pieces by composers from Italy and Northern Europe. Interwoven between Antegnati's pieces are works by other composers of the same period. Notable among these is Anton Holzer's three canzoni, of which this is the first complete recording, and Agostino Soderini's Canzon La Ducalina, a fascinating short piece in which the keyboard writing closely follows the pronunciation of a virtual text and at times sounds like poetry being recited. Federico Del Sordo is a renowned continuo player who has devoted himself for more than 15 years to the study of the alternatim repertoire. For this recording, he performs primarily on a 17th-century organ installed in a Brescia church by Graziadio Antegnati III; variety is added to the set by the inclusion of harpsichord and clavichord performances.
Year 2018 | Classical | FLAC / APE | HD & Vinyl
As a ISRA.CLOUD's PREMIUM member you will have the following benefits:
- Unlimited high speed downloads
- Download directly without waiting time
- Unlimited parallel downloads
- Support for download accelerators
- No advertising
- Resume broken downloads