Arthur Schoonderwoerd, Cristofori - Mozart: Piano Concertos Nos 18 (K456) & 19 (K459) (2013)
BAND/ARTIST: Arthur Schoonderwoerd, Cristofori
- Title: Mozart: Piano Concertos Nos 18 (K456) & 19 (K459)
- Year Of Release: 2013
- Label: Accent
- Genre: Classical
- Quality: flac lossless +Booklet
- Total Time: 00:58:28
- Total Size: 275 mb
- WebSite: Album Preview
Tracklist
01. Piano Concerto No. 18 in B-Flat Major, K. 456: I. Allegro vivace
02. Piano Concerto No. 18 in B-Flat Major, K. 456: II. Andante un poco sostenuto
03. Piano Concerto No. 18 in B-Flat Major, K. 456: III. Allegro vivace
04. Piano Concerto No. 19 in F major, K. 459: I. Allegro
05. Piano Concerto No. 19 in F major, K. 459: II. Allegretto
06. Piano Concerto No. 19 in F major, K. 459: III. Allegro assai
With his recording of K. 456 & K. 459, Arthur Schooderwoerd presents the second part of his complete recording of the Mozart piano concertos on ACCENT. Schoonderwoerd, one of the most sought after interpreters on the fortepiano, and his Ensemble Cristofori have set for themselves the goal of liberating Mozart's works from the sound concepts of the 19th and 20th centuries.
The Piano Concerto, K. 459 deserves special attention, for it is heard here for the first time with reconstructed timpani and trumpet parts which are true to Mozart’s manuscript.
01. Piano Concerto No. 18 in B-Flat Major, K. 456: I. Allegro vivace
02. Piano Concerto No. 18 in B-Flat Major, K. 456: II. Andante un poco sostenuto
03. Piano Concerto No. 18 in B-Flat Major, K. 456: III. Allegro vivace
04. Piano Concerto No. 19 in F major, K. 459: I. Allegro
05. Piano Concerto No. 19 in F major, K. 459: II. Allegretto
06. Piano Concerto No. 19 in F major, K. 459: III. Allegro assai
With his recording of K. 456 & K. 459, Arthur Schooderwoerd presents the second part of his complete recording of the Mozart piano concertos on ACCENT. Schoonderwoerd, one of the most sought after interpreters on the fortepiano, and his Ensemble Cristofori have set for themselves the goal of liberating Mozart's works from the sound concepts of the 19th and 20th centuries.
The Piano Concerto, K. 459 deserves special attention, for it is heard here for the first time with reconstructed timpani and trumpet parts which are true to Mozart’s manuscript.
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