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Federico Guglielmo - Telemann: 12 Fantasias for Violin Solo (2015)

Federico Guglielmo - Telemann: 12 Fantasias for Violin Solo (2015)

BAND/ARTIST: Federico Guglielmo

  • Title: Telemann: 12 Fantasias for Violin Solo
  • Year Of Release: 2015
  • Label: Brilliant Classics
  • Genre: Classical
  • Quality: flac lossless
  • Total Time: 01:11:04
  • Total Size: 334 mb
  • WebSite:
Tracklist

01. Fantasia No. 1 in B-Flat Major, TWV 40:14: I. Largo
02. Fantasia No. 1 in B-Flat Major, TWV 40:14: II. Allegro
03. Fantasia No. 1 in B-Flat Major, TWV 40:14: III. Grave
04. Fantasia No. 1 in B-Flat Major, TWV 40:14: IV. Si replica l'allegro
05. Fantasia No. 2 in G Major, TWV 40:15: I. Largo
06. Fantasia No. 2 in G Major, TWV 40:15: II. Allegro
07. Fantasia No. 2 in G Major, TWV 40:15: III. Allegro
08. Fantasia No. 3 in F Minor, TWV 40:16: I. Adagio
09. Fantasia No. 3 in F Minor, TWV 40:16: II. Presto
10. Fantasia No. 3 in F Minor, TWV 40:16: III. Grave - Vivace
11. Fantasia No. 4 in D Major, TWV 40:17: I. Vivace
12. Fantasia No. 4 in D Major, TWV 40:17: II. Grave
13. Fantasia No. 4 in D Major, TWV 40:17: III. Allegro
14. Fantasia No. 5 in A Major, TWV 40:18: I. Allegro - Presto
15. Fantasia No. 5 in A Major, TWV 40:18: II. Andante
16. Fantasia No. 5 in A Major, TWV 40:18: III. Allegro
17. Fantasia No. 6 in E Minor, TWV 40:19: I. Grave
18. Fantasia No. 6 in E Minor, TWV 40:19: II. Presto
19. Fantasia No. 6 in E Minor, TWV 40:19: III. Siciliana
20. Fantasia No. 6 in E Minor, TWV 40:19: IV. Allegro
21. Fantasia No. 7 in E-Flat Major, TWV 40:20: I. Dolce
22. Fantasia No. 7 in E-Flat Major, TWV 40:20: II. Allegro
23. Fantasia No. 7 in E-Flat Major, TWV 40:20: III. Largo
24. Fantasia No. 7 in E-Flat Major, TWV 40:20: IV. Presto
25. Fantasia No. 8 in E Major, TWV 40:21: I. Piacevolmente
26. Fantasia No. 8 in E Major, TWV 40:21: II. Spirituoso
27. Fantasia No. 8 in E Major, TWV 40:21: III. Allegro
28. Fantasia No. 9 in B Minor, TWV 40:22: I. Siciliana
29. Fantasia No. 9 in B Minor, TWV 40:22: II. Vivace
30. Fantasia No. 9 in B Minor, TWV 40:22: III. Allegro
31. Fantasia No. 10 in D Major, TWV 40:23: I. Presto
32. Fantasia No. 10 in D Major, TWV 40:23: II. Largo
33. Fantasia No. 10 in D Major, TWV 40:23: III. Allegro
34. Fantasia No. 11 in F Major, TWV 40:24: I. Un poco vivace
35. Fantasia No. 11 in F Major, TWV 40:24: II. Soave
36. Fantasia No. 11 in F Major, TWV 40:24: III. Da capo. Un poco vivace
37. Fantasia No. 11 in F Major, TWV 40: IV. Allegro
38. Fantasia No. 12 in A Minor, TWV 40:25: I. Moderato
39. Fantasia No. 12 in A Minor, TWV 40:25: II. Vivace
40. Fantasia No. 12 in A Minor, TWV 40:25: III. Presto


Federico Guglielmo is one of Brilliant Classics’ most prominent performers. Having recently helped assemble the authoritative Vivaldi Edition, a collection of over 60 CDs of the Italian composer’s music, here he turns his hand to another renowned Baroque composer: Georg Philipp Telemann. Following on from J.S. Bach’s tradition of solo violin music – some of the most famous works the master of Baroque ever wrote for the instrument – Telemann proves himself to be just as capable of writing lyrically for the violin, adopting a style that is often more ‘vocal’ compared to Bach’s and which is resultantly less daring in its use of counterpoint. Many of the Fantasias are extremely lively, and indeed it is interesting to note that Telemann drew on many folk dances of the time for these works. One, the ninth Fantasia, has its first movement explicitly labelled ‘Siciliana’.
Guglielmo helps these Fantasias to dance along, showing himself to be a consummate.

Baroque performer of German as well as Italian music. Praised by Gramophone magazine for his "sparkling virtuosity", Guglielmo’s reputation has grown steadily since his first-prize win in the Vittorio Gui Chamber Music Competition in Florence at the age of just 22; his career has since flourished, with noteworthy collaborations including the Handel & Haydn Society of Boston and the world-renowned Academy of Ancient Music in the UK. Guglielmo’s passion for Baroque music comes across in bucket loads, as he fully exploits the lyrical nature of Telemann’s works.

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