L'Arte dell'Arco, Mario Folena, Federico Guglielmo - Vivaldi: Flute Concertos, Op. 10 (2015)
BAND/ARTIST: L'Arte dell'Arco, Mario Folena, Federico Guglielmo
- Title: Vivaldi: Flute Concertos, Op. 10
- Year Of Release: 2015
- Label: Brilliant Classics
- Genre: Classical
- Quality: flac lossless
- Total Time: 00:50:03
- Total Size: 255 mb
- WebSite: Album Preview
Tracklist
01. Flute Concerto in F Major, RV 433: I. Allegro
02. Flute Concerto in F Major, RV 433: II. Largo
03. Flute Concerto in F Major, RV 433: III. Presto
04. Flute Concerto in G Minor, RV 439: I. Largo
05. Flute Concerto in G Minor, RV 439: II. Presto - Largo
06. Flute Concerto in G Minor, RV 439: III. Presto
07. Flute Concerto in G Minor, RV 439: IV. Largo
08. Flute Concerto in G Minor, RV 439: V. Allegro
09. Flute Concerto in D Major, RV 428: I. Allegro
10. Flute Concerto in D Major, RV 428: II. Cantabile
11. Flute Concerto in D Major, RV 428: III. Allegro
12. Flute Concerto in G Major, RV 435: I. Allegro
13. Flute Concerto in G Major, RV 435: II. Largo
14. Flute Concerto in G Major, RV 435: III. Allegro
15. Flute Concerto in F Major, RV 434: I. Allegro ma non tanto
16. Flute Concerto in F Major, RV 434: II. Largo cantabile
17. Flute Concerto in F Major, RV 434: III. Allegro
18. Flute Concerto in G Major, RV 437: I. Allegro
19. Flute Concerto in G Major, RV 437: II. Largo
20. Flute Concerto in G Major, RV 437: III. Allegro
Vivaldi was one of the first composers to focus on the transverse flute as a viable solo instrument, and he may have even been the first to dedicate a whole publication to the flute family. His Opus 10 was published by Michel-Charles Le Cène in around 1728, though in reality many of the works in the collection were revised versions of earlier compositions, with Vivaldi capitalising on the popularity of the flute and rewriting material previously used for other instruments. Adding descriptive elements to the movement names, often connected to natural phenomena – such as ‘La tempesta del mare’ – was another way of boosting sales, something the composer had already discovered with his publication of The Four Seasons some years earlier. Vivaldi wrote over 500 concertos during his lifetime, and his expertise in this field is particularly evident in the exchanges between the ritornello and the orchestral tutti: while the ensemble comes together perfectly in the tutti, the soloist is really given a chance to fly in the soaring ritornelli, showcasing the instrument to its fullest.
Performing these works is Italian flautist Mario Folena, principal flautist of the Orchestra di Padova e del Veneto since 1982. He has previously collaborated with many prominent ensembles, including I Solisti Veneti and I Filarmonici di Verona, and is a respected teacher of the Baroque flute, having given summer courses at the Fondazione Cini in Venice and the conservatoires of Padova and Parma. He is joined by L’Arte dell’Arco, led from the front by violinist Federico Guglielmo, whose exuberant and thoroughly researched Vivaldi performances have previously garnered high praise.
Vivaldi’s six Concertos for flute Op.10 nearly attain the same popularity as the Four Seasons. Published in Amsterdam in 1728 they contain some of Vivaldi’s most famous concertos: Il Gardellino, La Notte and the Tempesta di Mare. Music of wonderful invention, drama, tone painting and instrumental virtuosity.
Played on original instruments by soloist Mario Folena, a pupil of Jean-Pierre Rampal and Rene Clemencic, principal flutist of the famous Orchestra di Padova e del Veneto, and veteran of the Historically Informed Performance Practice. Federico Guglielmo leads his ensemble l’Arte del’Arco, lifelong champions of the Red Priest from Venice.
Performance is based on the new Critical Edition of Vivaldi’s works, revealing many new details and insights.
01. Flute Concerto in F Major, RV 433: I. Allegro
02. Flute Concerto in F Major, RV 433: II. Largo
03. Flute Concerto in F Major, RV 433: III. Presto
04. Flute Concerto in G Minor, RV 439: I. Largo
05. Flute Concerto in G Minor, RV 439: II. Presto - Largo
06. Flute Concerto in G Minor, RV 439: III. Presto
07. Flute Concerto in G Minor, RV 439: IV. Largo
08. Flute Concerto in G Minor, RV 439: V. Allegro
09. Flute Concerto in D Major, RV 428: I. Allegro
10. Flute Concerto in D Major, RV 428: II. Cantabile
11. Flute Concerto in D Major, RV 428: III. Allegro
12. Flute Concerto in G Major, RV 435: I. Allegro
13. Flute Concerto in G Major, RV 435: II. Largo
14. Flute Concerto in G Major, RV 435: III. Allegro
15. Flute Concerto in F Major, RV 434: I. Allegro ma non tanto
16. Flute Concerto in F Major, RV 434: II. Largo cantabile
17. Flute Concerto in F Major, RV 434: III. Allegro
18. Flute Concerto in G Major, RV 437: I. Allegro
19. Flute Concerto in G Major, RV 437: II. Largo
20. Flute Concerto in G Major, RV 437: III. Allegro
Vivaldi was one of the first composers to focus on the transverse flute as a viable solo instrument, and he may have even been the first to dedicate a whole publication to the flute family. His Opus 10 was published by Michel-Charles Le Cène in around 1728, though in reality many of the works in the collection were revised versions of earlier compositions, with Vivaldi capitalising on the popularity of the flute and rewriting material previously used for other instruments. Adding descriptive elements to the movement names, often connected to natural phenomena – such as ‘La tempesta del mare’ – was another way of boosting sales, something the composer had already discovered with his publication of The Four Seasons some years earlier. Vivaldi wrote over 500 concertos during his lifetime, and his expertise in this field is particularly evident in the exchanges between the ritornello and the orchestral tutti: while the ensemble comes together perfectly in the tutti, the soloist is really given a chance to fly in the soaring ritornelli, showcasing the instrument to its fullest.
Performing these works is Italian flautist Mario Folena, principal flautist of the Orchestra di Padova e del Veneto since 1982. He has previously collaborated with many prominent ensembles, including I Solisti Veneti and I Filarmonici di Verona, and is a respected teacher of the Baroque flute, having given summer courses at the Fondazione Cini in Venice and the conservatoires of Padova and Parma. He is joined by L’Arte dell’Arco, led from the front by violinist Federico Guglielmo, whose exuberant and thoroughly researched Vivaldi performances have previously garnered high praise.
Vivaldi’s six Concertos for flute Op.10 nearly attain the same popularity as the Four Seasons. Published in Amsterdam in 1728 they contain some of Vivaldi’s most famous concertos: Il Gardellino, La Notte and the Tempesta di Mare. Music of wonderful invention, drama, tone painting and instrumental virtuosity.
Played on original instruments by soloist Mario Folena, a pupil of Jean-Pierre Rampal and Rene Clemencic, principal flutist of the famous Orchestra di Padova e del Veneto, and veteran of the Historically Informed Performance Practice. Federico Guglielmo leads his ensemble l’Arte del’Arco, lifelong champions of the Red Priest from Venice.
Performance is based on the new Critical Edition of Vivaldi’s works, revealing many new details and insights.
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