Jura Margulis - Schubert: Piano Works (2014)
BAND/ARTIST: Jura Margulis
- Title: Schubert: Piano Works
- Year Of Release: 2014
- Label: Oehms Classics
- Genre: Classical Piano
- Quality: flac lossless +Booklet
- Total Time: 01:13:01
- Total Size: 210 mb
- WebSite: Album Preview
Tracklist
01. 3 Klavierstücke, D. 946: No. 2 in E - Flat Major
02. 4 Impromptus, Op. 90, D. 899: No. 2 in E - Flat Major
03. 3 Klavierstücke, D. 946: No. 1 in E - Flat Minor
04. 4 Impromptus, Op. 90, D. 899: No. 4 in A - Flat Major
05. 6 Moments musicaux, Op. 94, D. 780: No. 2 in A - Flat Major. Andantino
06. 4 Impromptus, Op. 142, D. 935: No. 4 in F Minor
07. Fantasy in C Major, Op. 15, D. 760, "Wandererfantasie": I. Allegro con fuoco ma non troppo
08. Fantasy in C Major, Op. 15, D. 760, "Wandererfantasie": II. Adagio
09. Fantasy in C Major, Op. 15, D. 760, "Wandererfantasie": III. Presto
10. Fantasy in C Major, Op. 15, D. 760, "Wandererfantasie": IV. Allegro
The German-American pianist of Russian heritage was the artistic trigger for fact that Steingraeber took up the idea of the “sordino pedal” from the late 18th century and built it into a modern D-232 grand piano – Jura Margulis recorded the present Schubert CD with this sound extension. Around the mid-19th century, this possibility of altering and extending the sound had largely disappeared from the canon of various pedal functions – it was retained in Vienna until the early 20th century, perhaps out of respect for the renowned Conrad Graf, who equipped all his grand pianos in the first half of the 19th century with horizontally adjustable rakes out of felt, naming the entire mechanism “moderator”. Erard used deerleather rakes for a similar function in his grand pianos, calling the sound effect “celeste”. Composers call this function “sordino” because the sound modification is related to the mutes of the string instruments.
01. 3 Klavierstücke, D. 946: No. 2 in E - Flat Major
02. 4 Impromptus, Op. 90, D. 899: No. 2 in E - Flat Major
03. 3 Klavierstücke, D. 946: No. 1 in E - Flat Minor
04. 4 Impromptus, Op. 90, D. 899: No. 4 in A - Flat Major
05. 6 Moments musicaux, Op. 94, D. 780: No. 2 in A - Flat Major. Andantino
06. 4 Impromptus, Op. 142, D. 935: No. 4 in F Minor
07. Fantasy in C Major, Op. 15, D. 760, "Wandererfantasie": I. Allegro con fuoco ma non troppo
08. Fantasy in C Major, Op. 15, D. 760, "Wandererfantasie": II. Adagio
09. Fantasy in C Major, Op. 15, D. 760, "Wandererfantasie": III. Presto
10. Fantasy in C Major, Op. 15, D. 760, "Wandererfantasie": IV. Allegro
The German-American pianist of Russian heritage was the artistic trigger for fact that Steingraeber took up the idea of the “sordino pedal” from the late 18th century and built it into a modern D-232 grand piano – Jura Margulis recorded the present Schubert CD with this sound extension. Around the mid-19th century, this possibility of altering and extending the sound had largely disappeared from the canon of various pedal functions – it was retained in Vienna until the early 20th century, perhaps out of respect for the renowned Conrad Graf, who equipped all his grand pianos in the first half of the 19th century with horizontally adjustable rakes out of felt, naming the entire mechanism “moderator”. Erard used deerleather rakes for a similar function in his grand pianos, calling the sound effect “celeste”. Composers call this function “sordino” because the sound modification is related to the mutes of the string instruments.
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