Louis Lortie - Liszt at the Opera (2013) [Hi-Res]
![Louis Lortie - Liszt at the Opera (2013) [Hi-Res]](https://www.dibpic.com/uploads/posts/2021-05/1620881060_louis-lortie-liszt-at-the-opera-2013.jpg)
BAND/ARTIST: Louis Lortie
- Title: Liszt at the Opera
- Year Of Release: 2013
- Label: Chandos
- Genre: Classical Piano
- Quality: flac 24bits - 96.0kHz +Booklet
- Total Time: 01:17:45
- Total Size: 738 mb
- WebSite: Album Preview
Tracklist
01. Tannhäuser: Overture, S. 442
02. O du mein holder Abendstern, Rezitativ und Romanze aus der Oper Tannhäuser, S. 444: Lento - Recitativ
03. O du mein holder Abendstern, Rezitativ und Romanze aus der Oper Tannhäuser, S. 444: Romanze
04. Spinnerlied aus dem Fliegenden Holländer, S. 440
05. Valse de l’opéra Faust de Gounod, S. 407
06. Verdi - Rigoletto: Paraphrase de concert, S. 434
07. Reminiscences de Don Juan, S. 418: Grave -
08. Reminiscences de Don Juan, S. 418: Duetto -
09. Reminiscences de Don Juan, S. 418: Variation 1 -
10. Reminiscences de Don Juan, S. 418: Variation 2 -
11. Reminiscences de Don Juan, S. 418: Presto
12. Tristan und Isolde, Act I: Prelude (arr. L. Lortie for piano)
13. Wagner - Isoldes Liebestod from Tristan und Isolde, S. 447/R. 280
![Louis Lortie - Liszt at the Opera (2013) [Hi-Res]](https://www.dibpic.com/uploads/posts/2021-05/1620881060_louis-lortie-liszt-at-the-opera-2013-back.jpg)
In this new release, the exclusive Chandos artist and award-winning pianist Louis Lortie continues his exploration of piano works by Franz Liszt. His previous Liszt releases have been critically acclaimed, Gramophone describing his performance of the complete Années de Pèlerinage as ‘spellbinding’. Here Lortie turns his hand to the composer’s opera transcriptions and paraphrases, works that revolutionised composition for the piano with their unheralded technical innovation. The original works by Liszt based on Mozart’s Don Giovanni, Verdi’s Rigoletto, and Gounod’s Faust not only demonstrate the dazzling technical possibilities of the piano but reveal the unique and fascinating musical imagination with which Liszt transformed some of the best-known music in the operatic repertoire. Completing the disc are several more or less straightforward transcriptions based on operas by Richard Wagner who, despite a rocky start to their relationship, forged a close musical bond with Liszt. Among them is the popular transcription of the ‘Liebestod’ from Tristan und Isolde. Liszt never completed a transcription of its natural musical companion, the Prelude to the opera, so here Louis Lortie has recorded his own arrangement of it.
01. Tannhäuser: Overture, S. 442
02. O du mein holder Abendstern, Rezitativ und Romanze aus der Oper Tannhäuser, S. 444: Lento - Recitativ
03. O du mein holder Abendstern, Rezitativ und Romanze aus der Oper Tannhäuser, S. 444: Romanze
04. Spinnerlied aus dem Fliegenden Holländer, S. 440
05. Valse de l’opéra Faust de Gounod, S. 407
06. Verdi - Rigoletto: Paraphrase de concert, S. 434
07. Reminiscences de Don Juan, S. 418: Grave -
08. Reminiscences de Don Juan, S. 418: Duetto -
09. Reminiscences de Don Juan, S. 418: Variation 1 -
10. Reminiscences de Don Juan, S. 418: Variation 2 -
11. Reminiscences de Don Juan, S. 418: Presto
12. Tristan und Isolde, Act I: Prelude (arr. L. Lortie for piano)
13. Wagner - Isoldes Liebestod from Tristan und Isolde, S. 447/R. 280
In this new release, the exclusive Chandos artist and award-winning pianist Louis Lortie continues his exploration of piano works by Franz Liszt. His previous Liszt releases have been critically acclaimed, Gramophone describing his performance of the complete Années de Pèlerinage as ‘spellbinding’. Here Lortie turns his hand to the composer’s opera transcriptions and paraphrases, works that revolutionised composition for the piano with their unheralded technical innovation. The original works by Liszt based on Mozart’s Don Giovanni, Verdi’s Rigoletto, and Gounod’s Faust not only demonstrate the dazzling technical possibilities of the piano but reveal the unique and fascinating musical imagination with which Liszt transformed some of the best-known music in the operatic repertoire. Completing the disc are several more or less straightforward transcriptions based on operas by Richard Wagner who, despite a rocky start to their relationship, forged a close musical bond with Liszt. Among them is the popular transcription of the ‘Liebestod’ from Tristan und Isolde. Liszt never completed a transcription of its natural musical companion, the Prelude to the opera, so here Louis Lortie has recorded his own arrangement of it.
Classical | FLAC / APE | HD & Vinyl
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