Hélène Desaint, Louis Lortie, Nathanaël Gouin & Ronald van Spaendonck - Schumann - Kurtág (2018) [Hi-Res]
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BAND/ARTIST: Hélène Desaint, Louis Lortie, Nathanaël Gouin & Ronald van Spaendonck
- Title: Schumann - Kurtág
- Year Of Release: 2018
- Label: Queen Elisabeth Music Chapel
- Genre: Classical
- Quality: flac lossless / flac 24bits - 96.0kHz +booklet
- Total Time: 01:00:46
- Total Size: 215 / 998 mb
- WebSite: Album Preview
Tracklist
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01. Märchenbilder, Op. 113: I. Nicht schnell
02. Märchenbilder, Op. 113: II. Lebhaft
03. Märchenbilder, Op. 113: III. Rasch
04. Märchenbilder, Op. 113: IV. Langsam, mit melancholischem Ausdruck
05. Signs Games and Messages: Perpetum Mobile
06. Romanze, Op. 94: I. Nicht schnell
07. Signs Games and Messages: Doloroso
08. Romanze, Op. 94: II. Einfach, innig
09. Signs Games and Messages: Jelek I
10. Signs Games and Messages: Jelek II
11. Romanze, Op. 94: III. Nicht schnell
12. Signs Games and Messages: In Nomine – All'ungharese
13. Hommage . R. Sch.: I. Merkwürdige Pirouetten des Kapellmeister Johannes Kreisler
14. Hommage . R. Sch.: II. E. Der Begrenzte Kreis...
15. Hommage . R. Sch.: III. ...und Wieder Zuckt es Schmerzlich F. um die Lippen...
16. Hommage . R. Sch.: IV. Felhövalék, mársütanap... (Töredék-Töredék)
17. Hommage . R. Sch.: V. In der Nacht
18. Hommage . R. Sch.: VI. Abschied (Meister Raro entdeckt Guillaume de Machaut)
19. Märchenerzählungen, Op. 132: I. Lebhaft, nicht zu schnell
20. Märchenerzählungen, Op. 132: II. Lebhaft und sehr markiert
21. Märchenerzählungen, Op. 132: III. Ruhiges tempo, mit zartem Ausdruck
22. Märchenerzählungen, Op. 132: IV. Lebhaft, sehr markiert
Hélène Desaint, Laureate of the Queen Elisabeth Music Chapel, presents a recital with two facets that are an admirable illustration of her personality: "This [album] was born of my fascination with Schumann. Everything about him captivates me: the tormented human being, the great reader fascinated by the fantastical and the supernatural, the brilliant and introverted composer, the poet who goes where words cannot go, the music, powerfully evocative at once of human characters or tableaux and of complex states of mind. In 1990, György Kurtág composed a trio in homage to Schumann – a way of straddling the centuries and opening up a dialogue between two styles, of reviving the imaginary figures and short contrasting forms with which we are familiar in Schumann. So it seemed an obvious idea to build a programme around these two composers. The comparison seems all the more interesting to me because I find in their music the same interiority, the same concentration (in Kurtág’s work, this density goes so far as to permeate every note), the same concision." (Hélène Desaint)
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01. Märchenbilder, Op. 113: I. Nicht schnell
02. Märchenbilder, Op. 113: II. Lebhaft
03. Märchenbilder, Op. 113: III. Rasch
04. Märchenbilder, Op. 113: IV. Langsam, mit melancholischem Ausdruck
05. Signs Games and Messages: Perpetum Mobile
06. Romanze, Op. 94: I. Nicht schnell
07. Signs Games and Messages: Doloroso
08. Romanze, Op. 94: II. Einfach, innig
09. Signs Games and Messages: Jelek I
10. Signs Games and Messages: Jelek II
11. Romanze, Op. 94: III. Nicht schnell
12. Signs Games and Messages: In Nomine – All'ungharese
13. Hommage . R. Sch.: I. Merkwürdige Pirouetten des Kapellmeister Johannes Kreisler
14. Hommage . R. Sch.: II. E. Der Begrenzte Kreis...
15. Hommage . R. Sch.: III. ...und Wieder Zuckt es Schmerzlich F. um die Lippen...
16. Hommage . R. Sch.: IV. Felhövalék, mársütanap... (Töredék-Töredék)
17. Hommage . R. Sch.: V. In der Nacht
18. Hommage . R. Sch.: VI. Abschied (Meister Raro entdeckt Guillaume de Machaut)
19. Märchenerzählungen, Op. 132: I. Lebhaft, nicht zu schnell
20. Märchenerzählungen, Op. 132: II. Lebhaft und sehr markiert
21. Märchenerzählungen, Op. 132: III. Ruhiges tempo, mit zartem Ausdruck
22. Märchenerzählungen, Op. 132: IV. Lebhaft, sehr markiert
Hélène Desaint, Laureate of the Queen Elisabeth Music Chapel, presents a recital with two facets that are an admirable illustration of her personality: "This [album] was born of my fascination with Schumann. Everything about him captivates me: the tormented human being, the great reader fascinated by the fantastical and the supernatural, the brilliant and introverted composer, the poet who goes where words cannot go, the music, powerfully evocative at once of human characters or tableaux and of complex states of mind. In 1990, György Kurtág composed a trio in homage to Schumann – a way of straddling the centuries and opening up a dialogue between two styles, of reviving the imaginary figures and short contrasting forms with which we are familiar in Schumann. So it seemed an obvious idea to build a programme around these two composers. The comparison seems all the more interesting to me because I find in their music the same interiority, the same concentration (in Kurtág’s work, this density goes so far as to permeate every note), the same concision." (Hélène Desaint)
Year 2018 | Classical | FLAC / APE | HD & Vinyl
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