Alfonso Baschiera, Federica Lotti, Nicola Boscaro - Sauguet: Complete Music for Guitar (2016)
BAND/ARTIST: Alfonso Baschiera, Federica Lotti, Nicola Boscaro
- Title: Sauguet: Complete Music for Guitar
- Year Of Release: 2016
- Label: Brilliant Classics
- Genre: Classical Guitar
- Quality: flac lossless
- Total Time: 00:47:32
- Total Size: 186 mb
- WebSite: Album Preview
Tracklist
01. Cadence
02. Trois préludes: I. Prélude à la mélancolie
03. Trois préludes: II. Prélude au souvenir
04. Trois préludes: III. Prélude aux gestes
05. Six pièces faciles: I. Petit air doux
06. Six pièces faciles: II. Un bout de valse
07. Six pièces faciles: III. La roue tourney
08. Six pièces faciles: IV. Le sommeil du pâtre
09. Six pièces faciles: V. La barque chinoise 1'27
10. Six pièces faciles: VI. Pas à pas
11. Musique pour Claudel No. 1: I. En forme d'ouverture
12. Musique pour Claudel No. 1: II. Images
13. Musique pour Claudel No. 1: III. Le temps qui passe
14. Musique pour Claudel No. 1: IV. Caquetage
15. Musique pour Claudel No. 2: I. Cantabile
16. Musique pour Claudel No. 2: II. Les couleurs. A. Le bleu
17. Musique pour Claudel No. 2: II. Les couleurs. B. Le rouge
18. Musique pour Claudel No. 2: II. Les couleurs. C. Le jaune
19. Musique pour Claudel No. 2: II. Les couleurs. D. Le vert
20. Musique pour Claudel No. 2: III. Contrastes
21. Soliloque
22. Révérence à Johann Sebastian Bach
Henri Sauguet composed for many solo instruments, but writing for the guitar was where his passion lay, describing the instrument as ‘very noble’ and ‘one of the great instruments that belong to all ages’. An eclectic, prolific and original composer, Sauguet’s great gift lay in his ability to construct with just a few notes sound sketches that transcend genres, taking inspiration from a wide pool of trends. Sauguet began composing music for the guitar in 1958 with Soliloque, a vibrant, emotionally charged piece in which tonality and modality intermingle with chromaticism, and continued with the elegant harmonic solutions of Trois Préludes in 1970 and the subtle and expressive neo-modality of Musiques pour Claudel in 1973. These two suites, written to celebrate the French writer Paul Claudel, were followed by Six Pièces faciles in 1975, which was more frivolous in nature but nevertheless evocative, with memorable melodic themes. The crowning note in his guitar music writing career came with Révérence à Johann Sebastian Bach, written in 1985 to celebrate the 300th anniversary of the great German composer’s birth, and Cadence, his final piece for the solo guitar written at the age of 84 and published posthumously in 1990, containing two distinct sections that intertwine, the first part mechanical and regular, the second contemplative and lyrical.
Alfonso Baschiera studied with Egidio Santinon and Angelo Amato at the ‘Benedetto Marcello’ Conservatoire in Venice, before specialising with Ruggero Chiesa. He is an experienced performer of guitar music, having recorded the entire repertoire for one, two and three guitars by Ferenc Farkas, and Niccolò Paganini’s 43 Ghiribizzi for guitar. He is joined by Federica Lotti on the flute for Six Pièces faciles and Nicola Boscaro on the cello for Révérence à Johann Sebastian Bach.
01. Cadence
02. Trois préludes: I. Prélude à la mélancolie
03. Trois préludes: II. Prélude au souvenir
04. Trois préludes: III. Prélude aux gestes
05. Six pièces faciles: I. Petit air doux
06. Six pièces faciles: II. Un bout de valse
07. Six pièces faciles: III. La roue tourney
08. Six pièces faciles: IV. Le sommeil du pâtre
09. Six pièces faciles: V. La barque chinoise 1'27
10. Six pièces faciles: VI. Pas à pas
11. Musique pour Claudel No. 1: I. En forme d'ouverture
12. Musique pour Claudel No. 1: II. Images
13. Musique pour Claudel No. 1: III. Le temps qui passe
14. Musique pour Claudel No. 1: IV. Caquetage
15. Musique pour Claudel No. 2: I. Cantabile
16. Musique pour Claudel No. 2: II. Les couleurs. A. Le bleu
17. Musique pour Claudel No. 2: II. Les couleurs. B. Le rouge
18. Musique pour Claudel No. 2: II. Les couleurs. C. Le jaune
19. Musique pour Claudel No. 2: II. Les couleurs. D. Le vert
20. Musique pour Claudel No. 2: III. Contrastes
21. Soliloque
22. Révérence à Johann Sebastian Bach
Henri Sauguet composed for many solo instruments, but writing for the guitar was where his passion lay, describing the instrument as ‘very noble’ and ‘one of the great instruments that belong to all ages’. An eclectic, prolific and original composer, Sauguet’s great gift lay in his ability to construct with just a few notes sound sketches that transcend genres, taking inspiration from a wide pool of trends. Sauguet began composing music for the guitar in 1958 with Soliloque, a vibrant, emotionally charged piece in which tonality and modality intermingle with chromaticism, and continued with the elegant harmonic solutions of Trois Préludes in 1970 and the subtle and expressive neo-modality of Musiques pour Claudel in 1973. These two suites, written to celebrate the French writer Paul Claudel, were followed by Six Pièces faciles in 1975, which was more frivolous in nature but nevertheless evocative, with memorable melodic themes. The crowning note in his guitar music writing career came with Révérence à Johann Sebastian Bach, written in 1985 to celebrate the 300th anniversary of the great German composer’s birth, and Cadence, his final piece for the solo guitar written at the age of 84 and published posthumously in 1990, containing two distinct sections that intertwine, the first part mechanical and regular, the second contemplative and lyrical.
Alfonso Baschiera studied with Egidio Santinon and Angelo Amato at the ‘Benedetto Marcello’ Conservatoire in Venice, before specialising with Ruggero Chiesa. He is an experienced performer of guitar music, having recorded the entire repertoire for one, two and three guitars by Ferenc Farkas, and Niccolò Paganini’s 43 Ghiribizzi for guitar. He is joined by Federica Lotti on the flute for Six Pièces faciles and Nicola Boscaro on the cello for Révérence à Johann Sebastian Bach.
Year 2016 | Classical | FLAC / APE
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