Dresdner Philharmonie & Herbert Kegel - Berlioz: Symphonie fantastique, H 48 (2016) [Hi-Res]
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BAND/ARTIST: Dresdner Philharmonie, Herbert Kegel
- Title: Berlioz: Symphonie fantastique, H 48
- Year Of Release: 2016
- Label: Berlin Classics
- Genre: Classical
- Quality: flac lossless / flac 24bits - 44.1kHz +Booklet
- Total Time: 00:57:40
- Total Size: 248 / 515 mb
- WebSite: Album Preview
Tracklist
01. Symphonie fantastique, H 48: I. Rêveries - Passions. Largo - Allegro agitato e appassionato assai - Religiosamente
02. Symphonie fantastique, H 48: II. Un bal. Valse. Allegro non troppo
03. Symphonie fantastique, H 48: III. Scène aux champs. Adagio
04. Symphonie fantastique, H 48: IV. Marche au supplice. Allegretto non troppo
05. Symphonie fantastique, H 48: V. Songe d'une nuit de sabbat. Larghetto - Allegro
The conductor Herbert Kegel had an instinctive flair for unravelling sound to fill space and thus made full use of the exceptional acoustics of the Lukaskirche in Dresden, which became his regular recording studio (for the Eterna label). The challenge there was to achieve a finely balanced fusion of sound and complete audibility in the tutti sections – after all, Herbert Kegel never aspired to the opulence associated with Karajan. One might say that the composition has been put under an acoustic magnifying glass to bring out details that are little appreciated (e.g. secondary parts that are often overlooked). Although Kegel’s finely nuanced style aims to develop contrasts of both sound and dynamics, his agogics never appear arbitrary but always in line with the formal progression of the music.
It is clear from the track list that this re-released recording is one of the slowest in his discography, not that this is at all noticeable at any stage of the listening experience: one might say that the composition has been put under an acoustic magnifying glass to bring out details that are little appreciated (e.g. secondary parts that are often overlooked). Although Kegel’s finely nuanced style aims to develop contrasts of both sound and dynamics, his agogics never appear arbitrary but always in line with the formal progression of the music.
01. Symphonie fantastique, H 48: I. Rêveries - Passions. Largo - Allegro agitato e appassionato assai - Religiosamente
02. Symphonie fantastique, H 48: II. Un bal. Valse. Allegro non troppo
03. Symphonie fantastique, H 48: III. Scène aux champs. Adagio
04. Symphonie fantastique, H 48: IV. Marche au supplice. Allegretto non troppo
05. Symphonie fantastique, H 48: V. Songe d'une nuit de sabbat. Larghetto - Allegro
The conductor Herbert Kegel had an instinctive flair for unravelling sound to fill space and thus made full use of the exceptional acoustics of the Lukaskirche in Dresden, which became his regular recording studio (for the Eterna label). The challenge there was to achieve a finely balanced fusion of sound and complete audibility in the tutti sections – after all, Herbert Kegel never aspired to the opulence associated with Karajan. One might say that the composition has been put under an acoustic magnifying glass to bring out details that are little appreciated (e.g. secondary parts that are often overlooked). Although Kegel’s finely nuanced style aims to develop contrasts of both sound and dynamics, his agogics never appear arbitrary but always in line with the formal progression of the music.
It is clear from the track list that this re-released recording is one of the slowest in his discography, not that this is at all noticeable at any stage of the listening experience: one might say that the composition has been put under an acoustic magnifying glass to bring out details that are little appreciated (e.g. secondary parts that are often overlooked). Although Kegel’s finely nuanced style aims to develop contrasts of both sound and dynamics, his agogics never appear arbitrary but always in line with the formal progression of the music.
Year 2016 | Classical | FLAC / APE | HD & Vinyl
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