Federico del Sordo - Corradini: 12 Ricercari & Vendi: Canzoni (2021)
BAND/ARTIST: Federico del Sordo
- Title: Corradini: 12 Ricercari & Vendi: Canzoni
- Year Of Release: 2021
- Label: Brilliant Classics
- Genre: Classical
- Quality: flac lossless
- Total Time: 01:04:39
- Total Size: 336 mb
- WebSite: Album Preview
Tracklist
01. Ricercar Del Primo Tuono. di Quattro Fughe
02. Ricercar Del Secondo Tuono. di Due Fughe
03. Ricercar Del Terzo Tuono. di Quattro Fughe
04. Canzon III Toni
05. Canzon II Toni
06. Ricercar Del Quarto Tuono. di Quattro Fughe
07. Ricercar Del Quinto Tuono. di Quattro Fughe
08. Ricercar Del Sesto Tuono. di Due Fughe
09. Canzon II Toni (2)
10. Canzon VII Toni
11. Ricercar Del Settimo Tuono. di Quattro Fughe
12. Ricercar Del Ottavo Tuono. di Cinque Fughe
13. Canzon I Toni
14. Canzon VIII Toni
15. Ricercar Del Nono Tuono. Con Tre Fughe
16. Ricercar Del Decimo Tuono. Con Tre Fughe
17. Ricercar Del Undecimo Tuono. Con Tre Fughe
18. Ricercar Del Duodecimo Tuono. di Quattro Fughe
Biographical information on NicoloÌ Corradini is scarce, but we do know he spent most of his life in Cremona, the city where he was most likely born. His works include a Book of Madrigals for 5 to 8 voices with viol consort (published in Venice in 1620), the First Book of French Canzoni (Venice, 1620), Motets for 1 to 4 voices (Bartolomeo Magni, Venice, 1624) and the 4-voice Ricercari recorded here, from 1615. The only surviving copy of this latter collection held at the International Museum and Library of Music of Bologna is missing its frontispiece and colophon, but according to Luigi Ferdinando Tagliavini it was printed, like his Motets, in Venice by Bartolomeo Magni. This is the only set of Corradinis music that fully lends itself to performance by a solo keyboard player, as the Canzoni are clearly better suited to a group of multiple instruments. Each of Corradinis ricercars which cover the full range of 12 church modes is based on multiple themes (called fughe). This polythematism keeps hearers of these grandiose musical paintings intrigued with a variety that while clearly based on the architecture of the 16th-century choral motet at times goes beyond it in a way more akin to fugues of the early 18th century, decades ahead of his time.
01. Ricercar Del Primo Tuono. di Quattro Fughe
02. Ricercar Del Secondo Tuono. di Due Fughe
03. Ricercar Del Terzo Tuono. di Quattro Fughe
04. Canzon III Toni
05. Canzon II Toni
06. Ricercar Del Quarto Tuono. di Quattro Fughe
07. Ricercar Del Quinto Tuono. di Quattro Fughe
08. Ricercar Del Sesto Tuono. di Due Fughe
09. Canzon II Toni (2)
10. Canzon VII Toni
11. Ricercar Del Settimo Tuono. di Quattro Fughe
12. Ricercar Del Ottavo Tuono. di Cinque Fughe
13. Canzon I Toni
14. Canzon VIII Toni
15. Ricercar Del Nono Tuono. Con Tre Fughe
16. Ricercar Del Decimo Tuono. Con Tre Fughe
17. Ricercar Del Undecimo Tuono. Con Tre Fughe
18. Ricercar Del Duodecimo Tuono. di Quattro Fughe
Biographical information on NicoloÌ Corradini is scarce, but we do know he spent most of his life in Cremona, the city where he was most likely born. His works include a Book of Madrigals for 5 to 8 voices with viol consort (published in Venice in 1620), the First Book of French Canzoni (Venice, 1620), Motets for 1 to 4 voices (Bartolomeo Magni, Venice, 1624) and the 4-voice Ricercari recorded here, from 1615. The only surviving copy of this latter collection held at the International Museum and Library of Music of Bologna is missing its frontispiece and colophon, but according to Luigi Ferdinando Tagliavini it was printed, like his Motets, in Venice by Bartolomeo Magni. This is the only set of Corradinis music that fully lends itself to performance by a solo keyboard player, as the Canzoni are clearly better suited to a group of multiple instruments. Each of Corradinis ricercars which cover the full range of 12 church modes is based on multiple themes (called fughe). This polythematism keeps hearers of these grandiose musical paintings intrigued with a variety that while clearly based on the architecture of the 16th-century choral motet at times goes beyond it in a way more akin to fugues of the early 18th century, decades ahead of his time.
Year 2021 | Classical | FLAC / APE
As a ISRA.CLOUD's PREMIUM member you will have the following benefits:
- Unlimited high speed downloads
- Download directly without waiting time
- Unlimited parallel downloads
- Support for download accelerators
- No advertising
- Resume broken downloads