Barbara Buntrock & Daniel Heide - Clarke & Hindemith & Bloch: 1919 Viola Sonatas (2014)
BAND/ARTIST: Barbara Buntrock, Daniel Heide
- Title: Clarke & Hindemith & Bloch: 1919 Viola Sonatas
- Year Of Release: 2014
- Label: CAvi-music
- Genre: Classical
- Quality: flac lossless
- Total Time: 00:36:13
- Total Size: 145 mb
- WebSite: Album Preview
Tracklist
01. Sonata for Viola and Piano: I. Impetuoso - Poco agitato
02. Sonata for Viola and Piano: II. Vivace
03. Sonata for Viola and Piano: III. Adagio
04. Sonata No. 4 for Viola and Piano, Op. 11: I. Fantasie
05. Sonata No. 4 for Viola and Piano, Op. 11: II. Thema mit Variationen
06. Sonata No. 4 for Viola and Piano, Op. 11: III. Finale (Mit Variationen)
07. Suite for Viola and Piano: I. Lento - Allegro - Moderato
08. Suite for Viola and Piano: II. Allegro ironico
09. Suite for Viola and Piano: III. Lento
10. Suite for Viola and Piano: IV. Molto vivo
In 1919 Clarke entered her viola sonata in a competition and tied for first place along with Bloch’s suite for viola and piano. Two years later, Clarke’s new piano trio was well received at the same competition, leading to a commission to compose for the festival. Her three-movement sonata for viola and piano breaches the Classical norm by ending with a slow movement.
Paul Hindemith, on the other hand, would hardly have chosen such Romantic imagery to grace his Viola Sonata op. 11, No. 4. His goal was to leave the 19th century and the aesthetic of the past far behind him. Hindemith’s career began during the turbulent years of inflation and crisis following the First World War. …. Written in barely two weeks (27 February to 9 March 1919), the Viola Sonata is the first work written by Hindemith after his return from the war.
Bloch’s Suite for Viola and Piano contains some stylistic elements reminiscent of Debussy, even distant echoes of Brahms.
As a soloist Barbara Buntrock appeared with many German and Swiss orchestra. As an artistic director, she oversaw the foundation in 2011 of “Festival 3B — Chamber Music in the Wuppertal Immanuelskirche”, named after the three great B's of Bach, Beethoven and Brahms and dedicated to the chamber repertoire of all musical eras. Barbara Buntrock has been on the staff of the College of Music in Lübeck since 2011 as lecturer in viola and orchestral studies.
01. Sonata for Viola and Piano: I. Impetuoso - Poco agitato
02. Sonata for Viola and Piano: II. Vivace
03. Sonata for Viola and Piano: III. Adagio
04. Sonata No. 4 for Viola and Piano, Op. 11: I. Fantasie
05. Sonata No. 4 for Viola and Piano, Op. 11: II. Thema mit Variationen
06. Sonata No. 4 for Viola and Piano, Op. 11: III. Finale (Mit Variationen)
07. Suite for Viola and Piano: I. Lento - Allegro - Moderato
08. Suite for Viola and Piano: II. Allegro ironico
09. Suite for Viola and Piano: III. Lento
10. Suite for Viola and Piano: IV. Molto vivo
In 1919 Clarke entered her viola sonata in a competition and tied for first place along with Bloch’s suite for viola and piano. Two years later, Clarke’s new piano trio was well received at the same competition, leading to a commission to compose for the festival. Her three-movement sonata for viola and piano breaches the Classical norm by ending with a slow movement.
Paul Hindemith, on the other hand, would hardly have chosen such Romantic imagery to grace his Viola Sonata op. 11, No. 4. His goal was to leave the 19th century and the aesthetic of the past far behind him. Hindemith’s career began during the turbulent years of inflation and crisis following the First World War. …. Written in barely two weeks (27 February to 9 March 1919), the Viola Sonata is the first work written by Hindemith after his return from the war.
Bloch’s Suite for Viola and Piano contains some stylistic elements reminiscent of Debussy, even distant echoes of Brahms.
As a soloist Barbara Buntrock appeared with many German and Swiss orchestra. As an artistic director, she oversaw the foundation in 2011 of “Festival 3B — Chamber Music in the Wuppertal Immanuelskirche”, named after the three great B's of Bach, Beethoven and Brahms and dedicated to the chamber repertoire of all musical eras. Barbara Buntrock has been on the staff of the College of Music in Lübeck since 2011 as lecturer in viola and orchestral studies.
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