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André Schuen & Daniel Heide - Schumann, Wolf & Martin: Lieder (2015) [Hi-Res]

André Schuen & Daniel Heide - Schumann, Wolf & Martin: Lieder (2015) [Hi-Res]
  • Title: Schumann, Wolf & Martin: Lieder
  • Year Of Release: 2015
  • Label: CAvi-music
  • Genre: Classical
  • Quality: flac lossless / flac 24bits - 96.0kHz +booklet
  • Total Time: 01:06:45
  • Total Size: 253 mb / 1.0 gb
  • WebSite:
Tracklist
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01. I. Morgens steh' ich auf und frage
02. II. Es treibt mich hin
03. III. Ich wandelte unter den Bäumen
04. IV. Lieb' Liebchen
05. V. Schöne Wiege meiner Leiden
06. VI. Warte, warte, wilder Schiffmann
07. VII. Berg' und Burgen schaun herunter
08. VIII. Anfangs Wollt' Ich Fast Verzagen
09. IX. Mit Myrten und Rosen, lieblich und hold
10. Lehn' deine Wang' an meine Wang No. 2 , Op. 142
11. Dein Angesicht No. 2, Op. 127
12. Mein Wagen rollet langsam No. 4, Op. 142
13. Tragödie I, Entflieh' mit mir No. 3a, Op. 64
14. Tragödie II, Es fiel ein Reif, No. 3b, Op. 64
15. Du bist wie eine Blume No. 24, Op. 25
16. I. Wer sich der Einsamkeit ergibt
17. II. An die Türen will ich schleichen
18. III. Wer nie sein Brot mit Tränen aß
19. I. Ist alles zu End das Freudenmahl
20. II. Ach Gott, wie graust mir vor dem Tod
21. III. Ist als wenn eins gerufen hätt'
22. IV. So wollt' ich ganz vernichtet sein
23. V. Ja! Ich glaub: Solches hat er vollbracht
24. VI. O ewiger Gott! O göttliches Gesicht!

Serendipity is what brought baritone Andrè Schuen and pianist Daniel Heide together. In 2008 they each took part in the Salzburg Mozarteum Summer Academy and appeared on stage at different moments during the prizewinners’ recital. That is when Daniel Heide heard André Schuen’s voice for the first time. Immediately he knew it was the voice he had always been looking for.

Their purpose for their début CD is to present the entire scope of their repertoire. André Schuen has been exploring different facets of his voice. “The three personalities we encounter on this CD represent three different generations. In Robert Schumann we meet the enraptured youthful lover; in Frank Martin we meet a man caught in the midst of life but pushed to the brink of despair by fear of death. And Hugo Wolf draws our gaze to Mignon’s father, the old harpist, full of melancholy, approaching the end of his life.” Daniel Heide adds: “We’re also confronted with three different compositional styles.” In Robert Schumann’s music we have the soft, lyrical high notes that André Schuen finds so appealing. This – Heide adds – is core Romantic lied repertoire, loved by many and almost too familiar. Hugo Wolf is the musical link between Schumann and Frank Martin. We encounter the latter composer in more martial attire than usual: “In the Jedermann monologues I can give lots of voice; there’s something operatic about them”, the baritone remarks.




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