Chœur de Chambre de Namur, La Fenice, Jean Tubéry - Roland de Lassus: Magnum Opus Musicum (2009)
BAND/ARTIST: Chœur de Chambre de Namur, La Fenice, Jean Tubéry
- Title: Roland de Lassus: Magnum Opus Musicum
- Year Of Release: 2009
- Label: Ricercar
- Genre: Classical
- Quality: flac lossless +Booklet
- Total Time: 00:55:45
- Total Size: 241 mb
- WebSite: Album Preview
Tracklist
01. Quid Trepidas À 6
02. Haec Quae Ter À 3
03. Sequntur Cantiones IV Vocum: Pulvis Et Umbra
04. Sequntur Cantiones IV Vocum: Fertur In Conviviis
05. Sequntur Cantiones IV Vocum: Qui Regit Astra
06. Sequntur Cantiones IV Vocum: Ut Queant Laxis
07. Sequntur Cantiones IV Vocum: Lauda Mater Ecclesia
08. Sequntur Cantiones IV Vocum: Cantione Sine Textu À 2, No. 16
09. Sequntur Cantiones V Vocum: In Quoscunque Locos
10. Sequntur Cantiones V Vocum: Super Flumina Babylonis
11. Sequntur Cantiones V Vocum: Hispanum Ad Coenam Mercator Belga
12. Sequntur Cantiones V Vocum: Bestia Stultus Homo
13. Sequntur Cantiones V Vocum: Cantione Sine Textu À 2, No. 21
14. Sequntur Cantiones V Vocum: Quam Pulchra Es (Instrumental)
15. Sequntur Cantiones V Vocum: Quam Pulchra Es
16. Sequntur Cantiones VI Vocum: Homo Cum In Honore
17. Sequntur Cantiones VI Vocum: Non Des Mulieri
18. Sequntur Cantiones VI Vocum: Nunc Gaudere Licet
19. Sequntur Cantiones VI Vocum: Luxuriosa Res Vinum
20. Sequntur Cantiones VI Vocum: O Decus Celsi
21. Sequntur Cantiones VI Vocum: Cantione Sine Textu À 2, No. 22
22. Sequntur Cantiones VI Vocum: Ad Primum Morsum
23. Sequntur Cantiones VI Vocum: In Hora Ultima
Ten years after the death of Roland de Lassus, his sons published a vast anthology of his works, more than 700 motets from three to twelve parts, under the title of Magnum Opus Musicum in 1604. Liturgical texts predominate, although the volume also includes secular texts that are moralising or historical in character; some of these latter also illustrate various events in the composer's life during the time that he was in the service of the Archducal chapel in Munich. Jean Tubéry has here selected several motets in three to six parts. A good many of these pieces are recorded here for the first time; not only do they demonstrate the composer's astonishing inventiveness but they even provide a glimpse of his sense of humour.
01. Quid Trepidas À 6
02. Haec Quae Ter À 3
03. Sequntur Cantiones IV Vocum: Pulvis Et Umbra
04. Sequntur Cantiones IV Vocum: Fertur In Conviviis
05. Sequntur Cantiones IV Vocum: Qui Regit Astra
06. Sequntur Cantiones IV Vocum: Ut Queant Laxis
07. Sequntur Cantiones IV Vocum: Lauda Mater Ecclesia
08. Sequntur Cantiones IV Vocum: Cantione Sine Textu À 2, No. 16
09. Sequntur Cantiones V Vocum: In Quoscunque Locos
10. Sequntur Cantiones V Vocum: Super Flumina Babylonis
11. Sequntur Cantiones V Vocum: Hispanum Ad Coenam Mercator Belga
12. Sequntur Cantiones V Vocum: Bestia Stultus Homo
13. Sequntur Cantiones V Vocum: Cantione Sine Textu À 2, No. 21
14. Sequntur Cantiones V Vocum: Quam Pulchra Es (Instrumental)
15. Sequntur Cantiones V Vocum: Quam Pulchra Es
16. Sequntur Cantiones VI Vocum: Homo Cum In Honore
17. Sequntur Cantiones VI Vocum: Non Des Mulieri
18. Sequntur Cantiones VI Vocum: Nunc Gaudere Licet
19. Sequntur Cantiones VI Vocum: Luxuriosa Res Vinum
20. Sequntur Cantiones VI Vocum: O Decus Celsi
21. Sequntur Cantiones VI Vocum: Cantione Sine Textu À 2, No. 22
22. Sequntur Cantiones VI Vocum: Ad Primum Morsum
23. Sequntur Cantiones VI Vocum: In Hora Ultima
Ten years after the death of Roland de Lassus, his sons published a vast anthology of his works, more than 700 motets from three to twelve parts, under the title of Magnum Opus Musicum in 1604. Liturgical texts predominate, although the volume also includes secular texts that are moralising or historical in character; some of these latter also illustrate various events in the composer's life during the time that he was in the service of the Archducal chapel in Munich. Jean Tubéry has here selected several motets in three to six parts. A good many of these pieces are recorded here for the first time; not only do they demonstrate the composer's astonishing inventiveness but they even provide a glimpse of his sense of humour.
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