Clematis, Cappella Mediterranea, Chœur de Chambre de Namur, Leonardo García Alarcón - Gioseffo Zamponi: Ulisse all'isola di Circe (2014) [Hi-Res]
![Clematis, Cappella Mediterranea, Chœur de Chambre de Namur, Leonardo García Alarcón - Gioseffo Zamponi: Ulisse all'isola di Circe (2014) [Hi-Res]](https://www.dibpic.com/uploads/posts/2021-01/1609827368_gioseffo-zamponi-ulisse-allisola-di-circe-2014.jpg)
- Title: Gioseffo Zamponi: Ulisse all'isola di Circe
- Year Of Release: 2014
- Label: Ricercar
- Genre: Classical
- Quality: flac lossless / flac 24bits - 44.1kHz +Booklet
- Total Time: 02:17:32
- Total Size: 695 mb / 1.31 gb
- WebSite: Album Preview
Tracklist
01. Ulisse all’isola di Circe, Prologue, Scene 1: Sinfonia per introduttione del prologo
02. Ulisse all’isola di Circe, Prologue, Scene 1: «O voi del vasto Oceano»
03. Ulisse all’isola di Circe, Act I, Scene 1: «Doppo lunghe tempeste»
04. Ulisse all’isola di Circe, Act I, Scene 1: «Il mondo non ha più fieri terrori»
05. Ulisse all’isola di Circe, Act I, Scene 2: «Ecco Euriloco a punto»
06. Ulisse all’isola di Circe, Act I, Scene 3: «Nova gioia»
07. Ulisse all’isola di Circe, Act I, Scene 4: Sinfonia soave
08. Ulisse all’isola di Circe, Act I, Scene 4: «E pur sei giunto al fine»
09. Ulisse all’isola di Circe, Act I, Scene 5: «Ecco l’ombra gradita»
10. Ulisse all’isola di Circe, Act I, Scene 6: «Ma chi fia questi audace»
11. Ulisse all’isola di Circe, Act I, Scene 6: «Credo si, o no»
12. Ulisse all’isola di Circe, Act I, Scene 6: «Languisco, mi moro»
13. Ulisse all’isola di Circe, Act I, Scene 7: «L’aure gradita»
14. Ulisse all’isola di Circe, Act I, Scene 8: «Huom superbo»
15. Ulisse all’isola di Circe, Act II, Scene 1: Sinfonia per introduttione del secondo atto
16. Ulisse all’isola di Circe, Act II, Scene 1: «Non è maggior tormento»
17. Ulisse all’isola di Circe, Act II, Scene 2: «Deh ti mova à pietade»
18. Ulisse all’isola di Circe, Act II, Scene 3: «Scender del ciel viddi io»
19. Ulisse all’isola di Circe, Act II, Scene 4: «Credi à me»
01. Ulisse all’isola di Circe, Act II, Scene 4: «Da lo strale d’Amor fugga chi può»
02. Ulisse all’isola di Circe, Act II, Scene 5: «Ancor non resti»
03. Ulisse all’isola di Circe, Act II, Scene 6: «Come fuor del costume»
04. Ulisse all’isola di Circe, Act III, Scene 1: Sinfonia
05. Ulisse all’isola di Circe, Act III, Scene 1: «Vaghe chiome dorate»
06. Ulisse all’isola di Circe, Act III, Scene 1: «Questa fina e bianca polvere»
07. Ulisse all’isola di Circe, Act III, Scene 2: «La mia stella vincitrice»
08. Ulisse all’isola di Circe, Act III, Scene 3: «Dunque, ancora si teme»
09. Ulisse all’isola di Circe, Act III, Scene 4: «Con si breve intervallo»
10. Ulisse all’isola di Circe, Act III, Scene 5: «Già spirano si lieti»
11. Ulisse all’isola di Circe, Act III, Scene 6: «Agitati pensieri»
12. Ulisse all’isola di Circe, Act III, Scene 7: Sinfonia
13. Ulisse all’isola di Circe, Act III, Scene 7: «Dal mio Trono»
14. Ulisse all’isola di Circe, Act III, Scene 7: «Gran Tonante»
15. Ulisse all’isola di Circe, Act III, Scene 7: «Cosi saggia e cosi forte»
Ulisse all’isola di Circe was the first opera to be staged in the Southern Netherlands. It was first performed in Brussels on the occasion of Philip IV of Spain’s wedding to Maria-Anna of Austria on 24 February 1650, although we know that the spectacle was revived in 1655 at the express wish of Queen Christina of Sweden.
Gioseffo Zamponi was most likely born in Rome between 1610 and 1620. He made his career in the Southern Netherlands, entering the service of Archduke Leopold-Wilhelm, governor of the Netherlands, in 1648, for whose establishment he composed sacred music and also played.
Ulisse was composed in the new Venetian style and made use of clearly defined character types. The opera not only blends the recitar cantando style with arias but also alternates theatricality with episodes charged with emotion. The splendour of such a rediscovery fired every musician who took part in the work’s resurrection with enthusiasm.
Such a large-scale project as this required the participation of all three ensembles that are regularly led by Leonardo Garcia Alarcón. The Clematis ensemble had first presented the first modern performance of the opera in 2006 as part of the Printemps Baroque du Sablon in Brussels. For this new realisation of the opera, Clematis committed themselves totally to presenting the work with all the splendour that it would have had when it was first performed in Brussels in 1650.
As is always the case with productions mounted for royal weddings, the means employed were impressive: Clematis was expanded to thirty musicians for the occasion - as well as the strings and a large continuo group, the ensemble was also joined by several wind instruments that provided extra orchestral colour and gave each character his own musical identity, given that a number of orchestral ritornelli are provided for each scene.
Led by Leonardo Garcia Alarcón, the singers of the Capella Mediterranea form a perfect cast of soloists for the opera. The solo voices of the Choeur de Chambre de Namur take the remaining roles of Circe’s handmaidens, the chorus of Tritons, the chorus of statues etc.
01. Ulisse all’isola di Circe, Prologue, Scene 1: Sinfonia per introduttione del prologo
02. Ulisse all’isola di Circe, Prologue, Scene 1: «O voi del vasto Oceano»
03. Ulisse all’isola di Circe, Act I, Scene 1: «Doppo lunghe tempeste»
04. Ulisse all’isola di Circe, Act I, Scene 1: «Il mondo non ha più fieri terrori»
05. Ulisse all’isola di Circe, Act I, Scene 2: «Ecco Euriloco a punto»
06. Ulisse all’isola di Circe, Act I, Scene 3: «Nova gioia»
07. Ulisse all’isola di Circe, Act I, Scene 4: Sinfonia soave
08. Ulisse all’isola di Circe, Act I, Scene 4: «E pur sei giunto al fine»
09. Ulisse all’isola di Circe, Act I, Scene 5: «Ecco l’ombra gradita»
10. Ulisse all’isola di Circe, Act I, Scene 6: «Ma chi fia questi audace»
11. Ulisse all’isola di Circe, Act I, Scene 6: «Credo si, o no»
12. Ulisse all’isola di Circe, Act I, Scene 6: «Languisco, mi moro»
13. Ulisse all’isola di Circe, Act I, Scene 7: «L’aure gradita»
14. Ulisse all’isola di Circe, Act I, Scene 8: «Huom superbo»
15. Ulisse all’isola di Circe, Act II, Scene 1: Sinfonia per introduttione del secondo atto
16. Ulisse all’isola di Circe, Act II, Scene 1: «Non è maggior tormento»
17. Ulisse all’isola di Circe, Act II, Scene 2: «Deh ti mova à pietade»
18. Ulisse all’isola di Circe, Act II, Scene 3: «Scender del ciel viddi io»
19. Ulisse all’isola di Circe, Act II, Scene 4: «Credi à me»
01. Ulisse all’isola di Circe, Act II, Scene 4: «Da lo strale d’Amor fugga chi può»
02. Ulisse all’isola di Circe, Act II, Scene 5: «Ancor non resti»
03. Ulisse all’isola di Circe, Act II, Scene 6: «Come fuor del costume»
04. Ulisse all’isola di Circe, Act III, Scene 1: Sinfonia
05. Ulisse all’isola di Circe, Act III, Scene 1: «Vaghe chiome dorate»
06. Ulisse all’isola di Circe, Act III, Scene 1: «Questa fina e bianca polvere»
07. Ulisse all’isola di Circe, Act III, Scene 2: «La mia stella vincitrice»
08. Ulisse all’isola di Circe, Act III, Scene 3: «Dunque, ancora si teme»
09. Ulisse all’isola di Circe, Act III, Scene 4: «Con si breve intervallo»
10. Ulisse all’isola di Circe, Act III, Scene 5: «Già spirano si lieti»
11. Ulisse all’isola di Circe, Act III, Scene 6: «Agitati pensieri»
12. Ulisse all’isola di Circe, Act III, Scene 7: Sinfonia
13. Ulisse all’isola di Circe, Act III, Scene 7: «Dal mio Trono»
14. Ulisse all’isola di Circe, Act III, Scene 7: «Gran Tonante»
15. Ulisse all’isola di Circe, Act III, Scene 7: «Cosi saggia e cosi forte»
Ulisse all’isola di Circe was the first opera to be staged in the Southern Netherlands. It was first performed in Brussels on the occasion of Philip IV of Spain’s wedding to Maria-Anna of Austria on 24 February 1650, although we know that the spectacle was revived in 1655 at the express wish of Queen Christina of Sweden.
Gioseffo Zamponi was most likely born in Rome between 1610 and 1620. He made his career in the Southern Netherlands, entering the service of Archduke Leopold-Wilhelm, governor of the Netherlands, in 1648, for whose establishment he composed sacred music and also played.
Ulisse was composed in the new Venetian style and made use of clearly defined character types. The opera not only blends the recitar cantando style with arias but also alternates theatricality with episodes charged with emotion. The splendour of such a rediscovery fired every musician who took part in the work’s resurrection with enthusiasm.
Such a large-scale project as this required the participation of all three ensembles that are regularly led by Leonardo Garcia Alarcón. The Clematis ensemble had first presented the first modern performance of the opera in 2006 as part of the Printemps Baroque du Sablon in Brussels. For this new realisation of the opera, Clematis committed themselves totally to presenting the work with all the splendour that it would have had when it was first performed in Brussels in 1650.
As is always the case with productions mounted for royal weddings, the means employed were impressive: Clematis was expanded to thirty musicians for the occasion - as well as the strings and a large continuo group, the ensemble was also joined by several wind instruments that provided extra orchestral colour and gave each character his own musical identity, given that a number of orchestral ritornelli are provided for each scene.
Led by Leonardo Garcia Alarcón, the singers of the Capella Mediterranea form a perfect cast of soloists for the opera. The solo voices of the Choeur de Chambre de Namur take the remaining roles of Circe’s handmaidens, the chorus of Tritons, the chorus of statues etc.
Classical | FLAC / APE | HD & Vinyl
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