Ensemble Elyma & Gabriel Garrido - Domenico Mazzocchi: Le Temple et le désir (2016) [Hi-Res]
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BAND/ARTIST: Ensemble Elyma, Gabriel Garrido
- Title: Domenico Mazzocchi: Le Temple et le désir
- Year Of Release: 2016
- Label: Les Chemins du Baroque
- Genre: Classical
- Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
- Total Time: 01:13:03
- Total Size: 339 mb / 1.23 gb
- WebSite: Album Preview
Tracklist
01. Dialogo della cantica
02. Guerra immortal
03. Udito ho Citherea
04. Pian piano
05. S'io mi parto, o mio bel sole
06. Dialogo della Maddalena
07. La Madalena ricorre alle lagrime
08. Or che sepolto
09. No me mueve mi Dios
10. Non vedete Pastori
11. Misura altri il girar
12. Colombella
13. Lamento della Beata Vergine
![Ensemble Elyma & Gabriel Garrido - Domenico Mazzocchi: Le Temple et le désir (2016) [Hi-Res]](https://www.dibpic.com/uploads/posts/2021-01/1610438819_ensemble-elyma-gabriel-garrido-domenico-mazzocchi-le-temple-et-le-desir-2016-back.jpg)
At the end of the sixteenth century, rome, the spiritual centre of western Christianity, found itself confronted, after the coming of the reformation and the Council of trent, with the musical upheavals that were to give birth to the Baroque. Two trends were to emerge. in sacred music, the hegemony of polyphony, as reformed in the circles around Palestrina, created a new genealogy with which the masters of the seventeenth century were to identify. In the domain of secular music, the influence of the new style born in Florence and brought to its apogee by Monteverdi generated new music following on from the revolutionary invention of accompanied monody and the representation of the passions. Though apparently opposed, these two trends increasingly tended to intertwine and converge, forming the identity of the music of the Counterreformation. The secular, the sacred and Antiquity intermingled and were crystallized in new forms of expression.
01. Dialogo della cantica
02. Guerra immortal
03. Udito ho Citherea
04. Pian piano
05. S'io mi parto, o mio bel sole
06. Dialogo della Maddalena
07. La Madalena ricorre alle lagrime
08. Or che sepolto
09. No me mueve mi Dios
10. Non vedete Pastori
11. Misura altri il girar
12. Colombella
13. Lamento della Beata Vergine
At the end of the sixteenth century, rome, the spiritual centre of western Christianity, found itself confronted, after the coming of the reformation and the Council of trent, with the musical upheavals that were to give birth to the Baroque. Two trends were to emerge. in sacred music, the hegemony of polyphony, as reformed in the circles around Palestrina, created a new genealogy with which the masters of the seventeenth century were to identify. In the domain of secular music, the influence of the new style born in Florence and brought to its apogee by Monteverdi generated new music following on from the revolutionary invention of accompanied monody and the representation of the passions. Though apparently opposed, these two trends increasingly tended to intertwine and converge, forming the identity of the music of the Counterreformation. The secular, the sacred and Antiquity intermingled and were crystallized in new forms of expression.
Year 2016 | Classical | FLAC / APE | HD & Vinyl
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