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Pier Paolo Vincenzi, Marco Gaggini - Cilea: Complete Piano Music (2016) [Hi-Res]

Pier Paolo Vincenzi, Marco Gaggini - Cilea: Complete Piano Music (2016) [Hi-Res]
  • Title: Cilea: Complete Piano Music
  • Year Of Release: 2016
  • Label: Brilliant Classics
  • Genre: Classical Piano
  • Quality: flac lossless / flac 24bits - 44.1kHz +Booklet
  • Total Time: 02:22:18
  • Total Size: 546 mb / 1.1 gb
  • WebSite:
Tracklist

01. Tre piccoli pezzi: I. Melodia
02. Tre piccoli pezzi: II. Serenata
03. Tre piccoli pezzi: III. Danza
04. Chanson du rouet, Op. 4
05. Canto del mattino, Op. 5
06. La petite coquette - Air de danse, Op. 9
07. C'est toi que j'aime - Impromptu à la Mazurka, Op. 10
08. Aria campestre
09. Flatterie, Op. 11
10. Mazurka, Op. 14
11. Badinage, Op. 15
12. Berceuse, Op. 20
13. Notturno, Op. 22
14. Seconda danza, Op. 26
15. Trois petits morceaux, Op. 28: I. Loin dans la mer
16. Trois petits morceaux, Op. 28: II. Feuille d'album
17. Trois petits morceaux, Op. 28: III. Pensée espagnole
18. Tre pezzi, Op. 29: I. Romanza
19. Tre pezzi, Op. 29: II. Scherzino
20. Tre pezzi, Op. 29: III. Barzelletta
21. Gocce di rugiada, Op. 33
22. Au village, Op. 34
23. A la mazurka, Op. 35
24. Valzer, Op. 36
25. Foglio d'album, Op. 41
26. Suite, Op. 42: I. Allegro
27. Suite, Op. 42: II. Sarabanda
28. Suite, Op. 42: III. Capriccio
29. Foglio d'album, Op. 41 (2)
30. Fuga reale
31. Tre pezzi, Op. 43: I. Verrà?
32. Tre pezzi, Op. 43: II. Acque correnti
33. Tre pezzi, Op. 43: III. Valle fiorita
34. Due pezzi: I. Risonanze nostalgiche
35. Due pezzi: II. Festa silana
36. Scherzo
37. Scherzando
38. Danza calabrese
39. Impromptu
40. Mazurka
41. Preludio
42. Vespero
43. Foglio d'album
44. Invocazione
45. Serenata a dispetto
46. Danza
47. Four Hands Music: Untitled in A Major
48. Four Hands Music: Chansonnette, Op. 31
49. Four Hands Music: Sentiment poétique
50. Four Hands Music: Amour joyeux, Op. 37
51. Idillio
52. Alla gavotte

Pier Paolo Vincenzi, Marco Gaggini - Cilea: Complete Piano Music (2016) [Hi-Res]


Francesco Cilea may now be best remembered as a composer of durable, blood-and-thunder staples of the verismo operatic school such as Adriana Lecouvreur and L’Arlesiana, but he addressed himself to chamber and instrumental music at both the beginning and end of his long career. Conservative and unfailingly melodic as his chosen idiom was, it nonetheless evolved in the 66 years between student salon pieces such as the Tre piccoli pezzi of 1888 and the album-leaf of 1944.


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