Patricia Kopatchinskaja, London Philharmonic Orchestra, Vladimir Jurowski - Prokofiev & Stravinsky (2013) CD-Rip
- Title: Prokofiev & Stravinsky
- Year Of Release: 2013
- Label: Naive
- Genre: Classical
- Quality: FLAC (image+.cue,log,scans)
- Total Time: 51:08
- Total Size: 258 Mb
- WebSite: Album Preview
Tracklist:
Igor Stravinsky (1882-1971)
[1] - [4] Concerto for Violin and Orchestra in D Major
[5] Cadenza which Stravinsky did not write
Sergey Prokofiev (1891-1953)
[6] - [8] Concerto for Violin and Orchestra in G Minor №2, Op.63
Performers:
Patricia Kopatchinskaja, violin
London Philharmonic Orchestra
Vladimir Jurowski, conductor
Igor Stravinsky (1882-1971)
[1] - [4] Concerto for Violin and Orchestra in D Major
[5] Cadenza which Stravinsky did not write
Sergey Prokofiev (1891-1953)
[6] - [8] Concerto for Violin and Orchestra in G Minor №2, Op.63
Performers:
Patricia Kopatchinskaja, violin
London Philharmonic Orchestra
Vladimir Jurowski, conductor
Gramophone and BBC Award-winner Patricia Kopatchinskaja records exclusively for Naïve. Releases to date have included Beethoven’s Violin Concerto with Philippe Herreweghe, a CD entitled 'Rapsodia' which explores the roots of George Enescu’s music with examples of Moldovan and Romanian folk music. Her most recent release was an all-Hungarian disc featuring concertos by Bartók, Ligeti and Eötvös which has won the concerto category in the Gramophone Awards 2013.
The two violin concertos coupled on this recording display as many affinities as they do divergences. Both stem from creators in conflict with their native Russia – one choosing to return there, the other settling permanently in exile; both belong to the aesthetic of the ‘return to order’ observed from 1920 onwards and characterised by the reappropriation of models from the past. If Prokofiev preserves the traditional bases of the concerto, he combines them with a search for a new lyricism. As for Stravinsky, he reworks tried and trusted models while offering a deliberately neutral, distanced expressivity.
The two violin concertos coupled on this recording display as many affinities as they do divergences. Both stem from creators in conflict with their native Russia – one choosing to return there, the other settling permanently in exile; both belong to the aesthetic of the ‘return to order’ observed from 1920 onwards and characterised by the reappropriation of models from the past. If Prokofiev preserves the traditional bases of the concerto, he combines them with a search for a new lyricism. As for Stravinsky, he reworks tried and trusted models while offering a deliberately neutral, distanced expressivity.
Classical | FLAC / APE | CD-Rip
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