Patricia Kopatchinskaja, London Philarmonic Orchestra & Vladimir Jurowski - Stravinsky, Prokofiev: Concertos (2013) [Hi-Res]
![Patricia Kopatchinskaja, London Philarmonic Orchestra & Vladimir Jurowski - Stravinsky, Prokofiev: Concertos (2013) [Hi-Res]](https://img.israbox.com/uploads/posts/2018-02/1518707577_patricia-kopatchinskaja-london-philarmonic-orchestra-vladimir-jurowski-stravinsky-prokofiev-concertos-2013-hi-res.jpg)
BAND/ARTIST: Patricia Kopatchinskaja, London Philarmonic Orchestra, Vladimir Jurowski
- Title: Stravinsky, Prokofiev: Concertos
- Year Of Release: 2013
- Label: naïve classique
- Genre: Classical
- Quality: flac 24bits - 96.0kHz +booklet
- Total Time: 00:51:10
- Total Size: 963 mb
- WebSite: Album Preview
Tracklist
---------
01. Violin concerto in D: I.Toccata
02. Violin concerto in D: II.Aria I
03. Violin concerto in D: III.Aria II
04. Violin concerto in D: IV.Capriccio
05. Violin concerto in D: V.Cadenza
06. Violin concerto, Op. 63 no.2 in G Minor: I.Allegro moderato
07. Violin concerto, Op. 63 no.2 in G Minor: II.Andante assai
08. Violin concerto, Op. 63 no.2 in G Minor: III.Allegro ben marcato
Gramophone and BBC Award-winner Patricia Kopatchinskaja records exclusively for Naïve. Releases to date have included Beethoven’s Violin Concerto with Philippe Herreweghe, a CD entitled 'Rapsodia' which explores the roots of George Enescu’s music with examples of Moldovan and Romanian folk music. Her most recent release was an all-Hungarian disc featuring concertos by Bartók, Ligeti and Eötvös which has won the concerto category in the Gramophone Awards 2013.
The two violin concertos coupled on this recording display as many affinities as they do divergences. Both stem from creators in conflict with their native Russia – one choosing to return there, the other settling permanently in exile; both belong to the aesthetic of the ‘return to order’ observed from 1920 onwards and characterised by the reappropriation of models from the past. If Prokofiev preserves the traditional bases of the concerto, he combines them with a search for a new lyricism. As for Stravinsky, he reworks tried and trusted models while offering a deliberately neutral, distanced expressivity.
---------
01. Violin concerto in D: I.Toccata
02. Violin concerto in D: II.Aria I
03. Violin concerto in D: III.Aria II
04. Violin concerto in D: IV.Capriccio
05. Violin concerto in D: V.Cadenza
06. Violin concerto, Op. 63 no.2 in G Minor: I.Allegro moderato
07. Violin concerto, Op. 63 no.2 in G Minor: II.Andante assai
08. Violin concerto, Op. 63 no.2 in G Minor: III.Allegro ben marcato
Gramophone and BBC Award-winner Patricia Kopatchinskaja records exclusively for Naïve. Releases to date have included Beethoven’s Violin Concerto with Philippe Herreweghe, a CD entitled 'Rapsodia' which explores the roots of George Enescu’s music with examples of Moldovan and Romanian folk music. Her most recent release was an all-Hungarian disc featuring concertos by Bartók, Ligeti and Eötvös which has won the concerto category in the Gramophone Awards 2013.
The two violin concertos coupled on this recording display as many affinities as they do divergences. Both stem from creators in conflict with their native Russia – one choosing to return there, the other settling permanently in exile; both belong to the aesthetic of the ‘return to order’ observed from 1920 onwards and characterised by the reappropriation of models from the past. If Prokofiev preserves the traditional bases of the concerto, he combines them with a search for a new lyricism. As for Stravinsky, he reworks tried and trusted models while offering a deliberately neutral, distanced expressivity.
Classical | FLAC / APE | HD & Vinyl
As a ISRA.CLOUD's PREMIUM member you will have the following benefits:
- Unlimited high speed downloads
- Download directly without waiting time
- Unlimited parallel downloads
- Support for download accelerators
- No advertising
- Resume broken downloads