NDR Radiophilharmonie, NDR Chor & Lawrence Foster - J. Strauss II: Der Zigeunerbaron (Live) (2016) [Hi-Res]
![NDR Radiophilharmonie, NDR Chor & Lawrence Foster - J. Strauss II: Der Zigeunerbaron (Live) (2016) [Hi-Res]](https://www.dibpic.com/uploads/posts/2020-09/1601360342_j_-strauss-ii-der-zigeunerbaron-live-2016.jpg)
BAND/ARTIST: NDR Radiophilharmonie, NDR Chor, Lawrence Foster
- Title: J. Strauss II: Der Zigeunerbaron (Live)
- Year Of Release: 2016
- Label: PentaTone
- Genre: Classical
- Quality: flac 24bits - 96.0kHz +Booklet
- Total Time: 01:58:11
- Total Size: 2.17 gb
- WebSite: Album Preview
Tracklist
01. Overture
02. Act I Introduction Das war' kein rechter Schiffersknecht (Chorus, Ottokar, Czipra)
03. Act I Melodrama and ensemble Zum Teufel! Schon wieder die alte Zigeunerhexe (Ottokar, Czipra, Chorus, Carnero)
04. Act I Entrance Als flotter Geist (Barinkay) - Couplet Ja, das alles auf Ehr (Barinkay, Chorus, Carnero)
05. Act I Melodrama and ensemble Wer klopft an meine Tur! (Czipra, Carnero, Barinkay, Saffi, Chorus)
06. Act I Da bin ich! (Zsupan, Carnero) - Ja, das Schreiben und das Lesen (Zsupan, Chorus, Carnero, Barinkay, Mirabella)
07. Act I Couplet Just sind es vierundzwanzig Jahre (Mirabella, Chorus)
08. Act I Ensemble Dem Freier naht die Braut (Chorus, Arsena, Barinkay, Zsupan, Carnero, Mirabella, Girls, Ottokar)
09. Act I Dialogue Na, Barinkay (Zsupan, Barinkay, Ottokar, Arsena)
10. Act I Gypsy song So elend und so treu (Saffi, Barinkay)
11. Act I Dialogue Das Lied, ich kenne es aus meiner Kindheit (Barinkay, Czipra, Saffi)
12. Act I Finale Arsena! Arsena! (Ottokar, Arsena, Barinkay, Saffi, Czipra, Chorus, Gypsies, Zsupan, Mirabella, Carnero, Zsupan's Men)
13. Act II Trio Mein Aug bewacht bei Tag und Nacht (Czipra, Barinkay, Saffi)
14. Act II Trio Ein Greis ist mir im Traum erschienen (Czipra, Barinkay, Saffi)
15. Act II Auf, auf, auf! (Pali, Gypsies, Gypsy Women) - Ha, das Eisen wird gefuge (Gypsies)
16. Act II Dialogue Hoch, Saffi! Hoch, Barinkay! (Chorus, Carnero, Barinkay)
17. Act II Duet Wer uns getraut (Barinkay, Saffi, Chorus)
18. Act II Dialogue Dompfaff, Nachtigall und Storche (Carnero, Ottokar, Arsena, Chorus, Homonay, Barinkay)
19. Act II Her die Hand, es muss ja sein (Homonay, Chorus)
20. Act II Dialogue Wer kein Feigling und kein Schurke ist (Homonay, Chorus, Zsupan, Ottokar, Arsena, Carnero, Saffi, Barinkay)
21. Act II Finale Nach Wien! (All, Chorus)
22. Act III Entr'acte Tempo di valse
23. Act III Dialogue Der Krieg ist zu Ende! (A Herald, Chorus) - Chorus Freuet Euch (Chorus)
24. Act III Dialogue Arsena, mein Kind (Mirabella, Arsena, Carnero)
25. Act III Ein Madchen hat es gar nicht gut (Arsena, Mirabella, Carnero)
26. Act III Dialogue Arsena, Arsena, sie kommen! (Carnero, Arsena, Zsupan, Mirabella)
27. Act III March Couplet with chorus Von des Tajo Strand (Zsupan, Chorus)
28. Act III Entrance march Hurra, die Schlacht mitgemacht (Chorus)
29. Act III Dialogue Ich danke Euch (Homonay, Zsupan, Barinkay)
30. Act III Finale Heiraten vivat! (Chorus, Barinkay, Arsena, Mirabella, Zsupan, Homonay, Saffi, Czipra)
![NDR Radiophilharmonie, NDR Chor & Lawrence Foster - J. Strauss II: Der Zigeunerbaron (Live) (2016) [Hi-Res]](https://www.dibpic.com/uploads/posts/2020-09/1601360312_j_-strauss-ii-der-zigeunerbaron-live-2016-back.jpg)
Johann Strauss Jr. is the most prominent member of the famous musical Strauss family and with more than 500 dance compositions to his name, became known as ‘The Waltz King’. While conducting the world première of his operetta Der Zigeunerbaron at the Theater an der Wien on 24 October 1885, Strauss junior lived one of, if not the biggest, stage successes of his career. Der Zigeunerbaron received 87 successive performances, which made it even more successful than Die Fledermaus and during the composer’s lifetime alone, the operetta was performed in more than 140 theaters.
Originally Strauss intended to perform the 3 act operetta, on a libretto by Ignaz Schnitzer, at the Vienna Court Opera, rather than the Theater an der Wien. Even though this didn’t work out for contractual reasons, it may be seen as a reflection of the composer’s ambition to outgrow the dance hall. Der Zigeunerbaron clearly is a much more dramatic piece than Die Fledermaus and is by many considered to be a comic opera, instead of a genuine operetta. Johann Strauss junior forever stayed The Waltz King, but Der Zigeunerbaron became a success until present day. With the release of this 2-SACD album, now to be enjoyed in a splendid May 2015 recording by the NDR Radiophilharmonie and the NDR Chor conducted by Lawrence Foster.
01. Overture
02. Act I Introduction Das war' kein rechter Schiffersknecht (Chorus, Ottokar, Czipra)
03. Act I Melodrama and ensemble Zum Teufel! Schon wieder die alte Zigeunerhexe (Ottokar, Czipra, Chorus, Carnero)
04. Act I Entrance Als flotter Geist (Barinkay) - Couplet Ja, das alles auf Ehr (Barinkay, Chorus, Carnero)
05. Act I Melodrama and ensemble Wer klopft an meine Tur! (Czipra, Carnero, Barinkay, Saffi, Chorus)
06. Act I Da bin ich! (Zsupan, Carnero) - Ja, das Schreiben und das Lesen (Zsupan, Chorus, Carnero, Barinkay, Mirabella)
07. Act I Couplet Just sind es vierundzwanzig Jahre (Mirabella, Chorus)
08. Act I Ensemble Dem Freier naht die Braut (Chorus, Arsena, Barinkay, Zsupan, Carnero, Mirabella, Girls, Ottokar)
09. Act I Dialogue Na, Barinkay (Zsupan, Barinkay, Ottokar, Arsena)
10. Act I Gypsy song So elend und so treu (Saffi, Barinkay)
11. Act I Dialogue Das Lied, ich kenne es aus meiner Kindheit (Barinkay, Czipra, Saffi)
12. Act I Finale Arsena! Arsena! (Ottokar, Arsena, Barinkay, Saffi, Czipra, Chorus, Gypsies, Zsupan, Mirabella, Carnero, Zsupan's Men)
13. Act II Trio Mein Aug bewacht bei Tag und Nacht (Czipra, Barinkay, Saffi)
14. Act II Trio Ein Greis ist mir im Traum erschienen (Czipra, Barinkay, Saffi)
15. Act II Auf, auf, auf! (Pali, Gypsies, Gypsy Women) - Ha, das Eisen wird gefuge (Gypsies)
16. Act II Dialogue Hoch, Saffi! Hoch, Barinkay! (Chorus, Carnero, Barinkay)
17. Act II Duet Wer uns getraut (Barinkay, Saffi, Chorus)
18. Act II Dialogue Dompfaff, Nachtigall und Storche (Carnero, Ottokar, Arsena, Chorus, Homonay, Barinkay)
19. Act II Her die Hand, es muss ja sein (Homonay, Chorus)
20. Act II Dialogue Wer kein Feigling und kein Schurke ist (Homonay, Chorus, Zsupan, Ottokar, Arsena, Carnero, Saffi, Barinkay)
21. Act II Finale Nach Wien! (All, Chorus)
22. Act III Entr'acte Tempo di valse
23. Act III Dialogue Der Krieg ist zu Ende! (A Herald, Chorus) - Chorus Freuet Euch (Chorus)
24. Act III Dialogue Arsena, mein Kind (Mirabella, Arsena, Carnero)
25. Act III Ein Madchen hat es gar nicht gut (Arsena, Mirabella, Carnero)
26. Act III Dialogue Arsena, Arsena, sie kommen! (Carnero, Arsena, Zsupan, Mirabella)
27. Act III March Couplet with chorus Von des Tajo Strand (Zsupan, Chorus)
28. Act III Entrance march Hurra, die Schlacht mitgemacht (Chorus)
29. Act III Dialogue Ich danke Euch (Homonay, Zsupan, Barinkay)
30. Act III Finale Heiraten vivat! (Chorus, Barinkay, Arsena, Mirabella, Zsupan, Homonay, Saffi, Czipra)
Johann Strauss Jr. is the most prominent member of the famous musical Strauss family and with more than 500 dance compositions to his name, became known as ‘The Waltz King’. While conducting the world première of his operetta Der Zigeunerbaron at the Theater an der Wien on 24 October 1885, Strauss junior lived one of, if not the biggest, stage successes of his career. Der Zigeunerbaron received 87 successive performances, which made it even more successful than Die Fledermaus and during the composer’s lifetime alone, the operetta was performed in more than 140 theaters.
Originally Strauss intended to perform the 3 act operetta, on a libretto by Ignaz Schnitzer, at the Vienna Court Opera, rather than the Theater an der Wien. Even though this didn’t work out for contractual reasons, it may be seen as a reflection of the composer’s ambition to outgrow the dance hall. Der Zigeunerbaron clearly is a much more dramatic piece than Die Fledermaus and is by many considered to be a comic opera, instead of a genuine operetta. Johann Strauss junior forever stayed The Waltz King, but Der Zigeunerbaron became a success until present day. With the release of this 2-SACD album, now to be enjoyed in a splendid May 2015 recording by the NDR Radiophilharmonie and the NDR Chor conducted by Lawrence Foster.
Year 2016 | Classical | FLAC / APE | HD & Vinyl
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