Eleni Karaindrou - Dust of Time - Music For The Film By Theo Angelopoulos (2009)

Perhaps more than in any other film, Eleni Karaindrou’s score for Dust of Time wavers in the shadows. “To write the music I had to look for the film’s secret codes,” says Angelopoulos’s trusted composer, “I had to bring the essence of things to the surface and shed intense light on the sound colors underlining the timelessness of nostalgia.” This time the instrumental colors are most intimate, honed to evocative perfection by violinist Sergiu Nastasa, cellist Renato Ripo, and harpist Maria Bildea. Hailing from Romania and Albania, this trio brings its own traditions and nuances to a permeable set of motives. Of these, the “Dance Theme” and its variations figure centrally in both film and soundtrack. It is the music we hear in the pivotal rehearsal scene, homage to Karaindrou’s voicing and intuitive matching. “Waltz by the River” crystallizes the theme’s core values, adding accordionist Dinos Hadjiiordanou into the watercolor mix. As in so many of Angelopoulous’s films, dance animates the passage of time, the degradation of history, and the preservation of memory. Karaindrou’s attention to every movement wipes clean emotional dumping grounds for tragic pasts, purges war-ravaged biographies of their blood in single strokes.
Because the soundtrack’s 45 minutes were culled from over 100 minutes of music, what we encounter is a powerful skeleton. Between the harp and violin duet of “Le Temps Perdu” and the concluding oceanic currents of “Adieu,” Karaindrou figures the power of the melody with as much tact as her arrangements thereof. Along the way, threads unravel to reveal the tumult of wandering and exile in “Seeking,” while passages like “Solitude” speak in monosyllables of enchantment.
Dreams are not beyond us. They return. Like the old reels of A’s interest, they hold their images until the light of waking passes through them anew. Every picture, every note on a staff, is a voyage waiting to begin.