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Eleni Karaindrou - Trilogy: The Weeping Meadow (2004)

Eleni Karaindrou - Trilogy: The Weeping Meadow (2004)

BAND/ARTIST: Eleni Karaindrou

Tracklist:

01. The Weeping Meadow
02. Theme Of Uprooting I
03. Waiting I
04. Memories
05. The Tree
06. Young Man's Theme I
07. The Weeping Meadow I
08. Theme Of Uprooting II
09. Waiting II
10. Theme Of The Uprooting
11. Prayer
12. The Tree
13. On The Road
14. Young Man's Theme
15. Theme Of The Uprooting III
16. The Weeping Meadow II

Performers:
Accordion – Konstantinos Raptis (tracks: 1, 5, 6, 9 to 14, 16)
Choir [Vocal Ensemble] – Hellenic Vocal Ensemble (tracks: 11)
French Horn – Vangelis Skouras (tracks: 1, 9, 11, 13, 16)
Harp – Maria Bildea (tracks: 2, 4 to 6, 8 to 13, 15, 16)
Lyre [Constantinople Lyra] – Socratis Sinopoulos* (tracks: 5, 6, 9 to 13)
Orchestra [String Orchestra] – La Camerata* (tracks: 1 to 4, 7, 8, 11, 13, 15, 16)
Piano – Eleni Karaindrou (tracks: 5, 12)
Violin – Sergiu Nastasa (tracks: 4, 5, 9, 12)
Violoncello – Renato Ripo (tracks: 2, 4, 5, 8, 9, 12, 15)

Film and orchestral music composer Eleni Karaindrou has made a beautiful and moving statement with THE WEEPING MEADOW. A native of Greece, Karaindrou's influences are decidedly European, and within the music, one can hear the stamp of impressionistic composers like Erik Satie, avant garde innovators like Bartok, as well as Greek and Balkan folk forms. Karaindrou's music also traffics in 20th-century minimalism, creating tense, atmospheric spaces that feel empty and dense at once (one of the composer's frequently used motifs involves "patterns" that recall the tingling, polyphonic gestures of Phillip Glass).

Although several themes are reprised throughout the album, the combination of ambient textures, folk phrasing (accordions, guitars, and violins figure prominently into several pieces), and lush orchestral work keep the music consistently interesting. The pieces are often set in a minor key, so a somber, melancholic mood prevails yet never feels forced or melodramatic, and the spacious, tasteful arrangements are in keeping with the ECM aesthetic. THE WEEPING MEADOW is largely instrumental, but also features several choral pieces, adding to the variety and depth of the overall palette on this impressive achievement.



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  • bestpiano
  •  wrote in 08:46
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