Clara Dent - La Primadonna (Arr. for Oboe) (2015)
BAND/ARTIST: Clara Dent, Peter Bruns, Mendelssohn Kammerorchester Leipzig
- Title: La Primadonna (Arr. for Oboe)
- Year Of Release: 2015
- Label: Coviello Classics
- Genre: Classical
- Quality: flac lossless
- Total Time: 01:01:29
- Total Size: 248 mb
- WebSite: Album Preview
Tracklist
01. Les vêpres siciliennes: "Mercè dilette amiche" (Arr. for Oboe)
02. Storiella d'amore, SC 40 (Arr. for Oboe)
03. Armida: "D'amor al dolce impero" (Arr. for Oboe)
04. La traviata: "Addio del passato" (Arr. for Oboe)
05. Study on La bohème: "Sole e amore" (Arr. for Oboe)
06. Aida: "O patria mia" (Arr. for Oboe)
07. Paride ed Elena, Wq. 39: "Oh, del mio dolce ardor" (Arr. for Oboe)
08. Le nozze di Figaro, K. 492: "Dove sono" (Arr. for Oboe)
09. Der Freischütz, Op. 77, J. 277: Ännchen's Romance: Andante - Allegro (Arr. for Oboe)
10. Der Freischütz, Op. 77, J. 277: Agathe's Cavatine: Adagio (Arr. for Oboe)
11. Der Freischütz, Op. 77, J. 277: Ännchen's Ariette: Allegretto (Arr. for Oboe)
12. La cenerentola: Finale. "Naqui all'affanno" (Arr. for Oboe)
13. 5 Gedichte für eine Frauenstimme, WWV 91 "Wesendonck-Lieder": No. 5, Träume (Arr. for Oboe)
14. Intermezzo (Arr. for Oboe)
Although the oboe repertoire is comparatively rich, Clara Dent wanted to record another musical programme, one that is customized for her. Fascinated by the direct expression of the singing voice in opera arias, she asked Andreas N. Tarkmann to arrange a whole program with edited arias for her. He set up pieces so suitable for oboe that it sounds as if they were composed for this instrument in the first place. One can listen to the very successful result on this new Coviello recording.
01. Les vêpres siciliennes: "Mercè dilette amiche" (Arr. for Oboe)
02. Storiella d'amore, SC 40 (Arr. for Oboe)
03. Armida: "D'amor al dolce impero" (Arr. for Oboe)
04. La traviata: "Addio del passato" (Arr. for Oboe)
05. Study on La bohème: "Sole e amore" (Arr. for Oboe)
06. Aida: "O patria mia" (Arr. for Oboe)
07. Paride ed Elena, Wq. 39: "Oh, del mio dolce ardor" (Arr. for Oboe)
08. Le nozze di Figaro, K. 492: "Dove sono" (Arr. for Oboe)
09. Der Freischütz, Op. 77, J. 277: Ännchen's Romance: Andante - Allegro (Arr. for Oboe)
10. Der Freischütz, Op. 77, J. 277: Agathe's Cavatine: Adagio (Arr. for Oboe)
11. Der Freischütz, Op. 77, J. 277: Ännchen's Ariette: Allegretto (Arr. for Oboe)
12. La cenerentola: Finale. "Naqui all'affanno" (Arr. for Oboe)
13. 5 Gedichte für eine Frauenstimme, WWV 91 "Wesendonck-Lieder": No. 5, Träume (Arr. for Oboe)
14. Intermezzo (Arr. for Oboe)
Although the oboe repertoire is comparatively rich, Clara Dent wanted to record another musical programme, one that is customized for her. Fascinated by the direct expression of the singing voice in opera arias, she asked Andreas N. Tarkmann to arrange a whole program with edited arias for her. He set up pieces so suitable for oboe that it sounds as if they were composed for this instrument in the first place. One can listen to the very successful result on this new Coviello recording.
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