Hans-Eberhard Roß - Louis Vierne: Organ Symphonies, Op. 14 & Op. 20 (2012/2020) [Hi-Res]
BAND/ARTIST: Hans-Eberhard Roß
- Title: Louis Vierne: Organ Symphonies, Op. 14 & Op. 20
- Year Of Release: 2012
- Label: audite Musikproduktion
- Genre: Classical
- Quality: 24bit-44.1kHz FLAC (tracks)
- Total Time: 65:43
- Total Size: 559 MB
- WebSite: Album Preview
Tracklist:
01. Première Symphonie pour Grand Orgue en ré mineur, Op. 14: I. Prélude. Maestoso (6:55)
02. Première Symphonie pour Grand Orgue en ré mineur, Op. 14: II. Fugue. Moderato non troppo lento (4:15)
03. Première Symphonie pour Grand Orgue en ré mineur, Op. 14: III. Pastorale. Allegretto (6:47)
04. Première Symphonie pour Grand Orgue en ré mineur, Op. 14: IV. Allegro Vivace (4:16)
05. Première Symphonie pour Grand Orgue en ré mineur, Op. 14: V. Andante. Quasi adagio (6:10)
06. Première Symphonie pour Grand Orgue en ré mineur, Op. 14: VI. Final. Allegro (5:45)
07. Deuxième Symphonie pour Grand Orgue en mi mineur, Op. 20: I. Allegro. Risoluto ma non troppo vivo (6:15)
08. Deuxième Symphonie pour Grand Orgue en mi mineur, Op. 20: II. Choral. Largo (6:37)
09. Deuxième Symphonie pour Grand Orgue en mi mineur, Op. 20: III. Scherzo. Quasi Presto (3:51)
10. Deuxième Symphonie pour Grand Orgue en mi mineur, Op. 20: IV. Cantabile. Larghetto (7:37)
11. Deuxième Symphonie pour Grand Orgue en mi mineur, Op. 20: V. Final. Maestoso (7:21)
01. Première Symphonie pour Grand Orgue en ré mineur, Op. 14: I. Prélude. Maestoso (6:55)
02. Première Symphonie pour Grand Orgue en ré mineur, Op. 14: II. Fugue. Moderato non troppo lento (4:15)
03. Première Symphonie pour Grand Orgue en ré mineur, Op. 14: III. Pastorale. Allegretto (6:47)
04. Première Symphonie pour Grand Orgue en ré mineur, Op. 14: IV. Allegro Vivace (4:16)
05. Première Symphonie pour Grand Orgue en ré mineur, Op. 14: V. Andante. Quasi adagio (6:10)
06. Première Symphonie pour Grand Orgue en ré mineur, Op. 14: VI. Final. Allegro (5:45)
07. Deuxième Symphonie pour Grand Orgue en mi mineur, Op. 20: I. Allegro. Risoluto ma non troppo vivo (6:15)
08. Deuxième Symphonie pour Grand Orgue en mi mineur, Op. 20: II. Choral. Largo (6:37)
09. Deuxième Symphonie pour Grand Orgue en mi mineur, Op. 20: III. Scherzo. Quasi Presto (3:51)
10. Deuxième Symphonie pour Grand Orgue en mi mineur, Op. 20: IV. Cantabile. Larghetto (7:37)
11. Deuxième Symphonie pour Grand Orgue en mi mineur, Op. 20: V. Final. Maestoso (7:21)
To commemorate the 75th anniversary of Louis Vierne's death, the present recording marks the beginning of audite's three-part complete recording of the composer's six Organ Symphonies with the organist Hans-Eberhard Roß. Recorded at the Goll organ of St. Martin in Memmingen, the recording is characterised by the warm, soft and widely mensurated sound of the organ. Its sound creates unobtrusive power and fullness, making a symphonic effect in the church interior of St. Martin and yet always remaining clear. The polyphonic structures of the works become distinct and the transparency of sound permits fresher tempi than usual - both of which cannot normally be taken for granted with recordings of Vierne.
The French composer, organist and instrumental pedagogue Louis Victor Jules Vierne was extremely talented and ambitious, but nearly blind. His reaction to virtuoso organ playing, such as that of César Franck, was characterised by bliss and suffering, joy and fear. He studied in Paris with Charles-Marie Widor, who had founded the genre of the organ symphony. In 1894 Vierne, at the age of only 23, was allowed to represent his teacher in two functions, so that a future full of hope lay before him: at the organ console of the Church of Saint-Sulpice in Paris and in Widor's organ class at the Conservatory. But Vierne felt destined for higher things: in 1899 and 1903 he composed the first two (of a total of six) Organ Symphonies that were to lend the genre an unprecedented richness of timbres, mysticism and cyclic architecture. It is with these two works, written during comparatively happy years, that the three-part complete recording of the six Organ Symphonies of Louis Vierne, released by audite, begins. It will continue with the recording of Organ Symphonies Nos. 3 and 4, which were written when their creator was established as organist of Notre-Dame - as well as Nos. 5 and 6, when Vierne enjoyed international successes whilst his life became increasingly tragic.Hans-Eberhard Roß is Director of Church Music in Memmingen.
Hans-Eberhard Ross, organ
The French composer, organist and instrumental pedagogue Louis Victor Jules Vierne was extremely talented and ambitious, but nearly blind. His reaction to virtuoso organ playing, such as that of César Franck, was characterised by bliss and suffering, joy and fear. He studied in Paris with Charles-Marie Widor, who had founded the genre of the organ symphony. In 1894 Vierne, at the age of only 23, was allowed to represent his teacher in two functions, so that a future full of hope lay before him: at the organ console of the Church of Saint-Sulpice in Paris and in Widor's organ class at the Conservatory. But Vierne felt destined for higher things: in 1899 and 1903 he composed the first two (of a total of six) Organ Symphonies that were to lend the genre an unprecedented richness of timbres, mysticism and cyclic architecture. It is with these two works, written during comparatively happy years, that the three-part complete recording of the six Organ Symphonies of Louis Vierne, released by audite, begins. It will continue with the recording of Organ Symphonies Nos. 3 and 4, which were written when their creator was established as organist of Notre-Dame - as well as Nos. 5 and 6, when Vierne enjoyed international successes whilst his life became increasingly tragic.Hans-Eberhard Roß is Director of Church Music in Memmingen.
Hans-Eberhard Ross, organ
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Hans-Eberhard Ross - Louis Vierne- Organ Symphonies, Op 14 & Op 20.rar - 559.3 MB
Hans-Eberhard Ross - Louis Vierne- Organ Symphonies, Op 14 & Op 20.rar - 559.3 MB
Year 2020 | Classical | HD & Vinyl
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