Nicolas Altstaedt & Alexander Lonquich - Beethoven: Complete Works for Fortepiano and Violoncello (2020) [Hi-Res]
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BAND/ARTIST: Nicolas Altstaedt & Alexander Lonquich
- Title: Beethoven: Complete Works for Fortepiano and Violoncello
- Year Of Release: 2020
- Label: Alpha
- Genre: Classical
- Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
- Total Time: 02:24:13
- Total Size: 522 MB / 2.35 GB
- WebSite: Album Preview
Tracklist:
CD1
1. 12 Variations on "See the Conqu'ring Hero Comes" in G Major, WoO 45 (12:14)
2. Sonata No. 1 in F Major, Op. 5 No. 1: I. Adagio sostenuto (2:47)
3. Sonata No. 1 in F Major, Op. 5 No. 1: II. Allegro (14:10)
4. Sonata No. 1 in F Major, Op. 5 No. 1: III. Allegro vivace (6:48)
5. Sonata No. 2 in G Minor, Op. 5 No. 2: I. Adagio sostenuto ed espressivo (5:33)
6. Sonata No. 2 in G Minor, Op. 5 No. 2: II. Allegro molto più tosto presto (14:00)
7. Sonata No. 2 in G Minor, Op. 5 No. 2: III. Rondo. Allegro (8:32)
8. 12 Variations on "Ein Mädchen oder Weibchen" in F Major, Op. 66 (9:46)
CD2
1. Sonata No. 3 in A Major, Op. 69: I. Allegro, ma non troppo (12:10)
2. Sonata No. 3 in A Major, Op. 69: II. Scherzo. Allegro molto - Trio (5:06)
3. Sonata No. 3 in A Major, Op. 69: III. Adagio - Allegro vivace (8:30)
4. 7 Variations on "Bei Männern Welche Liebe Fühlen" in E-Flat Major, WoO 46 (9:16)
5. Sonata No. 4 in C Major, Op. 102 No. 1: Ia. Andante (2:46)
6. Sonata No. 4 in C Major, Op. 102 No. 1: Ib. Allegro vivace (5:04)
7. Sonata No. 4 in C Major, Op. 102 No. 1: IIa. Adagio (2:54)
8. Sonata No. 4 in C Major, Op. 102 No. 1: IIb. Allegro vivace (4:25)
9. Sonata No. 5 in D Major, Op. 102 No. 2: I. Allegro con brio (6:40)
10. Sonata No. 5 in D Major, Op. 102 No. 2: II. Adagio con molto sentimento d'affetto (8:58)
11. Sonata No. 5 in D Major, Op. 102 No. 2: III. Allegro (4:46)
CD1
1. 12 Variations on "See the Conqu'ring Hero Comes" in G Major, WoO 45 (12:14)
2. Sonata No. 1 in F Major, Op. 5 No. 1: I. Adagio sostenuto (2:47)
3. Sonata No. 1 in F Major, Op. 5 No. 1: II. Allegro (14:10)
4. Sonata No. 1 in F Major, Op. 5 No. 1: III. Allegro vivace (6:48)
5. Sonata No. 2 in G Minor, Op. 5 No. 2: I. Adagio sostenuto ed espressivo (5:33)
6. Sonata No. 2 in G Minor, Op. 5 No. 2: II. Allegro molto più tosto presto (14:00)
7. Sonata No. 2 in G Minor, Op. 5 No. 2: III. Rondo. Allegro (8:32)
8. 12 Variations on "Ein Mädchen oder Weibchen" in F Major, Op. 66 (9:46)
CD2
1. Sonata No. 3 in A Major, Op. 69: I. Allegro, ma non troppo (12:10)
2. Sonata No. 3 in A Major, Op. 69: II. Scherzo. Allegro molto - Trio (5:06)
3. Sonata No. 3 in A Major, Op. 69: III. Adagio - Allegro vivace (8:30)
4. 7 Variations on "Bei Männern Welche Liebe Fühlen" in E-Flat Major, WoO 46 (9:16)
5. Sonata No. 4 in C Major, Op. 102 No. 1: Ia. Andante (2:46)
6. Sonata No. 4 in C Major, Op. 102 No. 1: Ib. Allegro vivace (5:04)
7. Sonata No. 4 in C Major, Op. 102 No. 1: IIa. Adagio (2:54)
8. Sonata No. 4 in C Major, Op. 102 No. 1: IIb. Allegro vivace (4:25)
9. Sonata No. 5 in D Major, Op. 102 No. 2: I. Allegro con brio (6:40)
10. Sonata No. 5 in D Major, Op. 102 No. 2: II. Adagio con molto sentimento d'affetto (8:58)
11. Sonata No. 5 in D Major, Op. 102 No. 2: III. Allegro (4:46)
Beethoven’s output for cello and piano is fascinating because it covers every period of his career, from early to late, with references to Bach in op.69 and op.102 no.2 and an especially innovative and amazingly modern musical language. For this complete set, which includes the variations on themes from Handel’s Judas Maccabaeus and Mozart’s Die Zauberflöte, Nicolas Altstaedt was keen to record on an instrument with gut strings, a Guadagnini from Piacenza dated 1749, and using a Classical bow.
Alexander Lonquich, his faithful recital partner – they been inseparable companions since the day Altstaedt replaced his teacher Boris Pergamenschikow at the last minute for a concert of Beethoven sonatas with Lonquich at the Beethovenfest in Bonn in 2004 – here plays a Graf fortepiano of 1826. The combination of these instruments produces a finely balanced sound and exceptional tone colours. This recording is Nicolas Altstaedt’s first for Alpha as a soloist. Others will follow, in very different genres, for eclecticism is the hallmark of this musician, among the most promising of the new generation.
Nicolas Altstaedt (cello)
Alexander Lonquich (piano)
Alexander Lonquich, his faithful recital partner – they been inseparable companions since the day Altstaedt replaced his teacher Boris Pergamenschikow at the last minute for a concert of Beethoven sonatas with Lonquich at the Beethovenfest in Bonn in 2004 – here plays a Graf fortepiano of 1826. The combination of these instruments produces a finely balanced sound and exceptional tone colours. This recording is Nicolas Altstaedt’s first for Alpha as a soloist. Others will follow, in very different genres, for eclecticism is the hallmark of this musician, among the most promising of the new generation.
Nicolas Altstaedt (cello)
Alexander Lonquich (piano)
Year 2020 | Classical | FLAC / APE | HD & Vinyl
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