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Duo Imtakt - Song of the Forests (2020) [Hi-Res]

Duo Imtakt - Song of the Forests (2020) [Hi-Res]

BAND/ARTIST: Duo Imtakt

  • Title: Song of the Forests
  • Year Of Release: 2020
  • Label: Profil
  • Genre: Classical
  • Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
  • Total Time: 45:00
  • Total Size: 194 / 774 MB
  • WebSite:
Tracklist:

1. Sonatina in C Major, WoO 44a (2:40)
2. Andante con variazioni in D Major, WoO 44b (9:01)
3. Mandolin Concerto in C Major, RV 425: I. Allegro (2:55)
4. Piano Sonata No. 11 in A Major, K. 331: III. Alla turca (Arr. F. Say) (2:29)
5. Recuerdos de la Alhambra (Arr. for Mandolin & Piano) (3:09)
6. Tarantella (Arr. Mandolin & Piano) (3:02)
7. The Music Box, Op. 32 (Arr. for Mandolin & Piano) (2:25)
8. The Nutcracker Suite, Op. 71a: IIf. Dance of the Reed Flutes (Arr. for Mandolin & Piano) (2:41)
9. Song of the Forests (Arr. for Mandolin & Piano) (3:20)
10. Venus Star (4:36)
11. Italian Polka in E-Flat Major (Arr. for Mandolin & Piano) (1:55)
12. Variations on "Mar Dyanda" (Arr. for Mandolin & Piano) (2:54)
13. Kalinka (Arr. V. Gorodoskaya) (4:04)

"Olga Dubowskaja and Olesya Salvytska, who are from Belarus and Ukraine respectively, have been giving concerts s ince 2005 as DUO IMTAKT. They favour two formation types which are seldom heard in Germany: mandolin & piano and domra & piano. The Neapolitan mandolin has been relegated during the 20th century to the family of folk instruments - despite its remarkable, eighteenth-century Classical past (even master composers such as Mozart and Beethoven wrote works for it). From 1960 onwards, in Germany, the mandolin enjoyed a return to the classical tradition and from 1979 it was possible to study mandoli n at the universities of Berlin and Wuppertal as a main subject. The Domra, a Russian plucked string instrument rich of tradition, took on a sort of mediatory role between the noble arts and the aesthetic demands of the population in the twentieth century. Composers such as Tchaikovsky, Rakhmaninov and Prokofiev were able to place them in a serious context. As the domra became increasingly popular, so professional teaching institutions were created. As a result, there have been music schools and academies in Russia, Belarus and Ukraine for more than 100 years that train artists to play th is instrument."


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  • platico
  •  wrote in 22:05
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gracias....
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  • olga1001
  •  wrote in 18:47
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