Gunar Letzbor & Ars Antiqua Austria - Biber: Rosenkranzsonaten, C 90-105 (2020)
BAND/ARTIST: Gunar Letzbor, Ars Antiqua Austria
- Title: Biber: Rosenkranzsonaten, C 90-105
- Year Of Release: 2020
- Label: Pan Classics
- Genre: Classical
- Quality: flac lossless +Booklet
- Total Time: 02:22:30
- Total Size: 728 mb
- WebSite: Album Preview
Tracklist
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CD1
01. Rosenkranzsonate No. 1 in D Minor, C 90 "The Annunciation": I. Praeludium
02. Rosenkranzsonate No. 1 in D Minor, C 90 "The Annunciation": II. Aria allegro-Variatio
03. Rosenkranzsonate No. 1 in D Minor, C 90 "The Annunciation": III. Adagio-Finale
04. Rosenkranzsonate No. 2 in A Major, C 91 "Mary's Visit to Elizabeth": I. Sonata
05. Rosenkranzsonate No. 2 in A Major, C 91 "Mary's Visit to Elizabeth": II. Allemande
06. Rosenkranzsonate No. 2 in A Major, C 91 "Mary's Visit to Elizabeth": III. Presto
07. Rosenkranzsonate No. 3 in B Minor, C 92 "The Nativity": I. Sonata
08. Rosenkranzsonate No. 3 in B Minor, C 92 "The Nativity": II. Courante-Double
09. Rosenkranzsonate No. 3 in B Minor, C 92 "The Nativity": III. Adagio
10. Rosenkranzsonate No. 4 in D Minor, C 93 "The Presentation"
11. Rosenkranzsonate No. 5 in A Major, C 94 "Child Jesus in the Temple": I. Praeludium
12. Rosenkranzsonate No. 5 in A Major, C 94 "Child Jesus in the Temple": II. Allemande
13. Rosenkranzsonate No. 5 in A Major, C 94 "Child Jesus in the Temple": III. Gigue
14. Rosenkranzsonate No. 5 in A Major, C 94 "Child Jesus in the Temple": IV. Sarabande-Double
15. Rosenkranzsonate No. 6 in C Minor, C 95 "The Agony in the Garden": Ia. Lamento
16. Rosenkranzsonate No. 6 in C Minor, C 95 "The Agony in the Garden": Ib. Adagio
17. Rosenkranzsonate No. 6 in C Minor, C 95 "The Agony in the Garden": Ic. Adagio
18. Rosenkranzsonate No. 7 in F Major, C 96 "The Scourging of Jesus": I. Allemande-Variatio
19. Rosenkranzsonate No. 7 in F Major, C 96 "The Scourging of Jesus": II. Sarabande-Variatio
20. Rosenkranzsonate No. 8 in B-Flat Major, C 97 "The Crown of Thorns": I. Sonata
21. Rosenkranzsonate No. 8 in B-Flat Major, C 97 "The Crown of Thorns": II. Gigue-Doubles I & II
22. Rosenkranzsonate No. 9 in A Minor, C 98 "Carrying the Cross": I. Sonata
23. Rosenkranzsonate No. 9 in A Minor, C 98 "Carrying the Cross": II. Courante-Double
24. Rosenkranzsonate No. 9 in A Minor, C 98 "Carrying the Cross": III. Finale
25. Rosenkranzsonate No. 10 in G Minor, C 99 "The Crucifixion": I. Praeludium
26. Rosenkranzsonate No. 10 in G Minor, C 99 "The Crucifixion": II. Aria-Variatio
CD2
01. Rosenkranzsonate No. 11 in G Major, C 100 "The Resurrection": I. Sonata
02. Rosenkranzsonate No. 11 in G Major, C 100 "The Resurrection": II. Surrexit Christus hodie
03. Rosenkranzsonate No. 11 in G Major, C 100 "The Resurrection": III. Adagio
04. Rosenkranzsonate No. 12 in C Major, C 101 "The Ascension": I. Intrada
05. Rosenkranzsonate No. 12 in C Major, C 101 "The Ascension": II. Aria tubicinum
06. Rosenkranzsonate No. 12 in C Major, C 101 "The Ascension": III. Allamande-Variatio
07. Rosenkranzsonate No. 12 in C Major, C 101 "The Ascension": IV. Courante-Double
08. Rosenkranzsonate No. 13 in D Minor, C 102 "The Holy Ghost": I. Sonata
09. Rosenkranzsonate No. 13 in D Minor, C 102 "The Holy Ghost": II. Gavotte
10. Rosenkranzsonate No. 13 in D Minor, C 102 "The Holy Ghost": III. Gigue
11. Rosenkranzsonate No. 13 in D Minor, C 102 "The Holy Ghost": IV. Sarabande
12. Rosenkranzsonate No. 14 in D Major, C 103 "The Assumption of Mary": I. Grave
13. Rosenkranzsonate No. 14 in D Major, C 103 "The Assumption of Mary": II. Aria-Gigue
14. Rosenkranzsonate No. 15 in C Major, C 104 "Crowning of the Virgin Mary": I. Sonata
15. Rosenkranzsonate No. 15 in C Major, C 104 "Crowning of the Virgin Mary": II. Aria
16. Rosenkranzsonate No. 15 in C Major, C 104 "Crowning of the Virgin Mary": III. Canzone
17. Rosenkranzsonate No. 15 in C Major, C 104 "Crowning of the Virgin Mary": IV. Sarabande
18. Passacaglia in G Minor, C 105 “The Guardian Angel”
Eduard Melkus brought Heinrich Ignaz Franz Biber's (1644-1704) Rosary Sonatas (Rosenkranzsonaten) to new life with his groundbreaking 1967 recording; in the six decades that have passed since then, the pieces, which are as virtuoso as they are meditative in mood, have conquered a firm place in the discographies of ambitious baroque violinists. The Austrian violinist Gunar Letzbor has been considered one of the leading interpreters of this famous cycle since he recorded his interpretation on album for the Arcana label in 1996. The success was overwhelming: the critics were enthusiastic and the recording is still today available in the label's catalogue. Letzbor gave countless concerts with sonatas from Biber's epochal work, earning himself a reputation as the Biber expert. In 2019, more than two decades later, richer in experience, in life and as an artist, Letzbor again dares to perform Biber's Rosary Sonatas. The new recording is not only more than 20 minutes longer than the 1996 recording, it also incorporates the latest research results, such as the "Salzburger Lautensatz", an instrumentation of the lute continuo typical of Biber's Salzburg days. In a detailed, highest readable booklet text Letzbor gives detailed information about his new approach.
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CD1
01. Rosenkranzsonate No. 1 in D Minor, C 90 "The Annunciation": I. Praeludium
02. Rosenkranzsonate No. 1 in D Minor, C 90 "The Annunciation": II. Aria allegro-Variatio
03. Rosenkranzsonate No. 1 in D Minor, C 90 "The Annunciation": III. Adagio-Finale
04. Rosenkranzsonate No. 2 in A Major, C 91 "Mary's Visit to Elizabeth": I. Sonata
05. Rosenkranzsonate No. 2 in A Major, C 91 "Mary's Visit to Elizabeth": II. Allemande
06. Rosenkranzsonate No. 2 in A Major, C 91 "Mary's Visit to Elizabeth": III. Presto
07. Rosenkranzsonate No. 3 in B Minor, C 92 "The Nativity": I. Sonata
08. Rosenkranzsonate No. 3 in B Minor, C 92 "The Nativity": II. Courante-Double
09. Rosenkranzsonate No. 3 in B Minor, C 92 "The Nativity": III. Adagio
10. Rosenkranzsonate No. 4 in D Minor, C 93 "The Presentation"
11. Rosenkranzsonate No. 5 in A Major, C 94 "Child Jesus in the Temple": I. Praeludium
12. Rosenkranzsonate No. 5 in A Major, C 94 "Child Jesus in the Temple": II. Allemande
13. Rosenkranzsonate No. 5 in A Major, C 94 "Child Jesus in the Temple": III. Gigue
14. Rosenkranzsonate No. 5 in A Major, C 94 "Child Jesus in the Temple": IV. Sarabande-Double
15. Rosenkranzsonate No. 6 in C Minor, C 95 "The Agony in the Garden": Ia. Lamento
16. Rosenkranzsonate No. 6 in C Minor, C 95 "The Agony in the Garden": Ib. Adagio
17. Rosenkranzsonate No. 6 in C Minor, C 95 "The Agony in the Garden": Ic. Adagio
18. Rosenkranzsonate No. 7 in F Major, C 96 "The Scourging of Jesus": I. Allemande-Variatio
19. Rosenkranzsonate No. 7 in F Major, C 96 "The Scourging of Jesus": II. Sarabande-Variatio
20. Rosenkranzsonate No. 8 in B-Flat Major, C 97 "The Crown of Thorns": I. Sonata
21. Rosenkranzsonate No. 8 in B-Flat Major, C 97 "The Crown of Thorns": II. Gigue-Doubles I & II
22. Rosenkranzsonate No. 9 in A Minor, C 98 "Carrying the Cross": I. Sonata
23. Rosenkranzsonate No. 9 in A Minor, C 98 "Carrying the Cross": II. Courante-Double
24. Rosenkranzsonate No. 9 in A Minor, C 98 "Carrying the Cross": III. Finale
25. Rosenkranzsonate No. 10 in G Minor, C 99 "The Crucifixion": I. Praeludium
26. Rosenkranzsonate No. 10 in G Minor, C 99 "The Crucifixion": II. Aria-Variatio
CD2
01. Rosenkranzsonate No. 11 in G Major, C 100 "The Resurrection": I. Sonata
02. Rosenkranzsonate No. 11 in G Major, C 100 "The Resurrection": II. Surrexit Christus hodie
03. Rosenkranzsonate No. 11 in G Major, C 100 "The Resurrection": III. Adagio
04. Rosenkranzsonate No. 12 in C Major, C 101 "The Ascension": I. Intrada
05. Rosenkranzsonate No. 12 in C Major, C 101 "The Ascension": II. Aria tubicinum
06. Rosenkranzsonate No. 12 in C Major, C 101 "The Ascension": III. Allamande-Variatio
07. Rosenkranzsonate No. 12 in C Major, C 101 "The Ascension": IV. Courante-Double
08. Rosenkranzsonate No. 13 in D Minor, C 102 "The Holy Ghost": I. Sonata
09. Rosenkranzsonate No. 13 in D Minor, C 102 "The Holy Ghost": II. Gavotte
10. Rosenkranzsonate No. 13 in D Minor, C 102 "The Holy Ghost": III. Gigue
11. Rosenkranzsonate No. 13 in D Minor, C 102 "The Holy Ghost": IV. Sarabande
12. Rosenkranzsonate No. 14 in D Major, C 103 "The Assumption of Mary": I. Grave
13. Rosenkranzsonate No. 14 in D Major, C 103 "The Assumption of Mary": II. Aria-Gigue
14. Rosenkranzsonate No. 15 in C Major, C 104 "Crowning of the Virgin Mary": I. Sonata
15. Rosenkranzsonate No. 15 in C Major, C 104 "Crowning of the Virgin Mary": II. Aria
16. Rosenkranzsonate No. 15 in C Major, C 104 "Crowning of the Virgin Mary": III. Canzone
17. Rosenkranzsonate No. 15 in C Major, C 104 "Crowning of the Virgin Mary": IV. Sarabande
18. Passacaglia in G Minor, C 105 “The Guardian Angel”
Eduard Melkus brought Heinrich Ignaz Franz Biber's (1644-1704) Rosary Sonatas (Rosenkranzsonaten) to new life with his groundbreaking 1967 recording; in the six decades that have passed since then, the pieces, which are as virtuoso as they are meditative in mood, have conquered a firm place in the discographies of ambitious baroque violinists. The Austrian violinist Gunar Letzbor has been considered one of the leading interpreters of this famous cycle since he recorded his interpretation on album for the Arcana label in 1996. The success was overwhelming: the critics were enthusiastic and the recording is still today available in the label's catalogue. Letzbor gave countless concerts with sonatas from Biber's epochal work, earning himself a reputation as the Biber expert. In 2019, more than two decades later, richer in experience, in life and as an artist, Letzbor again dares to perform Biber's Rosary Sonatas. The new recording is not only more than 20 minutes longer than the 1996 recording, it also incorporates the latest research results, such as the "Salzburger Lautensatz", an instrumentation of the lute continuo typical of Biber's Salzburg days. In a detailed, highest readable booklet text Letzbor gives detailed information about his new approach.
Year 2020 | Classical | FLAC / APE
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