Les Ambassadeurs & Alexis Kossenko - Vivaldi: Per l'orchestra di Dresda (2013) [Hi-Res]
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BAND/ARTIST: Les Ambassadeurs, Alexis Kossenko
- Title: Vivaldi: Per l'orchestra di Dresda
- Year Of Release: 2013
- Label: Alpha
- Genre: Classical
- Quality: flac lossless / flac 24bits - 44.1kHz +booklet
- Total Time: 01:06:03
- Total Size: 351 / 666 mb
- WebSite: Album Preview
Tracklist
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01. Concerto for Violin, 2 Oboes, 2 Horns, Cello, Bassoon, Strings and Basso Continuo in F Major, RV 569: I. Allegro
02. Concerto for Violin, 2 Oboes, 2 Horns, Cello, Bassoon, Strings and Basso Continuo in F Major, RV 569: II. Adagio
03. Concerto for Violin, 2 Oboes, 2 Horns, Cello, Bassoon, Strings and Basso Continuo in F Major, RV 569: III. Allegro
04. Concerto for Violin, 2 Oboes, 2 Horns, Bassoon, Strings and Basso Continuo in F Major, RV 568: I. Allegro assai
05. Concerto for Violin, 2 Oboes, 2 Horns, Bassoon, Strings and Basso Continuo in F Major, RV 568: II. Largo
06. Concerto for Violin, 2 Oboes, 2 Horns, Bassoon, Strings and Basso Continuo in F Major, RV 568: III. Allegro assai
07. Concerto for Violin, 2 Oboes, 2 Horns, Cello, Strings and Basso Continuo in D Major, RV 562 « Per la Solennità di San Lorenzo »: I. Andante – Allegro
08. Concerto for Violin, 2 Oboes, 2 Horns, Cello, Strings and Basso Continuo in D Major, RV 562 « Per la Solennità di San Lorenzo »: II. Grave, adagio
09. Concerto for Violin, 2 Oboes, 2 Horns, Cello, Strings and Basso Continuo in D Major, RV 562 « Per la Solennità di San Lorenzo »: III. Allegro
10. Concerto for Violin, 2 Oboes, 2 Horns, Bassoon, Strings and Basso Continuo in F Major, RV 571: I. Allegro
11. Concerto for Violin, 2 Oboes, 2 Horns, Bassoon, Strings and Basso Continuo in F Major, RV 571: II. Largo, adagio
12. Concerto for Violin, 2 Oboes, 2 Horns, Bassoon, Strings and Basso Continuo in F Major, RV 571: III. Allegro
13. Concerto for Violin, 2 Oboes, 2 Horns, Cello, Bassoon, Strings and Basso Continuo in F Major, RV 574: I. Allegro
14. Concerto for Violin, 2 Oboes, 2 Horns, Cello, Bassoon, Strings and Basso Continuo in F Major, RV 574: II. Grave
15. Concerto for Violin, 2 Oboes, 2 Horns, Cello, Bassoon, Strings and Basso Continuo in F Major, RV 574: III. Allegro
16. Concerto for Oboe Solo and Basso Continuo, RV 568: Mouvement lent alternatif in F Major, grave
Composers
Vivaldi, Antonio (1678-1741)
Les Ambassadeurs launch a series of recordings devoted to the repertory of the Dresdner Hofkapelle at the time of Bach, with the aim of rediscovering the splendid sound of an ensemble then regarded as the orchestral ideal.
The ties of friendship between Johann Georg Pisendel – who led the orchestra – and Antonio Vivaldi held firm for life. Between their first meeting in Venice in 1716 and the death of the Prete Rosso in 1741, Pisendel continually enriched his collection of Vivaldi concertos, a certain number of which were manifestly tailor-made for his outstanding technique and equally exceptional delicacy of expression. This explains why Dresden holds so many Vivaldian treasures, sometimes autograph, sometimes copied in Pisendel’s own hand.
Although the concertos assembled by Les Ambassadeurs bear no explicit dedication, there can be little doubt that they were expressly written for the Dresden orchestra: they feature the instrumentation typical of the court Kapelle, with its horns and oboes vying for prominence with the violin.
---------
01. Concerto for Violin, 2 Oboes, 2 Horns, Cello, Bassoon, Strings and Basso Continuo in F Major, RV 569: I. Allegro
02. Concerto for Violin, 2 Oboes, 2 Horns, Cello, Bassoon, Strings and Basso Continuo in F Major, RV 569: II. Adagio
03. Concerto for Violin, 2 Oboes, 2 Horns, Cello, Bassoon, Strings and Basso Continuo in F Major, RV 569: III. Allegro
04. Concerto for Violin, 2 Oboes, 2 Horns, Bassoon, Strings and Basso Continuo in F Major, RV 568: I. Allegro assai
05. Concerto for Violin, 2 Oboes, 2 Horns, Bassoon, Strings and Basso Continuo in F Major, RV 568: II. Largo
06. Concerto for Violin, 2 Oboes, 2 Horns, Bassoon, Strings and Basso Continuo in F Major, RV 568: III. Allegro assai
07. Concerto for Violin, 2 Oboes, 2 Horns, Cello, Strings and Basso Continuo in D Major, RV 562 « Per la Solennità di San Lorenzo »: I. Andante – Allegro
08. Concerto for Violin, 2 Oboes, 2 Horns, Cello, Strings and Basso Continuo in D Major, RV 562 « Per la Solennità di San Lorenzo »: II. Grave, adagio
09. Concerto for Violin, 2 Oboes, 2 Horns, Cello, Strings and Basso Continuo in D Major, RV 562 « Per la Solennità di San Lorenzo »: III. Allegro
10. Concerto for Violin, 2 Oboes, 2 Horns, Bassoon, Strings and Basso Continuo in F Major, RV 571: I. Allegro
11. Concerto for Violin, 2 Oboes, 2 Horns, Bassoon, Strings and Basso Continuo in F Major, RV 571: II. Largo, adagio
12. Concerto for Violin, 2 Oboes, 2 Horns, Bassoon, Strings and Basso Continuo in F Major, RV 571: III. Allegro
13. Concerto for Violin, 2 Oboes, 2 Horns, Cello, Bassoon, Strings and Basso Continuo in F Major, RV 574: I. Allegro
14. Concerto for Violin, 2 Oboes, 2 Horns, Cello, Bassoon, Strings and Basso Continuo in F Major, RV 574: II. Grave
15. Concerto for Violin, 2 Oboes, 2 Horns, Cello, Bassoon, Strings and Basso Continuo in F Major, RV 574: III. Allegro
16. Concerto for Oboe Solo and Basso Continuo, RV 568: Mouvement lent alternatif in F Major, grave
Composers
Vivaldi, Antonio (1678-1741)
Les Ambassadeurs launch a series of recordings devoted to the repertory of the Dresdner Hofkapelle at the time of Bach, with the aim of rediscovering the splendid sound of an ensemble then regarded as the orchestral ideal.
The ties of friendship between Johann Georg Pisendel – who led the orchestra – and Antonio Vivaldi held firm for life. Between their first meeting in Venice in 1716 and the death of the Prete Rosso in 1741, Pisendel continually enriched his collection of Vivaldi concertos, a certain number of which were manifestly tailor-made for his outstanding technique and equally exceptional delicacy of expression. This explains why Dresden holds so many Vivaldian treasures, sometimes autograph, sometimes copied in Pisendel’s own hand.
Although the concertos assembled by Les Ambassadeurs bear no explicit dedication, there can be little doubt that they were expressly written for the Dresden orchestra: they feature the instrumentation typical of the court Kapelle, with its horns and oboes vying for prominence with the violin.
Classical | FLAC / APE | HD & Vinyl
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